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Reversing the predominant critical interpretation of La Ceppède and the Théorèmes, this study claims that literary contexts and avatars act as a point of entry into devotion. The book reads La Ceppède from the inside out, asking principal question: How does the literary initiate an exploration of the theological? Focusing on the ways in which the Théorèmes transform literature into a potential instrument of salvation, the text looks at La Ceppède's adaptation of different Renaissance lyric types. Modulation of the formal and thematic traits of lyric subgenres such as the blason, the baiser, the pastoral and pastourelle, as well as the emblem allow La Ceppède to develop and exploit literature as a contemplative framework. The goals in taking this approach are to emphasize La Ceppède's originality in terms of representing the Christian body and spiritually erotic imagery. This methodology also highlights La Ceppède's use of lyric subgenre as a means of unifying the first and second volumes of the Théorèmes. In its final chapter, the book compares and contrasts La Ceppède's appropriation of lyric forms with that of other Renaissance poets such as Lazare de Selve, Jean de Sponde, and Marguerite de Navarre. The work concludes by arguing that the contribution of La Ceppède's text lies in the singularity of its narrative structure, its poetic mission, and its depiction of Christ's humanity. Literary structure becomes meditative structure, as lyric form becomes a vehicle toward redemption.
The concept of resonance collapses the binary between subject and object, perceiver and perceived, evoking a sound or image that is prolonged and augmented by making contact with another surface. This collection uses resonance as an innovative framework for understanding the circulation of people and objects between England and its multiple Asian Easts. Moving beyond Saidian Orientalism to engage with ongoing critical conversations in the fields of connected history, material culture, and thing theory, it offers a vibrant range of case studies that consider how meanings accrue and shift through circulation and interconnection from the sixteenth to the early nineteenth century. Spanning centuries of traveling translations, narratives, myths, practices, and other cultural phenomena, Eastern Resonances in Early Modern England puts forth resonance not just as a metaphor, but a mode of investigation.
Resonances: Engaging Music in Its Cultural Context offers a fresh curriculum for the college-level music appreciation course. The musical examples are drawn from classical, popular, and folk traditions from around the globe. These examples are organized into thematic chapters, each of which explores a particular way in which human beings use music. Topics include storytelling, political expression, spirituality, dance, domestic entertainment, and more. The chapters and examples can be taught in any order, making Resonances a flexible resource that can be adapted to your teaching or learning needs. This textbook is accompanied by a complete set of PowerPoint slides, a test bank, and learning objectives.
An interdisciplinary study of how conspiracy theories and stories persist and resonate among different Americans
The Resonance Effect is both the author's story of her inspirational journey of having the courage to find her true calling and an account of the development of a remarkable newly rediscovered treatment, frequency specific microcurrent (FSM), that takes advantage of the body's ability to respond to frequencies in order to heal a number of chronic conditions. Carolyn McMakin, a chiropractor specializing in fibromyalgia and myofascial pain, describes her experience using a two-channel microcurrent device that has achieved astounding results that have changed medicine and created new possibilities for suffering patients over the past twenty years. Nerve pain, fibromyalgia, diabetic neuropathies, muscle pain, athletic performance, injury repair, joint pain, low back pain, neck pain, kidney stone pain, the kidney stones themselves, liver disease, diabetic wounds, brain and spinal cord injuries, PTSD, depression, shingles, asthma, ovarian cysts, abdominal adhesions, and scarring all respond to specific frequencies. McMakin explains that results are predictable, reproducible, and teachable—all without side effects—offering hope and healing to millions of people. McMakin tells the story of how thousands of patients with conditions that did not respond to other medical therapies recovered from pain and disability through the non-invasive treatment that she developed. For example, asthma resolves with specific frequencies that remove inflammation, allergy reaction, and spasm from the bronchi. One frequency combination eliminates shingles pain in minutes and stops the shingles attack with a single three-hour treatment. Since 2005, a series of frequencies has been used to treat hundreds of PTSD patients. Post-surgical patients use FSM to reduce pain, prevent bruising, and increase healing. NFL, NHL, and Olympic athletes use it to heal injuries and improve performance. McMakin includes case histories that illustrate the efficacy of the treatment and shares the specific frequencies that each condition requires so that patients direct their own treatments.
A new, uniquely twenty-first century art genre has begun to emerge in the galleries of New York and San Francisco. Suggestivism, which gained traction by way of multi-artist exhibitions at Spoke Art Gallery, depicts vivid, otherworldly scenes in a variety of media and styles. The pieces collected here spark the viewer's creativity and beg to be placed in the context of a larger story, while any concrete narrative remains tantalisingly elusive.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Establishes resonance as a critical and conceptual paradigm for film analysis bringing together, for the first time, the work of three of the leading figures in European film: Agnès Varda, Michael Haneke and Jean-Luc Nancy.
From the strictly regimented church bells to the freewheeling chatter of civic life, Renaissance Florence was a city built not just of stone but of sound as well. An evocative alternative to the dominant visual understanding of urban spaces, The Noisy Renaissance examines the premodern city as an acoustic phenomenon in which citizens used sound to navigate space and society. Analyzing a range of documentary and literary evidence, art and architectural historian Niall Atkinson creates an “acoustic topography” of Florence. The dissemination of official messages, the rhythm of prayer, and the murmur of rumor and gossip combined to form a soundscape that became a foundation in the creation and maintenance of the urban community just as much as the city’s physical buildings. Sound in this space triggered a wide variety of social behaviors and spatial relations: hierarchical, personal, communal, political, domestic, sexual, spiritual, and religious. By exploring these rarely studied soundscapes, Atkinson shows Florence to be both an exceptional and an exemplary case study of urban conditions in the early modern period.
The essays in this volume investigate origins and identities of individuals and groups in French literature from the seventeenth century to the present, as well in French literature in general. They show how, as France developed a national identity through its literature, individuals of various origins searched for their own identities and often called into question not only traditional identities, but also the very literary means of creating them.