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'It was the time when the rush for spoils filled a corner of the forest with the yelping of hounds, the cracking of whips, the flaring of torches. The appetites let loose were satisfied at last, shamelessly, amid the sound of crumbling neighbourhoods and fortunes made in six months. The city had become an orgy of gold and women.' The Kill (La Curée) is the second volume in Zola's great cycle of twenty novels, Les Rougon-Macquart, and the first to establish Paris - the capital of modernity - as the centre of Zola's narrative world. Conceived as a representation of the uncontrollable 'appetites' unleashed by the Second Empire (1852-70) and the transformation of the city by Baron Haussmann, the novel combines into a single, powerful vision the twin themes of lust for money and lust for pleasure. The all-pervading promiscuity of the new Paris is reflected in the dissolute and frenetic lives of an unscrupulous property speculator, Saccard, his neurotic wife Renée, and her dandified lover, Saccard's son Maxime. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
In nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed. In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography, Paris as Revolution "reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, Vallès, and others, alongside the novels of Flaubert, Hugo, Vallès, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
In May 1829, strange reports surfaced from the Ari ge department in the French Pyrenees, describing male peasants, bizarrely dressed in women's clothes, gathering in the forests at night to chase away state guards and charcoal-makers. This was the raucous War of the Demoiselles, a protest against the national French Forest Code of 1827, which restricted peasants' rights to use state and private forests. Peter Sahlins unravels the fascinating story of this celebrated popular uprising, and in his telling captures the cultural, historical, and political currents that swept the countryside during France's July 1830 Revolution. Sahlins explains how and why the Ari ge peasants drew on the practices and rituals of folk culture, as well as on a revolutionary tradition, to defend their inherited rights to the forest. To explore these rights and their expression, he delves into the history of forest management, of peasant conflicts with the state, and of popular culture--particularly the disputed history of Carnival and of local rituals of justice. Sahlins also sheds new light on the French revolutionary tradition and the "Three Glorious Days" of July 1830. The drama and symbolism of the War of the Demoiselles have inspired nearly a dozen plays, novels, films, and even a comic book. Using the concepts of anthropology and cultural studies as transport, Sahlins moves from this rich event to the wider worlds of peasant society in France. Focusing on the years from 1829 to 1832 but drawing on sources since the sixteenth century, his book should captivate social, cultural, and political historians of both early modern and modern Europe.
Embark on a literary journey through the masterful tapestry of Emile Zola's oeuvre with "The Complete Works of Emile Zola: Émile Zola's Literary Tapestry Unveiled" by Émile Zola himself. Delve into the rich world of one of France's greatest novelists, exploring the breadth and depth of his literary genius. As Zola's complete works unfold, immerse yourself in the vivid landscapes, intricate characterizations, and compelling narratives that define his literary legacy. Experience the raw emotion, social commentary, and unflinching realism that set Zola apart as a towering figure in 19th-century literature. But amidst the richness of Zola's literary tapestry, a provocative question emerges: Can we truly comprehend the complexities of human nature and society through the lens of literature, or are we merely scratching the surface of deeper truths? Engage with Zola's powerful prose and incisive observations, as he peels back the layers of society to reveal its inner workings and contradictions. Join the exploration of Zola's literary universe, where passion, ambition, and despair collide in a symphony of human experience. Are you prepared to confront the truths that lie beneath the surface of Zola's narratives? Immerse yourself in the timeless beauty and profound insights of Zola's writing, whose resonance transcends the boundaries of time and space, speaking to readers across generations and cultures. Now is the time to dive into the complete works of Emile Zola and uncover the hidden gems of his literary genius. Let "The Complete Works of Emile Zola" be your gateway to a world of imagination, exploration, and enlightenment. Secure your copy of "The Complete Works of Emile Zola" today and embark on a literary odyssey through the landscapes of passion, power, and human frailty. Let Zola's masterpieces inspire, challenge, and captivate you as you traverse the vast terrain of his literary universe.
A longish volume of translations of all works of French novelist, playwright, journalist, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism - Emile Zola.
His Excellency (French: Son Excellence Eugene Rougon) - From Zola's Rougon-Macquart Series. "Son Excellence Eugene Rougon is the one existing French novel which gives the reader a fair general idea of what occurred in political spheres at an important period of the Empire. It is a book for foreigners and particularly Englishmen to read with profit, for there are yet many among them who cherish the delusion that Napoléon III. was not only a good and true friend of England, but also a wise and beneficent ruler of France; and this, although his reign began with bloodshed and trickery, was prolonged by means of innume-rable subterfuges, and ended in woe, horror, and disgrace... There is, of course, some fiction in the book; but, again and again, page after page, I have found a simple record of fact, just deftly adapted to suit the requirements of the narrative. The history of the Second Empire is probably as familiar to me as it is to M. Zola himself-for, like him, I grew to manhood in its midst, with better opportunities, too, than he had of observing certain of its distinguishing features - and thus I have been able to identify innumerable incidents and allusions, and trace to their very source some of the most curious passages in the book. And it is for this reason, and by virtue of my own knowledge and experience, that I claim for His Excellency the merit of reflecting things as they really were in the earlier years of the Imperial régime." (Ernest Alfred Vizetelly)