Download Free Rethinking The Carolingian Reforms Book in PDF and EPUB Free Download. You can read online Rethinking The Carolingian Reforms and write the review.

The Carolingian period (c. 750-900) has traditionally been described as one of ‘reform’ or ‘renaissance’, where cultural and intellectual changes were imposed from above in a programme of correctio. This view leans heavily on prescriptive texts issued by kings and their entourages, foregrounding royal initiative and the cultural products of a small intellectual elite. However, attention to understudied texts and manuscripts of the period reveals a vibrant striving for moral improvement and positive change at all levels of society. This expressed itself in a variety of ways for different individuals and communities, whose personal relationships could be just as influential as top-down prescription. The often anonymous creators and copyists in a huge range of centres emerge as active participants in shaping and re-shaping the ideals of their world. A much more dynamic picture of Carolingian culture emerges when we widen our perspective to include sources from beyond royal circles and intellectual elites. This book reveals that the Carolingian age did not witness a coherent programme of reform, nor one distinct to this period and dependent exclusively on the strength of royal power. Rather, it formed a particularly intense, well-funded and creative chapter in the much longer history of moral improvement for the sake of collective salvation.
This collection of studies investigates how people of the 10th to early 12th century experienced and represented processes of intentional change in the Church, and what the consequences are of modern scholars’ reliance on ‘reform’ to describe and interpret these processes. In 11 thematic chapters it takes stock of the current state of research and offers suggestions to deepen our understanding of the ideological, institutional, and cultural dynamics at play. Contributors are Julia Barrow, Robert F. Berkhofer III, Gordon Blennemann, Katy Cubitt, Nicolangelo D'Acunto, Anne-Marie Helvétius, Ludger Körntgen, Rutger Kramer, Brigitte Meijns, Diane Reilly, Rachel Stone, and Steven Vanderputten.
By the early ninth century, the responsibility for a series of social, religious and political reforms had become an integral part of running the Carolingian empire. This became especially clear when, in 813/4, Louis the Pious and his court seized the momentum generated by their predecessors and broadened the scope of this correctio ever further. These reformers knew they constituted a movement greater than the sum of its parts; the interdependence of imperial authority and ecclesiastical reformers was driven by comprehensive, yet surprisingly diverse expectations. Taking this diversity as a starting point, this book takes a fresh look at these optimistic decades. Extrapolating from a series of detailed case studies rather than presenting a grand narrative, it offers new interpretations of contemporary theories of correctio, and shows the self-awareness of its main instigators as they pondered what it meant to be a good Christian in a good Christian empire.
This incisive, in-depth study unearths the significance of a neglected group of early medieval manuscripts, those which transmit the Ordines Romani. These texts present detailed scripts for Christian ceremonies that narrate the gestures, motions, actions and settings of ritual performance, with particular orientation to the Roman church. While they are usually understood as liturgical, and thus lacking any particular creative flair, Arthur Westwell here foregrounds their manuscript permutations in order to reveal their extraordinary dynamism. He reflects on how the Carolingian Church undertook to improve liturgical practice and understanding, questioning the accepted idea of a “reform” aimed at uniformity led by the monarch. Through these manuscripts, Westwell reveals a diversity of motivations in the recording of Roman liturgy and demonstrates the remarkable sophistication of Carolingian manuscript compilers.
Starting from manuscripts compiled for local priests in the Carolingian period, this book investigates the way in which pastoral care took shape at the local levels of society. They show what illiterate lay people learned about their religion, but also what priests themselves knew. The Carolingian royal dynasty, which ruled over much of Europe in the eighth and ninth century, is well-known for its success in war, patronage of learning and its ambitious style of rulership. A central theme in their plans for the future of their kingdom was to ensure God's everlasting support, and to make sure that all inhabitants – down to the last illiterate farmer – reached eternal life in heaven. This book shows how the ideal of leading everybody to salvation was a central element of Carolingian culture. The grass-roots approach shows how early medieval religion was anything but uniform, how it encompassed all spheres of daily life and how well-educated local priests did not only know how to baptise and preach, but could also advise on matters concerning health, legal procedure and even the future. This volume is of great use to upper-level undergraduates, postgraduates and scholars interested in the ecclesiastical history of Europe in the Carolingian period.
