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In The Ring of Truth, Wendy Doniger expertly unfolds the cultural and historical significance of rings and other kinds of circular jewelry through timeless stories taken from mythology, religious traditions, and literature. Each chapter, like a separate charm on a charm bracelet, considers a different constellation of stories, linked by a common cluster of meanings: the mutual imitation of real and fake, legal and illegal, marital and extra-marital jewelry; the circular form of rings and bracelets, miming the circle of eternity, which persists in the face of human ephemera
This interdisciplinary collection of essays advances the study of anagnorisis («recognition»), a quintessential concept in Aristotelian poetics. This book explores narrative structure and epistemology by examining how anagnorisis works in narrative fiction, music, and film. Contributors hail from the fields of cinema; opera; religion; medieval and modern English, German, and French literatures; comparative literature; and Indian (Sanskrit) and Islamic (Arabic) literatures, both classical and modern.
The Bhakti Ratnavali is an anthology of verses selected by a medieval ascetic named Vishnu Puri from the Srimad Bhagavata which is the magnum opus on Bhakti and is accepted as authoritative by all schools of Vaishnavism. Vishnu Puri has selected from this vast and amorphous literature four hundred and five verses. In these verses, the reader will get a clear outline of the doctrine of Bhakti both in its theory and practice as conceived by the great devotional text the Bhagavata.
The Ratnavali or the 'Jewel Necklace' is a drama of the Natika type by Sriharsa. The theme is the marriage, through various obstacles and at the clever intervention of the minister Yaugandharayana, of king Udayana and Ratnavali, daughter of the king of Ceylon. A brief but sufficiently exhaustive commentary in Sanskrit has been written, as there was no suitable ancient commentary available on this play. Another feature of this edition is the introduction wherein all that has been known of the author and the play has been put together for ready reference and systematic study.
King Harsha, who reigned over the kingdom of Kanauj from 606 to 647 CE, composed two Sanskrit plays about the mythical figures of King Udayana, his queen, Vásava·datta, and two of his co-wives. The plays abound in mistaken identities, both political and erotic. The characters masquerade as one another and, occasionally, as themselves, and each play refers simultaneously to itself and to the other. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Reprint of the original, first published in 1871.