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General description of the collection: The San Francisco Postal Censorship Committee General Orders consists of a set of general orders numbered 1-16 from the Local Postal Censorship Board in San Francisco, California, and general orders numbered 17-45 (except 26) from the San Francisco Postal Censorship Committee. The general orders were issued from 14 March 1918 through 1 February 1919, and describe procedures for mail examiners censoring the mail entering or leaving the United States (U.S.) from San Francisco. The initial general orders set forth the procedures for mail examiners. Later numbers describe the types of information that examiners were to report, list censored publications, and name suspected people and businesses whose mail was to be monitored. The general orders also include notices from other censorship offices operating in the U.S. during World War I (WWI).
A seventeen-volume compilation of selected AEF records gathered by Army historians during the interwar years. This collection in no way represents an exhaustive record of the Army's months in France, but it is certainly worthy of serious consideration and thoughtful review by students of military history and strategy and will serve as a useful jumping off point for any earnest scholarship on the war. --from Foreword by William A Stofft.
This interdisciplinary account explores how English infantrymen in Belgium and France experienced and coped with war between 1914 and 1918.
An intimate narrative history of World War I told through the stories of twenty men and women from around the globe--a powerful, illuminating, heart-rending picture of what the war was really like. In this masterful book, renowned historian Peter Englund describes this epoch-defining event by weaving together accounts of the average man or woman who experienced it. Drawing on the diaries, journals, and letters of twenty individuals from Belgium, Denmark, France, Great Britain, Germany, Austria, Hungary, Italy, Australia, New Zealand, Russia, Venezuela, and the United States, Englund’s collection of these varied perspectives describes not a course of events but "a world of feeling." Composed in short chapters that move between the home front and the front lines, The Beauty and Sorrow brings to life these twenty particular people and lets them speak for all who were shaped in some way by the War, but whose voices have remained unheard.