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A consideration of the metaphor of water in religious literature, especially in relation to women.
In what varieties of ways is late medieval literature inflected by spiritual insight and desires? What weaves of literary cloth especially suit religious insight? In this collection dedicated to Elizabeth D. Kirk, Emeritus Professor of English at Brown University, several renowned scholars assess those related issues in a range of Medieval texts.
This book is a history of a medieval literary tradition that grew out of opposition to the mendicant fraternal orders. Penn R. Szittya argues that the widespread attacks on the friars in late medieval poetry, especially in Ricardian England, drew on an established tradition that originated in the polemical theology, eschatology, and Biblical exegesis of the friars' ecclesiastical enemies--secular clergy, theologians, polemicists, archbishops, canon lawyers, monks, and rival orders. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This collection explores some of the many ways in which sanctity was closely intertwined with the development of literary strategies across a range of writings in late medieval Britain. Rather than looking for clues in religious practices in order to explain such changes, or reading literature for information about sanctity, these essays consider the ways in which sanctity - as concept and as theme - allowed writers to articulate and to develop further their 'craft' in specific ways. While scholars in recent years have turned once more to questions of literary form and technique, the kinds of writings considered in this collection - writings that were immensely popular in their own time - have not attracted the same amount of attention as more secular forms. The collection as a whole offers new insights for scholars interested in form, style, poetics, literary history and aesthetics, by considering sanctity first and foremost as literature
The politics of Middle English parables examines the dynamic intersection of fiction, theology and social practice in late-medieval England. Parables occupy a prominent place in Middle English literature, appearing in dream visions and story collections as well as in lives of Christ and devotional treatises. While most scholarship approaches the translated stories as stable vehicles of Christian teaching, this book highlights the many variations and points of conflict across Middle English renditions of the same story. In parables related to labour, social inequality, charity and penance, the book locates a creative theological discourse through which writers attempted to re-construct Christian belief and practice. Analysis of these diverse retellings reveals not what a given parable meant in a definitive sense but rather how Middle English parables inscribe the ideologies, power structures and cultural debates of late-medieval Christianity.
In what varieties of ways is late medieval literature inflected by spiritual insight and desires? What weaves of literary cloth especially suit religious insight? In this collection dedicated to Elizabeth D. Kirk, Emeritus Professor of English at Brown University, several renowned scholars assess those related issues in a range of Medieval texts.
Boethius' Consolation of Philosophy has long been taken as one of the seminal works of the Middle Ages, yet despite the study of many aspects of the Consolation's influence, the legacy of the figure of the writer in prison has not been explored. A group of late-medieval authors, Thomas Usk, James I of Scotland, Charles d'Orléans, George Ashby, William Thorpe, Richard Wyche, and Sir Thomas Malory, demonstrate the ways in which the imprisoned writer is presented, both within and outside the Boethian tradition. The presentation of an imprisoned autobiographical identity in each of these authors' texts, and the political motives behind such self-presentation are examined in this study, which also questions whether the texts should be considered to from a genre of early autobiographical prison literature.
William Langland wrote three distinct versions (A, B, and C) of Piers Plowman. Scribes and early editors produced several more combined versions of A and C. Of the fifty-four more or less complete surviving manuscripts of the poem, seventeen are of the B version, which is now the most widely read, and also the version with the most complex textual history. All the surviving witnesses are full of errors, some the result of incompetence, others the product of sophisticated re-writing. This book looks at this in the context of understanding poverty, which the poem famously addresses. The book should be of interest to scholars in the field of medieval literature in general, and Piers Plowman in particular, as well as to cultural historians of poverty. It surveys the medieval understanding of poverty in its many manifestations, reviews modern historians' research into the experience of poverty and poor relief in the late fourteenth century, and shows, by close readings of Piers Plowman, how Langland both responds to and reflects his contemporary culture and ideology. Contrary to previous scholarship, it suggests that Langland never underestimates the realities of material poverty by offering only religious consolation for the poor. For him, care for the poor is the index of how a society shapes itself ethically. This book's subtle and penetrating account of the moral predicaments of both rich and poor is fully and freshly contextualized within accounts of medieval poor relief. This scholarly, compelling and humane study demonstrates that understanding the historical poor and the various religious and secular attitudes to medieval poverty, are crucially important in deepening a reader's understanding of this complex poem.