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In Renewing Royal Imagery: Akhenaten and Family in the Amarna Tombs, Arlette David offers a systematic analysis of the visual presentation of ancient Egyptian kingship during Akhenaten's reign (circa 1350 B.C.) in the elite tombs of his new capital.
In Renewing Royal Imagery: Akhenaten and Family in the Amarna Tombs, Arlette David offers a systematic analysis of the visual presentation of ancient Egyptian kingship during Akhenaten's reign (circa 1350 B.C.) in the elite tombs of his new capital.
Two celebrated Egyptologists bring to vivid life the intriguing and controversial reign of King Tut's parents. Akhenaten has been the subject of radically different, even contradictory, biographies. The king has achieved fame as the world's first individual and the first monotheist, but others have seen him as an incestuous tyrant who nearly ruined the kingdom he ruled. The gold funerary mask of his son Tutankhamun and the painted bust of his wife Nefertiti are the most recognizable artifacts from all of ancient Egypt. But who are Akhenaten and Nefertiti? And what can we actually say about rulers who lived more than three thousand years ago? November 2022 marks the centennial of the discovery of the tomb of Tutankhamun and although "King Tut" is a household name, his nine-year rule pales in comparison to the revolutionary reign of his parents. Akhenaten and Nefertiti became gods on earth by transforming Egyptian solar worship, innovating in art and urban design, and merging religion and politics in ways never attempted before. Combining fascinating scholarship, detective suspense, and adventurous thrills, Egypt's Golden Couple is a journey through excavations, museums, hieroglyphic texts, and stunning artifacts. From clue to clue, renowned Egyptologists John and Colleen Darnell reconstruct an otherwise untold story of the magnificent reign of Akhenaten and Nefertiti.
Picturing Royal Charisma assesses how Middle Eastern leaders manipulated visuals to advance their rule from around 4500 BC to the 19th century AD. In nine fascinating narratives, it showcases the dynamics of long-lasting Middle Eastern traditions, dealing with the visualization of those who stood at the head of the social order. The contributions discuss: Mesopotamian kings who cast themselves as divine representatives in art; the relationships between the 'king of men' and 'king of beasts' - the lion; Akhenaten's visual conception of a divine king without hybrid attributes; the royal image as guiding movements of visitors in the palace of Nimrud; continuities in the functions and representation of Neo-Assyrian eunuchs that survived in the Achaemenid, Sasanian, Byzantine and Islamic courts; the triumphal arch of the emperor Titus and its reflections in Christian Constantinople; patterns of authority and royal legitimacy in 3rd century AD Palmyra and Rome; the use of the Biblical past in the construction of kingship in 12th century Crusader Jerusalem; and the use of 'the power of images' by Islamic rulers, adopting visuals of thrones and throne-rooms despite Islamic opposition to the figurative portrayal of kings.
Collecting 22 selected papers from the twenty-third Current Research in Egyptology conference, topics include language and literature, archaeology and material culture, society and religion, archival research, intercultural relations, reports on archaeological excavations and methodological issues, regarding all periods of Ancient Egypt.
Volume II focuses on systems of thought and belief in the history of world sexualities, ranging from early humans to contemporary approaches. Comprising eighteen chapters, this volume opens with a chapter on the evolutionary legacy and then delves into the sexualities of ancient Egypt, the Near East, Greece, and Rome, continuing with pre-modern South Asia, China, and Japan, Africa, the Americas, and Oceania. Chapters include an examination of sexuality in the religious traditions of Buddhism, Judaism, Christianity, and Islam, and also look at more recent approaches, including scientific sex, sexuality in socialism and Marxism, and the intersections between sexuality, feminism, and post-colonialism.
Over more than a century and a quarter of excavations the royal and administrative buildings in the city of Amarna have yielded the remains of many hundreds of statues that had been part of Akhenaten's visionary plan. But fragmentation and dispersal have up until now made the results almost invisible. Only a relatively small number of the original statues have been widely known, even to experts. The present publication brings together all these traces of the city's past to reveal the abundance, beauty, variety, and novelty of the statuary and to begin the process of reintegrating it in considerations of the temples and palaces of the city. The work is presented in two parts. The first volume presents extensive observations about the creation of the statuary, comprising chapters dealing with the range of materials and the methods of working them, a detailed explication of the novel creation of composite statuary, and an overview of the workshop buildings that have been identified so far at Amarna. In the second volume, the excavated fragments themselves, most of them previously unpublished, are catalogued in a series of chapters devoted to individual royal buildings. The original statues are envisioned and analysed for their contexts, resulting in new information about these buildings, the intentions and concerns behind them, and the evolution in those intentions.
A collection of eight lectures published over the past 20 years, in which Bullough (medieval history, U. of St. Andrews) looks at the ninth-century Carolingian court, focusing on the pan-European cultural elements. He combines his own close analysis of texts with the work of other scholars. Distributed in the U.S. by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR
This volume brings together a set of key studies on the history and culture of Christian Georgia, along with a substantial new introduction. The opening section sets the regional context, in relation to the Byzantine empire in particular, while subsequent parts deal with the conversion and christianization of the country, the making of a 'national' church and the development of a historical identity.
This book is not a conventional political narrative of Carolingian history shaped by narrative sources, capitularies, and charter material. It is structured, instead, by numismatic, diplomatic, liturgical, and iconographic sources and deals with political signs, images, and fixed formulas in them as interconnected elements in a symbolic language that was used in the indirect negotiation and maintenance of Carolingian authority. Building on the comprehensive analysis of royal liturgy, intitulature, iconography, and graphic signs and responding to recent interpretations of early medieval politics, this book offers a fresh view of Carolingian political culture and of corresponding roles that royal/imperial courts, larger monasteries, and human agents played there.