We live in a world riven through with standards. To understand more of their deep, rich past is to understand ourselves better. The two volumes, Standardization in the Middle Ages. Volume 1: The North and Standardization in the Middle Ages. Volume 2: Europe, turn to the Middle Ages to give a deeper understanding of the medieval ideas and practices that produced--and were produced by--standards and standardization. At first glance, the Middle Ages might appear an unlikely place to look for standardization. The editors argue that, on the contrary, generating predictability is a precondition for meaningful cultural interaction in any historical period and that we may look to the Middle Ages to learn more about the historical, social, and cognitive processes of standardization. This multidisciplinary venture, which includes medievalists from the fields of history, intellectual history, art history, philology, numismatics, and more, as well as scholars of cognitive science, informatics, and anthropology, interrogates how medieval people and groups envisioned and enforced predictability, uniformity, and order, and how they attempted to obtain and maintain standards across vast distances and heterogeneous social and cultural structures.
The series of beautiful sacramentaries made at Saint-Amand in the later ninth century offer us unique insight into an early medieval scriptorium at work. These manuscripts contain principally the prayer texts for the celebration of the Mass, a ceremony which stood at the centre of monastic life in this period. They display how this largely neglected genre discloses creativity and initiative on the part of the monks of Saint-Amand, who re-organised and re-composed this especially versatile literature. They made their books uniquely comprehensive and full of insight into how the mass liturgy was re-made at a critical period in its development. This innovative study makes these sources accessible for the first time. In-depth study of script, decoration, and content enables a new appreciation of the context in which the deluxe Saint-Amand manuscripts were produced. It foregrounds ecclesiastical patronage, the political and intellectual dynamics at the waning of Carolingian power, and the intensive collaboration of scribes, artists, and liturgical composers, as well as the unique ways liturgical manuscripts can inform our understanding of medieval life and thought.
Prophetic and apocalyptic rhetoric play critical roles in the development and articulation of political authority in the reigns of Charlemagne (d. 814) and Louis the Pious (d. 840). The rhetorical authority derived from claims of receiving revelation, interpreting divine communication, speaking for God, and foreseeing calamities became a competitive medium through which individuals legitimized political behaviour, debated their long- and short-term aspirations, and struggled for political supremacy. Ranging from claims of revelations, dreams, and visions, to the adoption of rhetorical voices based on biblical prophets, to the interpretation of signs and portents, prophetic rhetoric enjoyed extensive experimentation and varied application throughout early medieval political discourse. Prophecy and Politics in the Early Carolingian World argues that claims of divine revelation, resistant to any attempts to monopolize them, provided a powerful means of speaking with authority for all participants in Frankish political discourse. This authority proved instrumental in the articulation and dismantling of effective Carolingian royal authority from 768 to 840. The volume introduces and reinterprets early Carolingian political discourse and intellectual activity, as well as the centrality of apocalypticism in the Carolingian period, by emphasizing prophecy, or revelation and authority, rather than prediction and calamity. Early Carolingian political discourse was a dialogue that took place across royal proclamations, legal statements, historical texts, visions, scriptural commentaries, and manifestations of the natural world, and in this dialogue, the ability to interpret God’s will was as powerful as it was problematic.
This book presents the first full length study in English of monumental bronzes in the Middle Ages. Taking as its point of departure the common medieval reception of bronze sculpture as living or animated, the study closely analyzes the practice of lost wax casting (cire perdue) in western Europe and explores the cultural responses to large scale bronzes in the Middle Ages. Starting with mining, smelting, and the production of alloys, and ending with automata, water clocks and fountains, the book uncovers networks of meaning around which bronze sculptures were produced and consumed. The book is a path-breaking contribution to the study of metalwork in the Middle Ages and to the re-evaluation of medieval art more broadly, presenting an understudied body of work to reconsider what the materials and techniques embodied in public monuments meant to the medieval spectator.