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The South in Modern America is a lively and illuminating account of the Southern experience since the end of Reconstruction. In the twentieth century, as in the nineteenth, the South has been the region most sharply at odds with the rest of the nation. No other part of the country has as clear-cut a sectional image. The interplay between the South, the North, and the rest of the nation represents a rich and instructive part of the United States history, illustrating much of the nation's conflict and tension, the way it has tried to reconcile divergent issues, and its struggles to realize its historical ideals. In this new treatment of modern Southern history, Dewey W. Grantham illuminates the features that make the South a distinctive region while clarifying how it has converged socially and politically with the rest of the country during this century.
- Contents:The crimes of the century -- Crime and the West -- Hate crime -- Policing and imprisonment -- Conmen, swindlers, and dupes -- Business and financial crime -- Prohibitions -- Sex crime -- Political crime : scandal, sleaze and corruption -- Terrorists : rebels, radicals and freedom fighters and criminals with a cause -- Immigration and crime.
This book examines language and identity among White American middle and upper-middle class youth who affiliate with Hip Hop culture. Hip Hop youth engage in practices that range from the consumption of rap music and fashion to practices like MC-ing (writing and performing raps or "rhymes"), DJ-ing (mixing records to produce a beat for the MC), graffiti tagging, and break-dancing. Cutler explores the way in which these young people stylize their speech using linguistic resources drawn from African American English and Hip Hop slang terms. She also looks at the way they construct their identities in discussions with their friends, and how they talk about and use language to construct themselves as authentic within Hip Hop. Cutler considers the possibility that young people experimenting with AAVE-styled speech may improve the status of AAVE in the broader society. She also addresses the need for educators to be aware of the linguistic patterns found in AAVE and Hip Hop language, and ways to build on Hip Hop skills like rhyming and rapping in order to motivate students and promote literacy.
In this scholarly yet entertaining book, James D. Bratt takes a look at the Dutch in America from the late 19th century to the present. A comprehensive study of an ethnic subculture, the book is in large part a study of the group's religious history as well, since, as Bratt points out, the contours of the Dutch presence in America have been overwhelmingly shaped by the church and its subsidiary organizations. Although the book is extensively and scrupulously documented, Bratt has infused his scholarship with a considerable amount of anecdote that is by turns poignant and tragic and hilarious. In Bratt's analysis of the fitful progress of Americanization that this close-knit religious community has undergone, we are treated to the sharp insights of a bemused and sometimes disaffected insider. Included is a chapter on novelists Arnold Mulder, David Cornel DeJong, Frederick Manfred, and Peter DeVries - four sons of the Dutch who fled the subculture only to reflect upon it almost obsessively from the outside. Well written, scholarly, and highly readable, 'Dutch Calvinism In Modern America' will have wide appeal among both academic and general readers.
This exciting adventure romance is full of the exotically colorful life of rural India in the nineteenth century with a boy-hero who is handsome, intelligent, self-reliant, and streetwise.
An interdisciplinary collection of essays, addressing such diverse topics as the history of Brazilian football and the concept of masculinity in the Mexican army. It provides insights into questions of identity in 19th- and 20th-century Latin America. It analyses a variety of identity-bearing groups, from small-scale communities to nations.
Praise for the earlier edition: "Students of modern American literature have for some years turned to Fifteen Modern American Authors (1969) as an indispensable guide to significant scholarship and criticism about twentieth-century American writers. In its new form--Sixteenth Modern American Authors--it will continue to be indispensable. If it is not a desk-book for all Americanists, it is a book to be kept in the forefront of the bibliographical compartment of their brains."--American Studies
This essay in comparative history focuses on the transmission of scientific ideas and organizations from the United States to China.
Originally published in 1995, this book gathers together eleven full-length essays on important American short story sequences of the twentieth century. The introduction by J. Gerald Kennedy elucidates problems of defining the genre, cites notable instances of the form (such as Sherwood Anderson's Winesburg, Ohio), and explores the implications of its modern emergence and popularity. Subsequent essays discuss illustrative works by such figures as Henry James, Jean Toomer, Ernest Hemingway, Richard Wright, William Faulkner, Eudora Welty, J. D. Salinger, John Cheever, John Updike, Louise Erdrich, and Raymond Carver. While examining distinctive thematic concerns, each essay also considers implications of form and arrangement in the construction of composite fictions that often produce the illusion of a fictive community.