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A TALL GIRL who is afraid of heights? When Renée Marie's class takes a trip to the Eiffel Tower, she would much rather stay with her feet on the ground than go up to the top!
A TALL GIRL who is afraid of heights? When Renee Marie's class takes a trip to the Eiffel Tower, she would much rather stay with her feet on the ground than go up to the top! "From the Trade Paperback edition."
Helen, alias "Joe," would rather be a boy and have all kinds of adventures like Lady Oscar, her favourite cartoon heroine. She daydreams about living in another time and achieving great things, but she must be content delivering newspapers and working at the bingo hall. After all, she is only eight years old, even though she claims to be ten. When Roger, an old man who drinks like a fish, swears like a sailor, and dreams about dying, moves into the working-class neighbourhood where Helen lives with her family, the two make uneasy acquaintances. But, after a series of scary and disturbing events, an unlikely friendship develops — one that changes them both forever. A stunning debut novel in the spirit of The Flying Troutmans by Miriam Toews, Mister Roger and Me perfectly captures the irony, innocence, heartbreak, and humour of childhood.
Includes short biographies of individuals raised to the rank of saint or blessed by Pope John Paul II from 1984-1987, as well as excerpts from the homily given by the Pope at the beatification or canonization ceremony.
A classic, the baby name countdown (over 120,000 copies sold) is now fully revised and updated for the first time in a decade. Featuring more names than any other guide and based on more than 2.5 million birth records, the book includes brand-new data, a new introduction, a revised section on the most popular baby names of the past year and decade, and updated popularity ratings throughout. Discover at a glance the most popular given names from each decade of the 20th and 21st centuries, meanings and origins of the 3,000 top names, and thousands of rare and exotic monikers. Whether your taste in names is trendy, traditional, or international, The Baby Name Countdown is the ideal resource for every parent searching for the perfect name.
The Lloyd’s Register of Yachts was first issued in 1878, and was issued annually until 1980, except during the years 1916-18 and 1940-46. Two supplements containing additions and corrections were also issued annually. The Register contains the names, details and characters of Yachts classed by the Society, together with the particulars of other Yachts which are considered to be of interest, illustrates plates of the Flags of Yacht and Sailing Clubs, together with a List of Club Officers, an illustrated List of the Distinguishing Flags of Yachtsmen, a List of the Names and Addresses of Yacht Owners, and much other information. For more information on the Lloyd’s Register of Yachts, please click here: https://hec.lrfoundation.org.uk/archive-library/lloyds-register-of-yachts-online
Although more women in France have entered political life than ever before, the fact remains that there are fewer women representatives in the French parliament than there were after the Second World War. In a new and original approach, the author presents an overview and analysis of the emerging body of text by or on women who have held high political office in France. The argument is that writing about women and politics has not just described or reflected women's slow but now substantial entry into political life; it has played a major part in shaping the parity debate and its outcomes. Interviews with political women, such as Huguette Bouchardeau, Simone Veil or Edith Cresson, inserted in the text, demonstrate the emergence and circulation of a new common discourse focused on the issue of whether women in politics make or should make a difference. A close reading of the various texts examined in this book and their connection to new public counter-discourses in France suggest that a re-writing of power is indeed occurring.
The Lloyd’s Register of Yachts was first issued in 1878, and was issued annually until 1980, except during the years 1916-18 and 1940-46. Two supplements containing additions and corrections were also issued annually. The Register contains the names, details and characters of Yachts classed by the Society, together with the particulars of other Yachts which are considered to be of interest, illustrates plates of the Flags of Yacht and Sailing Clubs, together with a List of Club Officers, an illustrated List of the Distinguishing Flags of Yachtsmen, a List of the Names and Addresses of Yacht Owners, and much other information. For more information on the Lloyd’s Register of Yachts, please click here: https://hec.lrfoundation.org.uk/archive-library/lloyds-register-of-yachts-online
Race first emerged as an important ingredient of New York City's melting pot when it was known as New Amsterdam and was a fledgling colonial outpost on the North American frontier. Thelma Wills Foote details the arrival of the first immigrants, including African slaves, and traces encounters between the town's inhabitants of African, European, and Native American descent, showing how racial domination became key to the building of the settler colony at the tip of Manhattan Island. Foote investigates everyday formations of race in slaveowing households, on the colonial city's streets, at its docks, taverns, and marketplaces, and in the adjacent farming districts. The history of New York City demonstrates that the process of racial formation and the mechanisms of racial domination were central to the northern colonial experience and to the founding of the United States.
Spawn is a braided collection of brief, untitled poems, a coming-of-age lyric set in the Mashteuiatsh reserve on the shores of Lake Piekuakami (Saint-Jean) in Quebec. Undeniably political, Marie-Andr e Gill's poems ask: How can one reclaim a narrative that has been confiscated and distorted by colonizers? The poet's young avatar reaches new levels on Nintendo, stays up too late online, wakes to her period on class photo day, and carves her lovers' names into every surface imaginable. Encompassing twenty-first-century imperialism, coercive assimilation, and 90s-kid culture, the collection is threaded with the speaker's desires, her searching: for fresh water to "take the edge off," for a "habitable word," for sex. For her "true north"--her voice and her identity. Like the life cycle of the ouananiche that frames this collection, the speaker's journey is cyclical; immersed in teenage moments of confusion and life on the reserve, she retraces her scars to let in what light she can, and perhaps in the end discover what to "make of herself". Praise for Spawn "Like the image of time that passes too quickly, or not quickly enough, between frozen lake and beacon of hope, Gill's poetry wonderfully translates the struggles and perils of adolescence. This is a collection imbued with the poet's great sensitivity, emotionally strong and true." --Elizabeth Lord "Gill writes: 'we bathe in the malaise / of hot asphalt / waiting for a habitable word, ' and we feel the tension of translation, of using language at all, our doomed human technology. It's the hardest thing to capture that frustration in language, much less in translated language, and it's a little miraculous how well it's rendered throughout Gill's haunting lyric flares. Spawn is unforgettable poetry of the highest order." --Kaveh Akbar, author of Calling a Wolf a Wolf "Gill's poems are like small treasures clutched in buried tree roots, preserving "the chalky veins" of ancestral memory pulsing just below our modern hustle. Miller's luminous translation gives us a poet who insists on unwinding layers of language--Indigenous and settler, pop-cultural, philosophical, and spiritual--in search of elemental connection." --Kiki Petrosino, author of White Blood "Marie-Andr e Gill undertakes in Spawn a poetry of intimacy and estrangement in technicolor: evoking nostalgia for nature as well as Nintendo, her haunting juxtapositions exist in life cycles of commercial possibilities and ecological impossibilities, of postcolonial globalization and indigenous dislocation. Rendered into crystalline English by poet Kristen Renee Miller, Spawn is an unforgettable work of lyricism and cosmic intelligence." --Katrine ?gaard Jensen, tr. Third-Millenium Heart, winner of the 2018 National Translation Award