Download Free Representations Of Violence In Literature Culture And Arts Conference Proceedings 2021 Edebiyat Kultur Ve Sanatta Siddet Temsilleri Konferans Bildiriler Kitabi 2021 Book in PDF and EPUB Free Download. You can read online Representations Of Violence In Literature Culture And Arts Conference Proceedings 2021 Edebiyat Kultur Ve Sanatta Siddet Temsilleri Konferans Bildiriler Kitabi 2021 and write the review.

In his foreword to World Report on Violence and Health, published by the World Health Organization (WHO) in 2002, Nelson Mandela states that “the twentieth century will be remembered as a century marked by violence”. Now we are nearly at the end of the first quarter of the twenty-first century, but violence still permeates in our lives at various levels. Various forms of violence occurring at levels of interpersonal, self-directed, collective, state, warfare, child and youth violence, intimate partner violence, environmental violence, and animal violence lay bare the complexity and pervasiveness of the phenomenon, yet it also brings along the necessity to discuss violence from multiple perspectives. Nelson Mandela Dünya Sağlık Örgütü’nün 2002 yılında yayınladığı Şiddet ve Sağlık Hakkında Dünya Raporu’nun önsözünde “yirminci yüzyılın şiddetle mimlenen bir yüzyıl olarak hatırlanacağını” söyler. Bizler, neredeyse yirmi birinci yüzyılın ilk çeyreğinin sonlarını yaşamaktayız, ancak şiddet hayatımıza hala çeşitli düzeylerde nüfuz ediyor. Kişilerarası, öze yöneltilen, kolektif, devlet, savaş, çocuk ve genç şiddeti, yakın eş şiddeti, çevresel şiddet ve hayvan şiddeti gibi çeşitli düzlemlerde vuku bulan şiddet biçimleri olgunun karmaşıklığını ve yaygınlığını açıkça ortaya koymakla beraber şiddet kavramının farklı açılardan tartışılması gerekliliğini de ortaya koymaktadır. Contents/İçindekiler SECTION 1: Literature Chapter 1: “A Clockwork Orange by Burgess: Revisiting Violence in a Dystopian Fiction” Anushka Ghuin Chapter 2: “The Scrutiny of Violence in Contemporary Period Through The Scar Test” Kadriye Bozkurt Chapter 3: “Nonviolence vs. Non-Ethics in Harry Turtledove’s ‘The Last Article’” Nataliya Krynytska Chapter 4: “Zami: A New Spelling Against Racism” Pulkita Anand Chapter 5: “Son Fısıltının Hakikati: Flannery O’Connor’ın ‘Greenleaf’ Öyküsünde Otoimmünite ve Şiddet” Hivren Demir-Atay SECTION 2: Culture Chapter 6: “Who is Responsible? The Politics of Structural Violence in Selected Films” Trayee Sinha Chapter 7: “Violence in textile: A Closer Look at the Warrior Shawls of Nagaland” Rugmani Venkatadri Chapter 8: "Sanatta Şiddetin Temsili: Bir Kez Daha Guernica ve Diğer Şeyler" Ali Asker Bal Chapter 9: “Şiddetin Mitik Temsilleri Üzerine Karşılaştırmalı bir Değerlendirme” Ülfet Dağ SECTION 3: Gender Chapter 10: “Margaret Atwood’s Testaments: A Portrayal of State Violence Against Women” Elvan Karaman Chapter 11: “Body as a Territory: A Study of Violence Against Women as Portrayed in Partition Literature of India and Pakistan” Adhyeta Mishra Chapter 12: “Revisiting Gendered Violence in Modern Iranian Fiction: Mahmoud Dowlatabadi’s Missing Soluch” Selin Şencan Chapter 13: “Violence Against Women: Actions and New Tools, The 7 Golden Rules of Conduct to Follow” Efstratia Oktapoda
Our oldest stories are about conflict. This collection draws together discussions of violence in storytelling from a number of perspectives. Historical contexts range from ancient Greece to postcolonial Africa to the American West, and topics considered include the role of the witness, how place affects our understanding of conflict, the aestheticization of violence, how trauma is written on the body, and contemporary war stories.
