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A biography of the “Owens” in “Owens Corning”—a brilliant but humble inventor with nine companies and forty-nine patents bearing his name. He stands next to Thomas Edison in the pantheon of inventors. Commercial products stamped with his name are ubiquitous in modern life. His inventions are directly responsible for safety glass in car windshields and consistently proportioned medicine jars—and helped to significantly reduce child labor in America. His designs have changed the way we illuminate a dark room and buy pasteurized milk. Michael J. Owens has left an indelible mark in human history, yet his name often has been overlooked publicly, until now. Michael Owens was a driven but unassuming man who shunned the spotlight, wanting only to create. In this first biography of a visionary, artist, and craftsman, Quentin R. Skrabec’s research has uncovered a resourceful, colorful, and dynamic industrialist and inventor. This insightful account sets the stage for Owens by going back to the beginning—the history of glass as an art form. Today, his flourishing legacy includes Owens Corning, employing nearly twenty thousand people in over thirty countries.
Reprint of the original, first published in 1883.
Edward Drummond Libbey was a glassmaker, industrialist, artist, innovator and art collector. Both practical and creative, he forever changed the glass industry with the automatic bottle-making machine and automatic sheet glass machine. This work examines the long career of Libbey, particularly his innovation of American flint cut glass, his contributions to the middle-class American table through affordable glassware, and his enormous art glass and painting collections, which eventually formed the basis for the Toledo Museum of Art's collection. Libbey single-handedly revolutionized glassmaking, a craft which had gone virtually unchanged for 2000 years.
Winner of the Hagley Prize in Business History from The Hagley Museum and Library and the Business History ConferenceSelected by Choice Magazine as an Outstanding Academic Title Originally published in 1999. Imagining Consumers tells for the first time the story of American consumer society from the perspective of mass-market manufacturers and retailers. It relates the trials and tribulations of china and glassware producers in their contest for the hearts of the working- and middle-class women who made up more than eighty percent of those buying mass-manufactured goods by the 1920s. Based on extensive research in untapped corporate archives, Imagining Consumers supplies a fresh appraisal of the history of American business, culture, and consumerism. Case studies illuminate decision making in key firms—including the Homer Laughlin China Company, the Kohler Company, and Corning Glass Works—and consider the design and development of ubiquitous lines such as Fiesta tableware and Pyrex Ovenware.