Roger Simpson
Published: 1994
Total Pages: 204
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In his satires of the medieval revival in Punch in the 1850s, Tenniel deyeloped a purely visual, gestural, historicist burlesque that parodied the revival but was also a genuine adaptation of historical forms to a contemporary context. He created a traditionalistic cosmos in which the past permeated and enriched the present - culminating in the great high satire of his Alice work; a triumph of English common sense.