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"Proceedings of the symposium of the same title held at the University of Wisconsin at Madison, February 26, 1979, under the auspices of the Middle West Branch of the American Oriental Society and the Mid-West Region of the Society of Biblical Literature."
This monograph covers a fifty-year period from 1946-1996 in the life's work of the renowned African-American artist Elizabeth Catlett. Catlett was born and raised in Washington, DC. She received her B.A. in painting from Howard University in Washington and her M.F.A. in sculpture from the University of Iowa. From the beginning of her career as an artist and a teacher in the early 1940s, Catlett's themes have reflected her concerns for social injustice, the human condition, and her life as an African-American woman and mother. Formally, her sculpture draws upon African and pre-Columbian traditions, as well as early modernism in Europe, the United States and Mexico. For a period of twenty years Catlett was involved with the Taller de Grafica Popular, a collaborative print-making workshop that addressed the concerns of working people. She has exhibited her work internationally and it is represented in the collections of the Metropolitan Museum of Art, The Museum of Modern Art and The Studio Museum of Harlem in New York City, among many others.
Developed as an exploratory study of artworks by artists of Singapore and Malaysia, Retrospective attempts to account for contemporary artworks that engage with history. These are artworks that reference past events or narratives, of the nation and its art. Through the examination of a selection of artworks produced between 1990 and 2012, Retrospective is both an attribution and an analysis of a historiographical aesthetic within contemporary art practice. It considers that, by their method and in their assembly, these artworks perform more than a representation of a historical past. Instead, they confront history and its production, laying bare the nature and designs of the historical project via their aesthetic project. Positing an interdisciplinary approach as necessary for understanding the historiographical as aesthetic, Retrospective considers not only historical and aesthetic perspectives, but also the philosophical, by way of ontology, in order to broaden its exposition beyond the convention of historical and contextual interpretation of art. Yet, in associating these artworks with a historiographical aesthetic, this exposition may be regarded as a historiographical exercise in itself, affirming the significance of these artworks for the history of Singapore and Malaysia. In short, which history rarely is, Retrospective is about the art of historicisation and the historicisation of art.
To commemorate Research in Labor Economics s 35th anniversary, this retrospective edition contains 20 of the most influential Research in Labor Economics articles along with new introductory prefatory updates written by the original authors.
Founded in 1820 by Henry Southern, "The Retrospective Review" aimed to recall the public from an exclusive attention to new books, by making the merit of old ones the subject of critical discussion. This edition reproduces in facsimile all 18 volumes of the periodical published between 1820-1854.
From the second half of the twentieth century through today, no family has defined Chicago in the public's eye more than the Daleys. Between Richard J. Daley and his son, Richard M. Daley, a member of this prominent Bridgeport family served as the city's mayor for 43 out of a total 57 years from 1955–2011. When Richard M. Daley, also known as "Richie", made a surprise announcement in 2011 that he would not seek re-election, he had surpassed his father's record tenure of 21 years in office. Daley: A Retrospective explores the fascinating, storied career of Richard M. Daley: the longest-serving, and arguably, most important mayor in the city's own long, storied history. From Richie's childhood in his father's shadow to his infamous teenaged run-in with the law, this book begins with the earliest years in the life of Richard J. Daley's eldest son. It follows the rise of Daley's political career as a state senator and as the state's attorney through his 1989 election as mayor. The bulk of Daley: A Retrospective focuses on Daley's lengthy, imperial reign over Chicago politics, in which he developed his own unique and powerful personality. Transitioning from a perceived simulacrum of his father into one of the most dominant, idiosyncratic, and quotable individuals in American politics, Daley made his name by making bold moves, waging hard-fought battles, and forging commanding, if not celebrated, consensus between the multitudes of citywide officials and organizations. Comprised of 60 years of Chicago Tribune reporting, this story is unique to Chicago and told by none better than the reporters, editors, and notable commentators who covered Daley's entire career. Touching on race relations, education, gang violence, crime, environmentalism, gay marriage, local sports, and the murky world of Chicago politics, Daley: A Retrospective is a captivating read. It is the most up-to-date and comprehensive exploration of Mayor Richard M. Daley's legacy, and it will serve as a significant resource as Daley continues to be reexamined and reevaluated for years to come.