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Contains checklist of recent additions to the genealogical collections of the Michigan Unit.
The rise and fall of the man who cracked Prohibition to become one of the world’s richest criminal masterminds—and helped inspire The Great Gatsby. Love, murder, political intrigue, mountains of cash, and rivers of bourbon…The tale of George Remus is a grand spectacle and a lens into the dark heart of Prohibition. Yes, Congress gave teeth to Prohibition in October, 1919, but the law didn’t stop George Remus from amassing a fortune that would be worth billions of dollars today. As one Jazz Age journalist put it, “Remus was to bootlegging what Rockefeller was to oil.” Author Bob Batchelor breathes life into the largest bootlegging operation in America—greater than that of Al Capone—and a man considered the best criminal defense lawyer of his era. Remus bought an empire of distilleries on Kentucky’s “Bourbon Trail” and used his other profession, as a pharmacist, to profit off legal loopholes. He spent millions bribing officials in the Harding Administration, and he created a roaring lifestyle that epitomized the Jazz Age over which he ruled. That is, before he came crashing down in one of the most sensational murder cases in American history: a cheating wife, the G-man who seduced her and put Remus in jail, and the plunder of a Bourbon Empire. Remus murdered his wife in cold-blood and then shocked a nation winning his freedom based on a condition he invented—temporary maniacal insanity. “The fantastic story of George Remus makes the rest of the “Roaring Twenties” look like the “Boring Twenties” in comparison.” ―David Pietrusza, author of 1920: The Year of the Six Presidents
Includes extra sessions.
This biography and critical study reconstructs Harris's life and career from his humble origins as an illegitimate child and plantation-newspaper printer's devil through his years in Macon, Forsyth, Savannah, and Atlanta. When Harris died in 1908, his national and international popularity rivaled his friend Mark Twain's. A psychologically complex person, Harris became an accomplished Southern local colorist who left multiple legacies as an American humorist, folklorist, New South journalist, children's writer, and author. He helped make the Old South New. Harris's Uncle Remus trickster tales derive primarily from transplanted Senegambian African folklore and are rhetorically and sociologically complex representations of the often predatory world of Old South slave life--where survival depends on trickery, wit, and will pitted against the brute strength of overseers and masters. Controversial today because he was a white man retelling black folk narratives, Harris nevertheless helped preserve the trickster tale-cycle and promote black folk-tale collecting, generally; hundreds of scholars and linguists have studied his works. Harris also made Brer Rabbit, the tar baby, and the briar patch popular-culture icons, and his highly believable animal characters and dialogues influenced the techniques of Rudyard Kipling, A. A. Milne, Beatrix Potter, E. B. White, and other children's authors. Finally, Harris's poor white and African American characters and narratives have left their mark on writers from his time to our times--from Twain to Zora Neale Hurston, William Faulkner, Flannery O'Connor, Ralph Ellison, and Toni Morrison.