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This collection of essays provides a critique of C. L. R. James's contribution to a broad range of intellectual pursuits. The Trinidadian-born James was a political activist in the Caribbean, the US and Britain, as well as being one of the leading figures in the early Pan-African movement. He also wrote extensively on literature, culture, cricket, and marxism. This book engages all these aspects of James's life to demonstrate his centrality to the current debates around the issues of postcoloniality and popular culture. James, for too long unavailable to readers, is presented as an intellectual who participated in several key historical developments of the twentieth century. The book locates him in the history of the earliest struggles against colonialism, but it also clearly shows how his thinking - particularly his interest in nineteenth-century British literature - was shaped by the experience of growing up as a colonial subject in Port-of-Spain. The collection grapples with the paradoxes, the tensions, and ironies that characterized James as much as it shows how creatively he applied the lessons of those ambiguities and contradictions.
Containing a wealth of new scholarship and rare primary documents, The Black Jacobins Reader provides a comprehensive analysis of C. L. R. James's classic history of the Haitian Revolution. In addition to considering the book's literary qualities and its role in James's emergence as a writer and thinker, the contributors discuss its production, context, and enduring importance in relation to debates about decolonization, globalization, postcolonialism, and the emergence of neocolonial modernity. The Reader also includes the reflections of activists and novelists on the book's influence and a transcript of James's 1970 interview with Studs Terkel. Contributors. Mumia Abu-Jamal, David Austin, Madison Smartt Bell, Anthony Bogues, John H. Bracey Jr., Rachel Douglas, Laurent Dubois, Claudius K. Fergus, Carolyn E. Fick, Charles Forsdick, Dan Georgakas, Robert A. Hill, Christian Høgsbjerg, Selma James, Pierre Naville, Nick Nesbitt, Aldon Lynn Nielsen, Matthew Quest, David M. Rudder, Bill Schwarz, David Scott, Russell Maroon Shoatz, Matthew J. Smith, Studs Terkel
A new edition of C.L.R. James’s authorized biography C.L.R. James was a man of prodigious and varied accomplishments. He was a protean twentieth-century Marxist intellectual, widely recognized as a pioneering scholar of slave revolt; a leading voice of Pan-Africanism; a peripatetic revolutionary and scholar active in US and UK radical movements; a novelist, playwright, and critic; and one of the premier writers on cricket and sports. This intellectual portrait was written by James’s longtime interlocutor and comrade Paul Buhle, and initially published in 1988. With a new final chapter, updated bibliography, a new foreword by historian Robin D.G. Kelley and a new afterword by Paul Buhle and the philosopher Lawrence Ware, this long-awaited revised edition of a classic biography will be a key resource in the James revival.
C. L. R. James's The Black Jacobins remains one of the great works of the twentieth century and the cornerstone of Haitian revolutionary studies. In Making The Black Jacobins, Rachel Douglas traces the genesis, transformation, and afterlives of James's landmark work across the decades from the 1930s on. Examining the 1938 and 1963 editions of The Black Jacobins, the 1967 play of the same name, and James's 1936 play, Toussaint Louverture—as well as manuscripts, notes, interviews, and other texts—Douglas shows how James continuously rewrote and revised his history of the Haitian Revolution as his politics and engagement with Marxism evolved. She also points to the vital significance theater played in James's work and how it influenced his views of history. Douglas shows The Black Jacobins to be a palimpsest, its successive layers of rewriting renewing its call to new generations.
In his study of Herman Melville, Mariners, Renegades and Castaways, C.L.R. James wrote- 'My ultimate aim...is to write a study of American Civilization'. This project, long in gestation, at last sees the light of day in this posthumous publication of what may be seen as the most wide-ranging expression of James's thought, the link between his mature writings on politics and his semi-autobiographical work, Beyond a Boundary. In the tradition of de Tocqueville's Democracy in America, James addresses the fundamental question of the 'right to life, liberty and the pursuit of happiness'. Ranging across American politics, society and culture, C.L.R. James sets out to integrate his analysis of American society in transition with a commentary on the popular arts of cinema and literature.
In this series of essays Betsy Erkkila considers the historical and psychological dramas of blood—as marker of violence, race, sex, kinship—that have stood near the center of American literature, culture, and politics since the eighteenth century.
A collection of essays that analyze the interconnections between race, ethnicity, and sport.
Includes statistical tables.
C. L. R. James (1901–1989), one of the most important intellectuals of the twentieth century, expressed his postcolonial and socialist philosophies in fiction, speeches, essays, and book-length scholarly discourses. However, the majority of academic attention given to James keeps the diverse mediums of James's writing separate, focuses on his work as a political theorist, and subordinates his role as a fiction writer. This book, however, seeks to change such an approach to studying James. Defining creolization as a process by which European, African, Amerindian, Asian, and American cultures are amalgamated to form new hybrid identities and cultures, Nicole King uses this process as a means to understanding James's work and life. She argues that, throughout his career, whether writing a short story or a political history, James articulated his attempt to produce revolutionary, radical discourses with a consistent methodology. James, a Trinidad-born scholar who migrated to England and then to the United States and who described himself both as a black radical and a Victorian intellectual, serves as a definitive model of creolization. King argues that James's writings also fit the model of creolization, for each is influenced by diverse types of discourses. James rarely wrote from within the confines of a single discipline, instead choosing to make the layers of history, literature, philosophy, and political theory coalesce in order to make his point. As his West Indian and Western European influences converge in his work and life, he creates texts that are difficult to confine to a specific category or discipline. No matter which writerly medium he uses, James was preoccupied with how to represent the individual personality and at the same time represent the community. The C. L. R. James that emerges from King's study is a man made more compelling and more human because of his complicated, multilayered, and sometimes contradictory allegiances.