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The third and final book in Lauren Oliver’s powerful New York Times bestselling trilogy about forbidden love, revolution, and the power to choose. Now an active member of the resistance, Lena has transformed. The nascent rebellion has ignited into an all-out revolution, and Lena is at the center of the fight. After rescuing Julian from a death sentence, Lena and her friends fled to the Wilds. But the Wilds are no longer a safe haven. Pockets of rebellion have opened throughout the country, and the government cannot deny the existence of Invalids. Regulators infiltrate the borderlands to stamp out the rebels. As Lena navigates the increasingly dangerous terrain of the Wilds, her best friend, Hana, lives a safe, loveless life in Portland as the fiancée of the young mayor. They live side by side in a world that divides them until, at last, their stories converge.
"'When was the score of the Requiem completed?' is a question that everyone has asked; . . .but Wolff goes on to ask: 'Where do the technical and stylistic premises for the Requiem lie, and to what extent could these be taken into account after Mozart's death?' This question is rich in implications, central to the uniqueness of the work, and virtually undiscussed in the Mozart literature."—Thomas Bauman, co-author of Mozart's Operas
Between the French Indochina war of the fifties and the fall of Phnom Penn and Saigon in 1975, 134 photographers from different nations were killed. Horst Faas, two-times Pullitzer Prize winner and Chief Photographer for The Associated Press in Saigon at the height of the war, and Tim Page, another veteran who had been badly wounded, have gathered many thousands of photos from the Western agencies and from archives in Hanoi and Ho Chi Minh City. These have now been assembled to form both a monument to the dead and a record of the most terrifying war photography ever taken. Never again will the media have the kind of access to the war zone that was offered to the photographers in Vietnam. In many cases the photographers tried to get as close as possible, then paid the price.
"A modern gothic storytelling game"--Cover.
First Published in 2010. Routledge is an imprint of Taylor & Francis, an informa company.
While the Federation stands on the brink of war, Captain Picard is stranded in the past.
A Washington Post Notable Book: A Japanese Canadian man is haunted by childhood memories of WWII internment camps in this “evocative and cinematic tale” (Maclean’s). In 1942, in retaliation for the attack on Pearl Harbor, the Canadian government removes young Bin Okuma and his family from their home at a British Columbia coastal fishing village and forces them into internment camps. Allowed to take only the possessions they can carry, Bin watches looters raid his home before the transport boats even undock. One hundred miles from the “Protected Zone,” abandoned by his father, Bin spends the next five years struggling to adapt in the makeshift shacks of the brutal mountain community. For Bin, it was never forgotten, nor forgiven. Fifty years later, after his wife’s death, Bin embarks on a road trip across Canada. Accompanied by his dog, his classical music tapes, and his memories, he intends to find his biological father whose fateful decision destroyed his family all those years ago. But Bin must ask himself: does he really want to confront the ghosts of the past, or is it time to finally let them go? A novel of grief, coming-of-age, and coming to terms with our own personal histories, “Requiem is a great work of literature from a determined author at the peak of her powers” (Ottawa Citizen).
A tale of secrets and miracles
Ninety-five days, and then I'll be safe. I wonder whether the procedure will hurt. I want to get it over with. It's hard to be patient. It's hard not to be afraid while I'm still uncured, though so far the deliria hasn't touched me yet. Still, I worry. They say that in the old days, love drove people to madness. The deadliest of all deadly things: It kills you both when you have it and when you don't. Lauren Oliver astonished readers with her stunning debut, Before I Fall. In a starred review, Publishers Weekly called it "raw, emotional, and, at times, beautiful. An end as brave as it is heartbreaking." Her much-awaited second novel fulfills her promise as an exceptionally talented and versatile writer.
This book is intended to help those who are contemplating performing or studying the Brahms Requiem. It provides historical information, performance considerations, musical analysis, and resource material for all who enjoy the musicology behind this magnificent work. It is especially directed toward conductors, but it is also useful for choristers and soloists as well. A wonderful instructional tool!