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Focusing on the dress and accessories of the Qing dynasty (1644-1911), this exquisite book captures the grandeur of the garments worn by emperors and empresses for defined formal engagements. In Qing dynasty China, there were clear rules on what to wear on different occasions. Official dress was worn when the emperor performed sacrifices at the 'Temple of Heaven' and at other important rituals. Auspicious dress was for New Year, birthdays and weddings. Military dress for troop inspection; travelling dress for hunting and royal visits to provinces, and ordinary dress for events of a non-celebrative nature, such as mourning. When not performing public duties, however, the imperial family could freely choose which garments to wear - and this book also illustrates these more casual clothes with colourful and stunning fashion dresses made for the court ladies.
Mayer Thurman."--BOOK JACKET.
By using the medium of dress, Evolution & Revolution explores the dramatic cultural, social, economic and political changes which have occurred in mainland China, Hong Kong and Taiwan over th past three centuries. This history is revealed through the luxury court robes of the Qing Dynasty (1644-1911); the tight-fitting, side-slitted East-West cheungsam; the ubiquitous Mao suit, symbol of Communist ideology; and the bold new directions of contemporary designers. Written by authors from Australia, mainland China, Hong Kong and Taiwan and rich with visual material, this unique book offers an accessible, informative and inspiring treatment of Chinese history, culture and dress.
Vollmer journeys back to the thirteenth-century Chinese Empire, where ancestors of the ruling Manchu conquerors dressed fittingly.
This is a long-awaited reprint of the major work first published in 1952. China's Dragon Robes is a scholarly survey of the dragon-patterned robes worn by nobles and officials in China during the later dynasties. Intended as a source book on a major phase of Chinese costume, it is based on translations from many Chinese sources and on the author's personal studies of exisiting examples of dragon robes in the USA and in China.The thoroughly decoumented and annotated text, supplemented by carefully chosen illustrations, offers museum curators, historians, and students of Oriental Art a basic discussion of an important, but hitherto neglected chapter in China's cultural history.
Tang dynasty (618–907) China hummed with cosmopolitan trends. Its capital at Chang’an was the most populous city in the world and was connected via the Silk Road with the critical markets and thriving cultures of Central Asia and the Middle East. In Empire of Style, BuYun Chen reveals a vibrant fashion system that emerged through the efforts of Tang artisans, wearers, and critics of clothing. Across the empire, elite men and women subverted regulations on dress to acquire majestic silks and au courant designs, as shifts in economic and social structures gave rise to what we now recognize as precursors of a modern fashion system: a new consciousness of time, a game of imitation and emulation, and a shift in modes of production. This first book on fashion in premodern China is informed by archaeological sources—paintings, figurines, and silk artifacts—and textual records such as dynastic annals, poetry, tax documents, economic treatises, and sumptuary laws. Tang fashion is shown to have flourished in response to a confluence of social, economic, and political changes that brought innovative weavers and chic court elites to the forefront of history. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/empire-of-style
List of members in each volume.