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Baptists have a long and rich heritage of congregational song. The hymns Baptists have sung and the books from which they have sung them have been shaping forces for Baptist theology, worship, and piety. Baptist authors and composers have provided songs that have made an impact not only among Baptists in America but also across denominational and geographic lines. Congregational singing continues to be a key component of Baptist worship in the twenty-first century. Beginning with an overview of the British background, this book is a survey of the history of Baptist hymnody in America from Baptist beginnings in the New World to the present. Its intent is to help the reader better understand the background against which current Baptist congregational song practices operate. Unlike earlier writings on the subject, this book provides both comprehensive coverage and a continuous narrative. It gives thorough attention to the major Baptist bodies in America as well as calling attention to the contributions of significant smaller groups. The British Baptist background is dealt with in an introductory section. The book also includes many texts and tunes as illustrations of the topics being discussed and focuses on some of the contributions of Baptist authors and composers to the repertory of congregational song. Book jacket.
The first edition of this award-winning reference, published in 1977, contained 425 biographical profiles of the most significant American religious figures. This new edition includes profiles for 125 additional people, and the earlier biographical sketches have been revised and updated. The volume includes religious leaders who died before July 1, 1992. Among its pages are entries for reformers, philosophers, social activists, doers and dreamers. While many of the people are mainstream, white ordained clergymen, many more stand outside traditional denominations and reflect the cultural and religious diversity of modern America. The result is a systematic overview of 400 years of American religion from the colonial period to the present day. Each profile begins with a capsule summary of the chief events in that person's life. The biographical essay that follows places the basic facts of the figure's life within the larger context of American religious history. A bibliography of the most significant works by and about the figure concludes each entry. Appendices at the end of the work categorize each individual by religious denomination and by place of birth.
This book aims to uncover and explore the ideas of notable people in the story of Christian universalism from the time of the Reformation until the end of the nineteenth century. It is a story that is largely unknown in both the church and the academy, and the characters that populate it have for the most part passed into obscurity. With carefully located bore holes drilled to release the long-hidden theologies of key people and texts, the volume seeks to display and historically situate the roots, shapes, and diversity of Christian universalism. Here we discover a diverse and motley crew of mystics and scholars, social prophets and end-time sectarians, evangelicals and liberals, orthodox and heretics, Calvinists and Arminians, Puritans, Pietists, and a host of others. The story crisscrosses Continental Europe, Britain, and America, and its reverberations remain with us to this day.
Singing master Durham Hills created The Cashaway Psalmody to give as a wedding present in 1770. A collection of tenor melody parts for 152 tunes and sixty-three texts, the Psalmody is the only surviving tunebook from the colonial-era South and one of the oldest sacred music manuscripts from the Carolinas. It is all the more remarkable for its sophistication: no similar document of the period matches Hills's level of musical expertise, reportorial reach, and calligraphic skill. Stephen A. Marini, discoverer of The Cashaway Psalmody, offers the fascinating story of the tunebook and its many meanings. From its musical, literary, and religious origins in England, he moves on to the life of Durham Hills; how Carolina communities used the book; and the Psalmody's significance in understanding how ritual song—transmitted via transatlantic music, lyrics, and sacred singing—shaped the era's development. Marini also uses close musical and textual analyses to provide a critical study that offers music historians and musicologists valuable insights on the Pslamody and its period. Meticulous in presentation and interdisciplinary in scope, The Cashaway Psalmody unlocks an important source for understanding life in the Lower South in the eighteenth century.
This volume examines two major controversies that captured the theological attention of Andrew Fuller. In the wake of the Enlightenment, traditional Christian doctrine was challenged by various rationalistic and philosophical alternatives. A notable example is the thought of William Vidler, a former Baptist pastor who initially embraced Universalism and later Unitarianism. Vidler’s shift was influential enough that Fuller felt compelled to respond through a series of letters, later published in 1802. This critical edition, along with its introduction, provides an overview of Vidler’s theological position and Fuller’s rebuttal. This edition also includes Fuller’s debate with fellow Particular Baptist Abraham Booth, whom Fuller deeply respected. The conversation that developed between them contains some of Fuller’s most mature theological reflections on the doctrines of imputation, substitution, and particular redemption that impacted the transatlantic Baptist and evangelical world of the nineteenth century and have had ongoing reverberations up to the present day.