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These are collections of solos containing the kind of ragtime, Latin and swing pieces that students love to practice and perform. Book One was written specifically to stimulate the rhythmic development of late elementary pianists, while Book Two is geared toward early intermediate levels. Teachers will find many exciting recital opportunities in these collections.
Recorded lessons from one of America's greatest guitarists Johnny Hiland teaches rhythm patterns essential to the working guitarist in the styles of, Bluegrass, Country, Country Rock, Blues, and Swing. Lessons in standard notation and TAB with complete audio instruction.
A Morningside Edition, originally published by Norton in 1953. Sachs deals with the principles, and considers musical meter and rhythm from the primitive stage to rag and jazz. Non-western music is fairly represented. No unified bibliography. Annotation copyrighted by Book News, Inc., Portland, OR
These essays are, according to Marjorie Nicholson, “the most illuminating articles we have on the important subject of prose style. They were pioneer articles which have remained standard.” Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This book has become a classic in all musicians' libraries for rhythmic analysis and study. Designed to teach syncopation within 4/4 time, the exercises also develop speed and accuracy in sight-reading with uncommon rhythmic figures. A must for all musicians, especially percussionists interested in syncopation.
These duet arrangements offer late elementary to early intermediate pianists the opportunity to play the classics at a much earlier level than if they were to wait to play the original version. By dividing the pieces between two performers, the individual parts are simpler, but the fullness and integrity of the originals remain. Highlights from Book 1 are Joplin's Maple Leaf Rag and Rubinstein's Melody in F.
This book began as a learning exercise as the author endeavored to explain to his Russian-speaking students how rhyme and meter were used in the English language. Designed primarily as a reading aid and an educational tool, it's been created with the following ideas in mind: 1) Reading should be a fun experience. 2) It is not necessary to simplify the Bible to make it understandable for young audiences. 3) Pronounceability leads to usability. Children do not naturally have a harsh distinction between hard and easy words. Either a word is familiar or unknown. There's no need to shy away from advanced vocabulary if it is explainable. Vividly illustrated and meticulously crafted in a poetic style, while appealing to young readers, this is the Bible as it has never been rendered before. This first volume covers the entire book of Genesis, from Adam and Eve and the fall of Mankind to the eve of Israel's dramatic Exodus from Egypt.
Autumn Inspirations is a collection of 10 piano solos that capture special recollections of the fall season, when summer is a fading memory and falling leaves are showing off their colors. From "Harvest Hoedown" to "The Legend of Sleepy Hollow," each piece has a distinctive autumn hue.