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Reverberations aims to generate new concepts and methodologies for the study of political violence and its aftermath. Essays attend to the distribution, extension, and endurance of violence across time, space, materialities, and otherworldly dimensions, as well as its embodiment in subjectivities, discourses, and political imaginations.
Learning from Fukushima began as a project to respond in a helpful way to the March 2011 triple disaster (earthquake, tsunami, and nuclear meltdown) in north-eastern Japan. It evolved into a collaborative and comprehensive investigation of whether nuclear power was a realistic energy option for East Asia, especially for the 10 member-countries of ASEAN, none of which currently has an operational nuclear power plant. We address all the questions that a country must ask in considering the possibility of nuclear power, including cost of construction, staffing, regulation and liability, decommissioning, disposal of nuclear waste, and the impact on climate change. The authors are physicists, engineers, biologists, a public health physician, and international relations specialists. Each author presents the results of their work.
This anthology conveys the enormity of Fukushima, the first nuclear disaster of the 21st Century, on both the environmental and human scale. Contributions by Nobel Peace Prize nominee Dr. Helen Caldicott, Fairewinds Energy Education founder Maggie Gundersen, and professor emerita Dr. Norma Field discuss the nuclear disaster in the context of social, political, and environmental concerns. Poems by 50 Japanese poets portray the disaster from a personal perspective, including prophetic visions of a nuclear future, the plight of nuclear refugees, the relationship of exploiters and the exploited in Japan's nuclear power industry, and the deception by which nuclear power was sold to an anti-nuclear Japan. Truly an eye-opening read.
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Fuel: An Ecocritical History is the first book to chart our changing attitudes to fuel and energy through the literature and culture of the modern era, focusing on the 18th-century to the present. Reading a wide range of writers from Blake, Austen and Dickens to Upton Sinclair and Edward Abbey, Heidi Scott explores how our move from a pre-industrial reliance on biomass and elemental energy sources to our current dependence on the fossil fuels of coal, oil and natural gas have fundamentally shaped human identity and culture. The book's Anthropocene perspective reshapes our view of energy history and climate change, and Fuel looks forward to ways in which we can reimagine our culture away from the fossil fuel paradigm towards a more sustainable energy future driven by renewable, elemental energy.
Energy weaves the tapestry of our lives, and it does so in more ways than we usually recognize. While it is clear that it powers our homes, airplanes, and factories, its overwhelming influence often goes without notice in other areas, from the heartbreak of poverty to the motivation for war. While maintaining its availability has the potential to create jobs and contribute to competitive economies, nonrenewable energy sources are scarring our landscapes, polluting our air, and fouling our water. Understanding how we use energy and what we are willing to do to maintain our access to it can help us prepare for the complex and daunting challenges that linger as we look for alternatives. In The Thread of Energy, Martin J. Pasqualetti homes in on this vital driver of human actions and decisions. He exposes the impact of energy according to multiple scales of measurement and assessment, from everyday applications to global entanglements. The book traces our increasing dependence on Earth's nonrenewable energy resources by comparing lifestyle changes throughout history. Pasqualetti showcases the many ways energy infiltrates communication methods in all its forms (e.g., print, visuals, digital, etc.). The final chapters detail various approaches used by democratic societies looking to lessen their energy usage, including the critical importance of environmentally conscious policymakers. The Thread of Energy treats energy as a social issue with a technical component, rather than the other way around.
Cultures have long defined themselves through biological elements to prove their strength and longevity, from cherry blossoms in Japan to amber waves of grain in the United States. In Ecology without Culture, Christine L. Marran introduces the concept of biotropes—material and semiotic figures that exist for human perception—to navigate how and why the material world has proven to be such an effective medium for representing culture. A bold and timely reconsideration of ecocriticism, Ecology without Culture insists on decentering questions of culture to highlight the materiality of poetry, film, and prose fiction. Marran argues that ecocriticism can critique ecological realities more effectively from outside the frame of human exceptionalism. Through discussions of primarily non-Anglophone literature, poetry, and cinema about toxic events in contemporary history— from the depiction of slow violence in documentary by Tsuchimoto Noriaki to the powerful poetry of Ishimure Michiko—Marran argues that ecocriticism must find a way to engage culture without making the perpetuation of ethnos and anthropos the endgame of ecopolitics. Using the biological foundations and geological time scales of textual worlds to more deeply critique cultural humanism, Marran ultimately contends that the chief stumbling block to ecological thinking is not the image of nature, but the image of culture.
As Japan moved from the devastation of 1945 to the economic security that survived even the boom and bust of the 1980s and 1990s, its literature came to embrace new subjects and styles and to reflect on the nation's changing relationship to other Asian countries and to the West. This volume will help instructors introduce students to novels, short stories, and manga that confront postwar Japanese experiences, including the suffering caused by the atomic bombings of Hiroshima and Nagasaki, the echoes of Japan's colonialism and imperialism, new ways of thinking about Japanese identity and about minorities such as the zainichi Koreans, changes in family structures, and environmental disasters. Essays provide context for understanding the particularity of postwar Japanese literature, its place in world literature, and its connections to the Japanese past.
The Strange Child examines how the Japanese financial crisis of the 1990s gave rise to "the child problem," a powerful discourse of social anxiety that refocused concerns about precarious economic futures and shifting ideologies of national identity onto the young. Andrea Gevurtz Arai's ethnography details the different forms of social and cultural dislocation that erupted in Japan starting in the late 1990s. Arai reveals the effects of shifting educational practices; increased privatization of social services; recessionary vocabulary of self-development and independence; and the neoliberalization of patriotism. Arai argues that the child problem and the social unease out of which it emerged provided a rationale for reimagining governance in education, liberalizing the job market, and a new role for psychology in the overturning of national-cultural ideologies. The Strange Child uncovers the state of nationalism in contemporary Japan, the politics of distraction around the child, and the altered life conditions of—and alternatives created by—the recessionary generation.
This book explores the mediated aftermath and remembrance of the 2011 Fukushima Daiichi nuclear disaster through three crucibles: time, space and emotion. Through an ambitious and innovative combination of theoretical and methodological approaches, the book discusses how meanings, emotions and interpretations of disruptive events such as the Fukushima Daiichi disaster circulate and change over time and space in the global, contemporary hybrid media environment. Through its six multi-method empirical case studies from Japanese local newspapers to commemorative Tweets, the volume addresses questions of memory, trauma, expertise and nuclear politics in relation to the three key concepts of the book. The findings of this book provide new insights on research of disruptive media events in the contemporary hybrid media environment.