Focusing on three representation of posthuman bodies as cloned bodies in Kazuo Ishiguro’s Never Let Me Go (2005), toxic bodies in Indra Sinha’s Animal’s People (2007), and cyborg bodies in Justina Robson’s Natural History (2004) from the theoretical perspectives of posthuman definition of what it means to be human, this study discusses the changing concept of the body. In this context, the integral and dynamic connection between a human body and the world is of special significance, which opens up new possibilities to reconfigure the human body that is no longer conceded separate from the nonhuman world but embodied in it. Each of the novels significantly displays the in-betweenness of humans by making them interact with chemical substances, machines, and other nonhuman entities, and shows how clear-cut distinctions between the human and the nonhuman bodies have collapsed.
This book offers an innovative introduction to social research. The book explores all stages of the research process and it features both quantitative and qualitative methods. Research design topics include sampling techniques, choosing a research design, and determining research question that inform public opinion and direct future studies. Throughout the book, the authors provide vivid and engaging examples that reinforce the reading and understanding of social science research. "Your Turn" boxes contain activities that allow students to practice research skills, such as sampling, naturalistic observation, survey collection, coding, analysis, and report writing.
Survivor Rhetoric is a collection of essays about the language of abused women and girls written by feminist scholars from a variety of disciplines, including literary studies, psychology, law, and criminal justice. Editors Christine Shearer-Cremean and Carol L. Winkelmann have compiled a wholly original volume where diversity issues are critical, and which includes narratives from U.S. Appalachian evangelicals, lesbian women represented in Canadian feminist educational tracks, an American convert to Judaism in the Middle East, and elite or highly educated women represented in the mainstream media. The genres through which the stories are told include police reports, memoirs, and shelter talk, and the methods and focuses of the writers vary across the essays and include rhetorical, thematic analysis, ethnographic, and literary analysis. Survivor Rhetoric concludes with a call for more holistic and local responses to the problem of violence against women and girl children – responses carefully attentive to language issues, informed by multiple perspectives, and in touch with global conversations.
A powerful critique of the stories that feminists tell about the past four decades of Western feminist theory.
This book addresses the current resurgence of interest in feminism–notably within popular culture and media–that has led some to announce the arrival of the fourth wave. Research explores where fourth-wave feminism sits in relation to those that preceded it, and in particular, how fourth-wave feminism intersects with differing understandings of postfeminism(s). Through accessible and highly topical examples such as; the controversial actions of activist group, Femen; the rising phenomenon of ‘celebrity feminism;’ or the assumed outdated views of feminists’ associated with previous waves, the relationship between differing concepts of postfeminism(s) is illustrated. By pressing the need for an intergenerational approach to fourth-wave feminism, this book encourages engaging past debates and theorists allowing readers with an interest in the relationship between feminism and popular culture a fuller understanding of feminist theory and providing the opportunity to take stock before diving headfirst into another wave.
As a concept, 'trauma' has attracted a great deal of interest in literary studies. A key term in psychoanalytic approaches to literary study, trauma theory represents a critical approach that enables new modes of reading and of listening. It is a leading concept of our time, applicable to individuals, cultures, and nations. This book traces how trauma theory has come to constitute a discrete but influential approach within literary criticism in recent decades. It offers an overview of the genesis and growth of literary trauma theory, recording the evolution of the concept of trauma in relation to literary studies. In twenty-one essays, covering the origins, development, and applications of trauma in literary studies, Trauma and Literature addresses the relevance and impact this concept has in the field.
This is the second volume of the Proceedings of The Migration Conference 2020. The Migration Conference 2020 was held online due to COVID-19 Pandemic and yet, in over 80 parallel sessions and plenaries key migration debates saw nearly 500 experts from around the world engaging. This collection contains contributions mainly dealing with migration and integration debates. These are only a subset of all presentations from authors who chose to submit full short papers for publication after the conference. Most of the contributions are work in progress and unedited versions. The next migration conference is going to be hosted by Ming-Ai Institute in London, UK. Looking forward to continuing the debates on human mobility after the Pandemic. | www.migrationconference.net | @migrationevent | fb.me/MigrationConference | Email: [email protected]