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"Representative Plays by American Dramatists" by Various. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
"Representative Plays by American Dramatists: 1856-1911: Rip van Winkle" by Charles Burke presents readers with a timeless classic of American drama. This ebook showcases Washington Irving's beloved tale of the man who slept for twenty years and awakened to a world vastly changed. Through Burke's skillful adaptation, readers can experience the whimsical and magical journey of Rip van Winkle, offering a glimpse into the past while contemplating the themes of time, change, and the enduring spirit of humanity. This ebook is an excellent introduction to the works of American dramatists, providing readers with a captivating and entertaining literary experience.
"The New York Idea" is a comedy about divorce that examined the emerging phenomenon of casual divorce in the early 1900s. Its lively dialogue and the relevant absurdities of the character made it a famous drawing-room comedy.
From the start of the French Revolution, contemporary observers were struck by the overwhelming theatricality of political events. Examples of convergence between theater and politics included the election of dramatic actors to powerful political and military positions and reports that deputies to the National Assembly were taking acting lessons and planting paid "claqueurs" in the audience to applaud their employers on demand. Meanwhile, in a mock national assembly that gathered in an enormous circus pavilion in the center of Paris, spectators paid for the privilege of acting the role of political representatives for a day.Paul Friedland argues that politics and theater became virtually indistinguishable during the Revolutionary period because of a parallel evolution in the theories of theatrical and political representation. Prior to the mid-eighteenth century, actors on political and theatrical stages saw their task as embodying a fictional entity—in one case a character in a play, in the other, the corpus mysticum of the French nation. Friedland details the significant ways in which after 1750 the work of both was redefined. Dramatic actors were coached to portray their parts abstractly, in a manner that seemed realistic to the audience. With the creation of the National Assembly, abstract representation also triumphed in the political arena. In a break from the past, this legislature did not claim to be the nation, but rather to speak on its behalf. According to Friedland, this new form of representation brought about a sharp demarcation between actors—on both stages—and their audience, one that relegated spectators to the role of passive observers of a performance that was given for their benefit but without their direct participation. Political Actors, a landmark contribution to eighteenth-century studies, furthers understanding not only of the French Revolution but also of the very nature of modern representative democracy.
Much of what we know of Greco-Roman comedy comes from the surviving works of just four playwrights—the Greeks Aristophanes and Menander and the Romans Plautus and Terence. To introduce these authors and their work to students and general readers, this book offers a new, accessible translation of a representative play by each playwright, accompanied by a general introduction to the author's life and times, a scholarly article on a prominent theme in the play, and a bibliography of selected readings about the play and playwright. This range of material, rare in a single volume, provides several reading and teaching options, from the study of a single author to an overview of the entire Classical comedic tradition. The plays have been translated for readability and fidelity to the original text by established Classics scholars. Douglas Olson provides the translation and commentary for Aristophanes' Acharnians, Shawn O'Bryhim for Menander's Dyskolos, George Fredric Franco for Plautus' Casina, and Timothy J. Moore for Terence's Phormio.
Steele Mackaye (1842-1894), was an American actor, dramatist, producer, and theater manager. He was born in Buffalo as James Morrison. He studied dramatic expression in Paris under Francois Delsarte and on his return lectured in New York and Boston. He founded the Lyceum Theater, and was father to Percy MacKaye and Benton Mackaye He wrote the plays Monaldi and Marriage. Other works include: The Twins (1876), Won at Last (1877), Through the Dark (1878), Hazel Kirke (1880), and Anarchy (1887), originally called Paul Kauvar; or Anarchy, later shortened to Anarchy, and then again changed to Paul Kauvar.
Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.