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From the elegently appointed drawing rooms of London's most exclusive clubs to an imposing country estate in the heart of Dorset, comes a provocative tale of a free-thinking beauty, a dignified lord, and a mad impetuous love that defied all logic . . . Augusta Ballinger was quite sure that it was all a dreadful mistake. The chillingly pompous and dangerous Earl of Graystone could not possibly wish to marry her. Why, it was rumored that his chosen bride must be a veritable model of virtue. And everyone knew that Augusta, as the last of the wild, reckless Northumberland Ballingers, was a woman who could not be bothered by society’s rules. That was why the spirited beauty had planned a midnight encounter to warn the earl off, to convince him that she would make him a very poor wife indeed. But when she crawled in through his darkened study window, Augusta only succeeded in strengthening Harry’s resolve: to kiss the laughter from those honeyed lips and teach this maddening miss to behave! How could he possibly know that it was he who was in for a lesson . . . as his brazen fiancée set out to win his heart—and an old and clever enemy stepped in to threaten their love, their honor, and their very lives?
Scheduled to become a TV movie on BET, "Rendezvous" is the passionate tale of a woman running from danger after her husband is murdered. She heads straight into the arms of a sexy graphic designer who offers to help her get her life back together.
It's never too late to live the dream... 'Unputdownable, a heart-warming story of love, family and friendship in the glorious south of France. What’s not to love!' Lucy Coleman Carla Sullivan’s 50th birthday is fast approaching when her whole world is turned upside down. Discovering her feckless husband is having yet another affair and following her mother’s death, she is in need of an escape. Finding an envelope addressed to her mother’s estranged sister Josette in the South of France gives Carla the perfect plan. Seizing the moment, she packs her bags and heads to Antibes to seek out the enigma known as Tante Josette. But as the two women begin to forge a tentative relationship, family secrets start to unravel, forcing Carla to question her life as she has always known it. A heart-warming tale on the beautiful French Riviera, which will keep you guessing.Perfect for the fans of Jill Mansell and Fern Britton. What readers are saying about Villa of Sun and Secrets: 'This was the first Jennifer Bohnet book I've read, but it definitely won't be the last. A beautifully written and heart-warming tale of family and friendship, I was completely transported to the south of France and that stunning villa. When can I move in?' Jessica Redland, author of The Secret to Happiness 'Villa of Sun and Secrets is a perfect summer read! This wonderful family saga has it all - secrets from the past, gentle romance and the beautiful setting of Villa Mimosa in the glorious sunshine of the south of France. I couldn’t stop myself from turning the pages and read it in one sitting. I absolutely loved it. Highly recommended!' Alison Sherlock, author of A House To Mend A Broken Heart 'This book transported me to the beautiful French resort of Antibes; I could feel the warm sun and smell the beautiful flowers at Villa Mimosa. The unravelling of family secrets will always be a painstaking task and the sheer devastation, as history is revealed, left me reeling.' 'This was an awesome read, great for a day at the beach!' 'The book definitely takes you through an array of emotions, but leaves you with a warm and happy after.' 'A really great cast of characters set in a wonderful sounding place... Made me wish I was there! Just lovely.' 'This is the perfect book for my mood: it's heart-warming, well written and escapism at high level.' 'A fantastic book' 'A lovely 5 star read, one of my favourite reads so far.' 'Truly a joy to read'
I want someone to love all of me, even my secrets... Abby works as a receptionist at a clinic for an orthopedic surgeon named Ethan. Being betrayed by a former lover has given her a distrust towards men, but for some reason, Ethan also holds a disgust towards women. One day, he asks her to accompany her on a trip...and offers to pay her to pretend to be his lover. Without thinking, she instinctively turns him down. However, something unforeseen happens. Her beloved teacher is the victim of a robbery and has lost a huge sum of money. Her desire to help leads her to her decision. She will accept Ethan's offer. She never thought that she would have her heart stolen once again...
A young woman in a Paris cafe awaits her mother, all the while dismissing men trying to pick her up. She is Louise, and in a monologue she describes her life and her relationship with her mother, a glamorous woman about whom men also swarm like bees.
In a plot to regain her usurped fortune, young Jocelyn marries the Duke of Wilcott, England's premier bachelor, without his knowledge. She intends to get an annulment, but after one breathless kiss, Jocelyn knows she'll be duchess for a lifetime.
Inspired by the tales of four grandmothers - Thuan Le Elston's and her husband's - Rendezvous at the Altar: From Vietnam to Virginia traces Anne's Southern upbringing to her Mad Men-like married life; Kim's family as they survive French colonialism and the Vietnam War; Mary's transformations through the Great Depression and two marriages; and Ty's migration from Hanoi businesswoman to Arizona matriarch. Through a mother's journal to her children and the four grandmothers' narrations that bridge punk band names to the Temple of Literature, Elston compares gender roles, parenting, aging, and dying in a multicultural family.
On a mild midwestern night in the early 1940s, Johnny Marr leans against a drugstore wall. He’s waiting for Dorothy, his fiancée, and tonight is the last night they’ll be meeting here, for it’s May 31st, and June 1st marks their wedding day. But she’s late, and Johnny soon learns of a horrible accident—an accident involving a group of drunken men, a low-flying charter plane, and an empty liquor bottle. In one short moment Johnny loses all that matters to him and his life is shattered. He vows to take from these men exactly what they took from him. After years of planning, Johnny begins his quest for revenge, and on May 31st of each year—always on May 31st—wives, lovers, and daughters are suddenly no longer safe. From the Trade Paperback edition.
A collection of five essays of French philosopher Nancy, originally published in 1985-86: The Inoperative Community, Myth Interpreted, Literary Communism, Shattered Love, and Of Divine Places. A paper edition (1924-7) is available for $14.95. Annotation copyrighted by Book News, Inc., Portland, OR
An investigation of dance and choreography that views them not only as artistic strategies but also as intrinsically theoretical and critical practices. The choreographic stages a conversation in which artwork is not only looked at but looks back; it is about contact that touches even across distance. The choreographic moves between the corporeal and cerebral to tell the stories of these encounters as dance trespasses into the discourse and disciplines of visual art and philosophy through a series of stutters, steps, trembles, and spasms. In The Choreographic, Jenn Joy examines dance and choreography not only as artistic strategies and disciplines but also as intrinsically theoretical and critical practices. She investigates artists in dialogue with philosophy, describing a movement of conceptual choreography that flourishes in New York and on the festival circuit. Joy offers close readings of a series of experimental works, arguing for the choreographic as an alternative model of aesthetics. She explores constellations of works, artists, writers, philosophers, and dancers, in conversation with theories of gesture, language, desire, and history. She choreographs a revelatory narrative in which Walter Benjamin, Pina Bausch, Francis Alÿs, and Cormac McCarthy dance together; she traces the feminist and queer force toward desire through the choreography of DD Dorvillier, Heather Kravas, Meg Stuart, La Ribot, Miguel Gutierrez, luciana achugar, and others; she maps new forms of communicability and pedagogy; and she casts science fiction writers Samuel R. Delany and Kim Stanley Robinson as perceptual avatars and dance partners for Ralph Lemon, Marianne Vitali, James Foster, and Janet Cardiff and George Bures Miller. Constructing an expanded notion of the choreographic, Joy explores how choreography as critical concept and practice attunes us to a more productively uncertain, precarious, and ecstatic understanding of aesthetics and art making.