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These are vivid, visceral poems about coming of age in a place 'where the Ferris Wheel / was the tallest thing in the valley, ' where a boy would learn 'to fire a shotgun at nine and wring a chicken's neck / with one hand by twirling the bird and whipping it straight like a towel.' . . . In spite of such hardscrabble cruelties"or because of them"there is also a real tenderness in these poems, the revelations of bliss driving along an empty highway 'like opening a heavy book, / letting the pages feather themselves and finding a dried flower.' . . . The poet has a gift for rendering his world in cinematic images. . . . In short, these poems are the stuff of life itself, ugly and beautiful, wherever or whenever we happen to live it. "Martin Espada
In the shadow of the British Raj, each of the million Indian soldiers in the First World War, had a unique story that has echoed across the vastness of history. This story is the saga of Kumar, born to privilege in the Bengal Presidency but swept up in events much larger than himself. When the horrors of the outlawed practice of Sati force him to confront his beliefs, his journey into the world beyond begins. From Calcutta's bustling streets to the distant shores of Ceylon and the battlefields of Verdun, Kumar's path is never easy. Love challenges him, prejudice tests him, and the weight of history pulls him in myriad directions. With each step, he finds himself surrounded by a vibrant ensemble of personalities - from a passionate Irish soldier, to a dedicated Scottish nurse, and a driven Indian social activist. As Kumar traverses lands and seas, he wrestles not only with life's inherent dichotomies, but with his own internal conflicts. And, when he finally returns home, he is caught up in a whirlwind of political fervour and old rivalries. Has Kumar's journey moulded him into the man he needs to be, or will the weight of his past decisions hold him back? Dive into an epic tale of love, war, and the quest for self, set against the backdrop of a world in turmoil.
Even monsters have horrors they whisper about in the dark of the night. They told him that the Lost were animals. Crazed and brutal, they said, a danger to themselves and others. Hero, they called him, for providing the mercy of a clean death. They lied. The Tiarna Beo is a land frozen in the still moment between acts of savage violence. Forty years after a genocidal Purging that drove an entire race either into the grave or north through the mountains, every man watches his words and his neighbour. Only a fool draws attention to himself, and only the suicidal travel to or from the North. Growing up fatherless in a cold and grieving home, Breag held tight to a clear vision for his future – a good woman, a family of his own and a quiet life. When his good woman betrays him, her confederates force him to travel to the Tiarna. He's charged with the mission to track down one of the Lost and bring it North. Its unwilling sacrifice will win him back his life. Mired in hopeless duty, spending his days and his years among people who would kill him if they knew what he was, Breag struggles to hold to the frayed edges of his humanity and his hope. But no good deed goes unpunished. When a man who would be his conscience pushes him to rescue a brutalised young woman, he finds out that she is the Lost he has spent eight years hunting for. His prize, e token that will give him back everything he ever wanted. All he has to do is bring her North. But the girl refuses to go quietly, and Breag is forced to choose between his future and hers. His choice will send out ripples that ignite the fumes of anger between Daoine and humans, and will ultimately burn the entire Tiarna down around him. Previously published under the name Tara Saunders.
Cormac McCarthy's first novel, The Orchard Keeper, won the William Faulkner Award. His other books - Outer Dark, Child of God, Suttree, and Blood Meridian - have drawn a cult readership and the praise of such writers as Annie Dillard and Shelby Foote. "There are so many people out there who seem to have a hunger to know more about McCarthy's work," says McCarthy scholar Vereen Bell. Helping to satisfy such a need, this collection of essays, one of the few critical studies of Cormac McCarthy, introduces his work and lays the groundwork for study of an important but underrecognized American novelist, winner in 1992 of the National Book Award and the National Book Critics Circle Award for All the Pretty Horses. The essays explore McCarthy's historical and philosophical sources, grapple with the difficult task of identifying the moral center in his works, and identify continuities in his fiction. Included too is a bibliography of works by and about him. As they reflect critical perspectives on the works of this eminent writer, these essays afford a pleasing introduction to all his novels and his screenplay, "The Gardener's Son."
Study of Leonid Nikolaievich Andreyev, Russian playwright, novelist and short-story writer, who is considered to be a father of Expressionism in Russian literature. He is one of the most talented and prolific representatives of the Silver Age period.
The Next Draft: Inspiring Craft Talks from the Rainier Writing Workshop brings together a selection of the “morning talks” delivered by the renowned authors who teach at the prestigious Rainier Writing Workshop MFA program. These morning talks are a highlight of the residencies at Pacific Lutheran University in Tacoma, Washington, featuring inspiring, innovative approaches to writing and literature across genres. For this collection, Brenda Miller has selected essays that feature diverse and illustrious writers such as Geffrey Davis, Marjorie Sandor, Barrie Jean Borich, Jenny Johnson, Oliver de la Paz, Lia Purpura, Kent Myers, Rebecca McClanahan, and others. Ranging from reading and writing in the Jewish tradition of midrash to the role of the writer as cultural critic in the 21st century, The Next Draft brings to life the kind of intellectual and creative excitement that underlies the intensive MFA experience at Pacific Lutheran University. Not only do these talks show innovative approaches to writing and literature across genres, they inspire the reader to think about how to read differently and thus bring their own work to a new level.