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Forges innovative connections between monastic archaeology and heritage studies, revealing new perspectives on sacred heritage, identity, medieval healing, magic and memory. This title is available as Open Access.
The director of the famed Bodleian Libraries at Oxford narrates the global history of the willful destruction—and surprising survival—of recorded knowledge over the past three millennia. Libraries and archives have been attacked since ancient times but have been especially threatened in the modern era. Today the knowledge they safeguard faces purposeful destruction and willful neglect; deprived of funding, libraries are fighting for their very existence. Burning the Books recounts the history that brought us to this point. Richard Ovenden describes the deliberate destruction of knowledge held in libraries and archives from ancient Alexandria to contemporary Sarajevo, from smashed Assyrian tablets in Iraq to the destroyed immigration documents of the UK Windrush generation. He examines both the motivations for these acts—political, religious, and cultural—and the broader themes that shape this history. He also looks at attempts to prevent and mitigate attacks on knowledge, exploring the efforts of librarians and archivists to preserve information, often risking their own lives in the process. More than simply repositories for knowledge, libraries and archives inspire and inform citizens. In preserving notions of statehood recorded in such historical documents as the Declaration of Independence, libraries support the state itself. By preserving records of citizenship and records of the rights of citizens as enshrined in legal documents such as the Magna Carta and the decisions of the US Supreme Court, they support the rule of law. In Burning the Books, Ovenden takes a polemical stance on the social and political importance of the conservation and protection of knowledge, challenging governments in particular, but also society as a whole, to improve public policy and funding for these essential institutions.
Winner of a CHOICE Outstanding Academic Title Award What explains the layout of the cathedral and its close? What ideas and beliefs shaped this familiar landscape? Through this pioneering study of the development of the close of Norwich cathedral - one of the most important buildings in medieval England - from its foundation in 1096 up to c.1700, the author looks at changes in cathedral landscape, both sacred and social. Using evidence from history, archaeology and other disciplines, Professor Gilchrist reconstructs both the landscape and buildings of the close, and the transformations in their use and meaning over time. Much emphasis is placed on the layout and the ways in which buildings and spaces were used and perceived by different groups. Patterns observed at Norwich are then placed in the context of other cathedral priories, allowing a broader picture to emerge of the development of the English cathedral landscape over six centuries. ROBERTA GILCHRIST is Professor of Archaeology at the University of Reading and President of the Society for Medieval Archaeology. From 1993 to 2005 she was Archaeologist to Norwich Cathedral. She has published extensively on medieval monasticism and social archaeology.
Glastonbury, with the distinctive landmark of the Tor, is a familiar name to many. Its fame lies not simply in its renowned festival, but in its legendary associations with King Arthur and with Joseph of Arimathea, whose staff was supposed to have grown into Glastonbury Tor. Philip Rahtz has excavated extensively in and around Glastonbury, and disentangles the myths from the truths, giving a comprehensive survey of this remarkable place from the earliest times to the present day.
This book examines the processes by which effective royal government was restored in England following the civil war of Stephen's reign. It questions the traditional view that Stephen presided over 'anarchy', arguing instead that the king and his rivals sought to maintain the administrative traditions of Henry I, leaving foundations for a restoration of order once the war was over. The period from 1153 to 1162, spanning the last months of Stephen's reign and the early years of Henry II's, is seen as one primarily of 'restoration' when concerted efforts were made to recover royal lands, rights and revenues lost since 1135. Thereafter 'restoration' gave way to 'reform': although the administrative advances of 1166 have been seen as a watershed in Henry II's reign, the financial and judicial measures of 1163–65 were sufficiently important for this, also, to be regarded as a transitional phase in his government of England.
"Richard Beere, 1493-1524. Began Edgar Chapel; built crypt under Lady Chapel and dedicated it to St Joseph; built a chapel of the Holy Sepulchre at south end of nave; built the Loretto chapel; added vaulting under central tower and flying buttresses at east end of choir; built St Benignus' Church and rebuilt Tribunal. Richard Whiting, 1525-1539. Completed Edgar Chapel."--Wikipedia.
In the year 937, the new king of England, a grandson of Alfred the Great, readies himself to go to war in the north. His dream of a united kingdom of all England will stand or fall on one field—on the passage of a single day. At his side is the priest Dunstan of Glastonbury, full of ambition and wit (perhaps enough to damn his soul). His talents will take him from the villages of Wessex to the royal court, to the hills of Rome—from exile to exaltation. Through Dunstan’s vision, by his guiding hand, England will either come together as one great country or fall back into anarchy and misrule . . . From one of our finest historical writers, The Abbott’s Tale is an intimate portrait of a priest and performer, a visionary, a traitor and confessor to kings—the man who can change the fate of England.