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Offers a different perspective on Mao Zedong, the major architect of the Chinese Revolution and leader of the People's Republic of China until his death in 1976. Utilizing a number of documents written by Mao, here, the author 'rethinks' Mao by subjecting a number his controversial themes to fresh scrutiny.
The profound political, economic, and social changes in China in the second half of the twentieth century have produced a wealth of scholarship; less studied however is how cultural events, and theater reforms in particular, contributed to the dynamic landscape of contemporary Chinese society. Rethinking Chinese Socialist Theaters of Reform fills this gap by investigating the theories and practice of socialist theater and their effects on a diverse range of genres, including Western-style spoken drama, Chinese folk opera, dance drama, Shanghai opera, Beijing opera, and rural theater. Focusing on the 1950s and ’60s, when theater art occupied a prominent political and cultural role in Maoist China, this book examines the efforts to remake theater in a socialist image. It explores the unique dynamics between official discourse, local politics, performance practice, and audience reception that emerged under the pressures of highly politicized cultural reform as well as the off-stage, lived impact of rapid policy change on individuals and troupes obscured by the public record. This multidisciplinary collection by leading scholars covers a wide range of perspectives, geographical locations, specific research methods, genres of performance, and individual knowledge and experience. The richly diverse approach leads readers through a nuanced and complex cultural landscape as it contributes significantly to our understanding of a crucial period in the development of modern Chinese theater and performance.
In recent years historians and political observers have vilified Mao Tse-tung and placed him in a class with tyrants like Hitler and Stalin. But, as Lee Feigon points out in his startling revision of Mao, the Chinese leader has been tainted by the actions and policies of the same Soviet-style Communist bureaucrats he came to hate and attempted to eliminate. Mr. Feigon argues that the movements for which Mao is almost universally condemned today—the Great Leap Forward and especially the Cultural Revolution—were in many ways beneficial for the Chinese people. They forced China to break with its Stalinist past and paved the way for its great economic and political strides in recent years. While not glossing over Mao’s mistakes, some of which had heinous consequences, Mr. Feigon contends that Mao should be largely praised for many of his later efforts—such as the attacks he began to level in the late 1950s on those bureaucrats responsible for many of the problems that continue to plague China today. In reevaluating Mao’s contributions, this interpretive study reverses the recent curve of criticism, seeing Mao’s late-in-life contributions to the Chinese revolution more favorably while taking a more critical view of his earlier efforts. Whereas most studies praise the Mao of the 1930s and 1940s as an original and independent thinker, Mr. Feigon contends that during this period his ideas and actions were fairly ordinary—but that he depended much more on Stalin’s help than has been acknowledged. Mao: A Reinterpretation seeks a more informed perspective on one of the most important political leaders of the twentieth century.
Perpetrating the tradition established by earlier radical scholars of the Chinese revolutionary leader and his thought, the 14 essays also strive to establish a basis for innovative perspectives that mobilize the theoretical precepts of critical Left and radical theory. The topics include the Woman Question in an age of green politics, orthodoxy, social formation and change, and Stalinism in the history of the Chinese Communist Party. Five essays explore Mao's influence in the Andes, India, Vietnam, Japan, and the Philippines. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR
Mao Zedong's political career spanned more than half a century. The ideas he championed transformed one of the largest nations on earth and inspired revolutionary movements across the world. Even today Mao lives on in China, where he is regarded by many as a near-mythical figure, and in the West, where a burgeoning literature continues to debate his memory. In this book, leading scholars from different generations and around the world offer a critical evaluation of the life and legacy of China's most famous - some would say infamous - son. The book brings the scholarship on Mao up to date, and its alternative perspectives equip readers to assess for themselves the nature of this mercurial figure and his significance in modern Chinese history.
A comprehensive but accessible examination of how elite Chinese politics work covering the period from Deng Xiaoping to Xi Jinping.
This unique interpretation of the revolutionary process in China uses empirical evidence as well as concepts from contemporary cultural studies. Apter and Saich base their analysis on recently available primary sources on party history, accounts of the Long March and Yan'an period, and interviews with veterans and their relatives.
This is the first book to explore the global influence of Maoism on modern and contemporary art. Featuring eighteen original essays written by established and emerging scholars from around the world, and illustrated with fascinating images not widely known in the west, the volume demonstrates the significance of visuality in understanding the protean nature of this powerful worldwide revolutionary movement. Contributions address regions as diverse as Singapore, Madrid, Lima and Maputo, moving beyond stereotypes and misconceptions of Mao Zedong Thought's influence on art to deliver a survey of the social and political contexts of this international phenomenon. At the same time, the book attends to the the similarities and differences between each case study. It demonstrates that the chameleonic appearances of global Maoism deserve a more prominent place in the art history of both the twentieth and twenty-first centuries.
The history of East Asia can be most productively studied through a transnational, translingual, and transcultural approach to the region. In The Sinosphere and Beyond, twenty-six leading and emerging scholars use such approaches in rich clusters of essays on Historiography, Sino-Japanese Encounters, Law and Justice, Politics, Art, Literature, and Translation. Each essay builds on the legacy of Joshua Fogel, whose scholarship defined the contours of the Sinosphere in the Western world and beyond. The collection will be of interest to scholars and students with specific research concerns within these broader rubrics: from the towering progenitors of Japanese Sinology to gendered, diplomatic, and cultural dimensions of Sino-Japanese encounters; from Sinitic poetry to legal culture and revolutionary life; from art commerce and levels of literary expression to the quandaries of translation. In addition to offering a broad range of case studies, the volume is testimony to the methodological importance of a dynamic intra- and transregional approach for an understanding of the layered history of East Asia.
An examination of how economic development and everyday life intersected with the temperature of Cold War geopolitics in Mao's China.