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Heritage, Culture and Society contains the papers presented at the 3rd International Hospitality and Tourism Conference (IHTC2016) & 2nd International Seminar on Tourism (ISOT 2016), Bandung, Indonesia, 10—12 October 2016). The book covers 7 themes: i) Hospitality and tourism management ii) Hospitality and tourism marketing iii) Current trends in hospitality and tourism management iv) Technology and innovation in hospitality and tourism v) Sustainable tourism vi) Gastronomy, foodservice and food safety, and vii) Relevant areas in hospitality and tourism Heritage, Culture and Society is a significant contribution to the literature on Hospitality and Tourism, and will be of interest to professionals and academia in both areas.
"Offers an intense scholarly experience in its comprehensiveness, its variety of voices and its formal organization... the editors took a risk, experimented and have delivered a much-needed resource that upends the status-quo." - Architectural Histories, journal of the European Architectural History Network "Architectural theory interweaves interdisciplinary understandings with different practices, intentions and ways of knowing. This handbook provides a lucid and comprehensive introduction to this challenging and shifting terrain, and will be of great interest to students, academics and practitioners alike." - Professor Iain Borden, UCL Bartlett School of Architecture "In this collection, architectural theory expands outward to interact with adjacent discourses such as sustainability, conservation, spatial practices, virtual technologies, and more. We have in The Handbook of Architectural Theory an example of the extreme generosity of architectural theory. It is a volume that designers and scholars of many stripes will welcome." - K. Michael Hays, Eliot Noyes Professor of Architectural Theory, Harvard University The SAGE Handbook of Architectural Theory documents and builds upon the most innovative developments in architectural theory over the last two decades. Bringing into dialogue a range of geographically, institutionally and historically competing positions, it examines and explores parallel debates in related fields. The book is divided into eight sections: Power/Difference/Embodiment Aesthetics/Pleasure/Excess Nation/World/Spectacle History/Memory/Tradition Design/Production/Practice Science/Technology/Virtuality Nature/Ecology/Sustainability City/Metropolis/Territory. Creating openings for future lines of inquiry and establishing the basis for new directions for education, research and practice, the book is organized around specific case studies to provide a critical, interpretive and speculative enquiry into the relevant debates in architectural theory.
This book is about appreciation; it is an attempt to explain what architecture essentially is, rather than merely what it looks like. Architecture an Inspiration is addressed to those who enjoy buildings, cities and landscapes, and would like to have a deeper appreciation and a basis for their likes and dislikes. A full appreciation demands careful observation, and in these pages there are many explorations of this sort. The book is divided into two parts: the first is about the nature of architecture, describing what is necessary. The chapter headings define the basic requirements that, to varying degrees, must always be met, such as facilitating activity, moderating climate, relating to context, respecting materials and structure, as well as conveying meaning and delight. The second part is about the nature of designing and focuses on what the designer brings to the task to arrive at a human and poetic synthesis. These different ways of thinking are elusive and not necessarily conscious; they include the use of reason and intuition, the value of experience and precedent, the role of metaphor and the search for harmony. For students this is difficult, because there is no ‘right’ way of designing. So much of what is written about the architecture of today is negative that it seemed opportune to take a positive approach and point to work that is good – now and in the past – and reiterate some timeless qualities. Architecture an Inspiration does not set out to be comprehensive; Ivor Smith chooses examples that he finds particularly inspiring from the work of a few selected architects. The book will appeal to those both interested in and studying architecture.
"Made Wijaya guides readers through fantastically imagined and designed, stylistically diverse outdoor environments exploring various theories of Modernism and its current expressions."--Veranda
Cross-Border Architecture
The book outlines firstly how architects must not ignore the values and rituals of the modern society that is strongly rooted in the traditional and religious beliefs of their race and culture. The modern rituals of the society interpreted within a democratic framework as well as the forces of economy will give many new ideas for spaces and forms to the designers who are concerned about building a nation through the design of structures and buildings. This book provides a more progressive outlook on how architecture can be creatively and meaningfully interpreted to provide the nation with a new and exciting useful architecture and an element that can be taken pride of by all the cultures of the citizenry. The first section deals with the idea of the community and its values as it impinges upon the planning and design of housing. The second section deals with relooking at how a national iconic symbol should be one that is inclusive and not exclusive of a single dominant culture. The third section presents a stirring criticism of clich Islamic architecture that is exclusive, regressive, and wasteful. The book outlines some new perspective that can be taken in order to initiate a total revamp of Islamic architecture more suited to a civilized and inclusive society. The fourth and final section presents new directions in the architecture of educational institutions that would emphasize the students more than the administration.