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Shoot The Buffalo is Matt Briggs's American Book Award-winning novel about the slow undoing of a working class hippy family in the 1970s and '80s. Originally published by Clear Cut Press, it is available now in a Jank Edition.
Revenge is an important motivation in human affairs relating to conflict and violence, and it is a notable feature in many societies within Oceania, where revenge is traditionally a sacred duty to the dead whose spirits demand it. Revenge instantiates a norm of reciprocity in the cosmos, ensuring a balance between violent and peaceful sequences of ritual action. Revenge further remains an important hidden factor in processes of violence beyond Oceania, revealing deep human propensities for retaliatory acts and the tendency to elevate these into principles of legitimacy. Sacred revenge may also be transcended through practices of wealth exchange.
The "comically gifted Brad Craddock" is at it again with the second book in the Little House in the Dark Woods series. This time the forest is out for blood, as Helena and her family try to survive wolf attacks, suspicious Christmas gifts, and the grandest hootenanny ever thrown in the dark woods. Revenge of the Dark Woods continues the story of the plucky pioneer family from The Curse of the Dark Woods.
The classic story of the three pigs who build their houses out of different materials and of the wolf who is determined to eat them all.
An anguished language expert provides the latest collection of unfortunate typos, tragically misplaced modifiers, and other hilarious language snafus.
Kansas City's premier restaurateur, Heaven Lee, accidentally finds the upended body of champion barbeque cooker and giant pain Pigpen Hopkins sticking out of a potent pot of his extra-special secret barbeque sauce. Unfortunately, Heaven has had problems with the law before, and even though she came out clean, this is one sticky mess that's hard to explain.
"The present volume attempts to make known in published form the fine ethnological material from New Guinea and adjacent islands held by the Royal Ontario Museum, and the peoples who made these items."--Introduction.
Drawing on research conducted in New Guinea, Indonesia, Melanesia and Taiwan, the contributors to this volume focus on how expressive genres such as music and dance are of enduring significance to social organization.
This is the first book to provide a systematic overview of social zooarchaeology, which takes a holistic view of human-animal relations in the past. Until recently, archaeological analysis of faunal evidence has primarily focused on the role of animals in the human diet and subsistence economy. This book, however, argues that animals have always played many more roles in human societies: as wealth, companions, spirit helpers, sacrificial victims, totems, centerpieces of feasts, objects of taboos, and more. These social factors are as significant as taphonomic processes in shaping animal bone assemblages. Nerissa Russell uses evidence derived from not only zooarchaeology, but also ethnography, history and classical studies, to suggest the range of human-animal relationships and to examine their importance in human society. Through exploring the significance of animals to ancient humans, this book provides a richer picture of past societies.