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From a fixed point in the middle of English nowhere, Vron Ware takes you through time and space to explain why transcending the urban-rural divide is integral to the future of the planet. Rural England is a mythic space, a complex canvas on which people from many different backgrounds project all kinds of fantasies, prejudices, desires and fears. This book seeks to challenge many of these ideas, showing how the artificial divide between rural and urban works to conceal the underlying relationship between these two fundamental poles of human settlement. This investigation of rurality is oriented from a fixed point in north-west Hampshire, marked by a signpost that points in four directions to two towns, four villages and two hamlets. Through stories, interviews and reportage gathered over two decades, the book demolishes tired notions of rural England that cast it as a separate realm of existence, whether marooned in a perpetual time-warp, or reduced to a refuge for the retired, wealthy urbanites, extreme nature-lovers, and, more recently, anyone tired of waiting out the pandemic in towns and cities. It poses two simple questions: what does the word rural mean today? What will it mean tomorrow? The author is an ambivalent native, held captive to the land by an umbilical cord but always on the verge of fleeing home to the city. She writes from a feminist, postcolonial standpoint that is alert to the slow violence of historical processes taking place over many centuries; enslavement, colonialism, industrialisation, globalisation. Both argument and narrative are propelled by the urgent need to reconsider the concept of ‘countryside’ in the context of the climate emergency and the patent collapse of ecosystems due to intensive farming which has poisoned the land.
A work of immense cultural significance and beauty, this long poem became an anthem for the African diaspora and the birth of the Negritude movement. With unusual juxtapositions of object and metaphor, a bouquet of language-play, and deeply resonant rhythms, Césaire considered this work a "break into the forbidden," at once a cry of rebellion and a celebration of black identity. More praise: "The greatest living poet in the French language."--American Book Review "Martinique poet Aime Cesaire is one of the few pure surrealists alive today. By this I mean that his work has never compromised its wild universe of double meanings, stretched syntax, and unexpected imagery. This long poem was written at the end of World War II and became an anthem for many blacks around the world. Eshleman and Smith have revised their original 1983 translations and given it additional power by presenting Cesaire's unique voice as testament to a world reduced in size by catastrophic events." --Bloomsbury Review "Through his universal call for the respect of human dignity, consciousness and responsibility, he will remain a symbol of hope for all oppressed peoples." --Nicolas Sarkozy "Evocative and thoughtful, touching on human aspiration far beyond the scale of its specific concerns with Cesaire's native land - Martinique." --The Times
The Return of the Native offers a look at the role of preconquest peoples such as the Aztecs and the Incas in the imagination of Spanish American elites in the first century after independence.
The prominent journalist, historian, and author—an eyewitness to some of the most pivotal events of the twentieth century—tells the story of his final years. In the last book of a three-volume series, William L. Shirer recounts his return to Berlin after the Third Reich’s defeat, his shocking firing by CBS News, and his final visit to Paris sixty years after he first lived there as a cub reporter in the 1920s. It paints a bittersweet picture of his final decades, friends lost to old age, and a changing world. More personal than the first two volumes, this final installment takes an unflinching look at the author’s own struggles after World War II—and his vindication after the publication of The Rise and Fall of the Third Reich, his most acclaimed work. It also provides intimate details of his often-troubled marriage. This book gives readers a surprising and moving account of the last years of a true historian—and an important witness to history.
One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called 'the real stuff of tragedy.' The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The 'native' is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiancé, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout his fiction: the diabolical role of chance in determining the course of a life.
An incisive look at American Indian and Euro-American relations from the 16th century to the present, this book focuses on how such relations have shaped the Native American political identity and tactics in the ongoing struggle for power. Cornell shows how, in the early days of colonization, Indians were able to maintain their nationhood by playing off the competing European powers; and how the American Revolution and westward expansion eventually caused Native Americans to lose their land, social cohesion, and economic independence. The final part of the book recounts the slow, steady reemergence of American Indian political power and identity, evidenced by militant political activism in the 1960s and early 1970s. By paying particular attention to the evolution of Indian groups as collective actors and to changes over time in Indian political opportunities and their capacities to act on those opportunities, Cornell traces the Indian path from power to powerlessness and back to power again.
‘You are ambitious, Eustacia – no not exactly ambitious, luxurious. I ought to be of the same vein, to make you happy, I suppose’ Tempestuous Eustacia Vye passes her days dreaming of passionate love and the escape it may bring from the small community of Egdon Heath. Hearing that Clym Yeobright is to return from Paris, she sets her heart on marrying him, believing that through him she can leave rural life and find fulfilment elsewhere. But she is to be disappointed, for Clym has dreams of his own, and they have little in common with Eustacia’s. Their unhappy marriage causes havoc in the lives of those close to them, in particular Damon Wildeve, Eustacia’s former lover, Clym’s mother and his cousin Thomasin. The Return of the Native illustrates the tragic potential of romantic illusion and how its protagonists fail to recognize their opportunities to control their own destinies. Penny Boumelha’s introduction examines the classical and mythological references and the interplay of class and sexuality in the novel. This edition, essentially Hardy’s original book version of the novel, also includes notes, a glossary, chronology and bibliography.
An in-depth analysis that demonstrates how and why there has been a resurgence of nativist logic. It was once thought that liberalism and globalization would consign nativist logics to the fringes of societies and eventually to history. But if it ever left, nativism has well and truly returned, spreading across nations, across the political spectrum, and from the fringes back into the mainstream. In The Return of the Native, Jan Willem Duyvendak, Josip Kesic, and Timothy Stacey explore how nativist logics have infiltrated liberal settings and discourses, primarily in the Netherlands as well as other countries with strong liberal traditions like the US and France. They deconstruct and explain the underlying logic of nativist narratives and show how these narratives are emerging in the discourses of secularism (a religious nativism that problematizes Islam and Muslims), racism (a racial nativism that problematizes black anti-racism), populism (a populist nativism that problematizes elites), and left-wing politics (a left nativism that sees religious, racial, and populist nativists themselves as a threat to national culture). By moving systematically through these key iterations of nativism, the authors show how liberal ideas themselves are becoming tools for claiming that some people do not belong to the nation. A unique analysis of the most fundamental political transformation of our days, this book illuminates the resurgence of the figure of the "native," who claims the country at the expense of those perceived as foreign.
This book addresses for the first time in a comprehensive way the place of Native American studies in the university curriculum.--Provided by publisher.
Covering Central America, the United States, and Canada, this book not only provides an introduction to the history of North American Indians, but also offers a description of the material and intellectual ways that Native American cultures have influenced the life and institutions of people across the globe.