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Remembering Well offers family members, clergy, funeral professionals, and hospice workers ways to plan services and rituals that honor the spirit of the deceased and are faithful to that person's values and beliefs, while also respecting the needs and wishes of those who will attAnd the services. It is an essential resource for anyone who yearns to put death in a spiritual context but is unsure how to do so-including both those who have broken with tradition and those who wish to give new meaning to the time-honored rituals of their faith. The real-life stories, examples, and practical guidelines in this book address a wide array of important issues, including the difficult decisions that survivors must make quickly when a death occurs-and the sensitive topic of family alienation, where possibilities for healing, forgiveness, and hope are explored. The invaluable insights offered here will help those who grieve to prepare mind and spirit for life's final rites of passage.
Following the first volume of Remembering the Kanji, the present work provides students with helpful tools for learning the pronunciation of the kanji. Behind the notorious inconsistencies in the way the Japanese language has come to pronounce the characters it received from China lie several coherent patterns. Identifying these patterns and arranging them in logical order can reduce dramatically the amount of time spent in the brute memorization of sounds unrelated to written forms. Many of the “primitive elements,” or building blocks, used in the drawing of the characters also serve to indicate the “Chinese reading” that particular kanji use, chiefly in compound terms. By learning one of the kanji that uses such a “signal primitive,” one can learn the entire group at the same time. In this way, Remembering the Kanji 2 lays out the varieties of phonetic pattern and offers helpful hints for learning readings, that might otherwise appear completely random, in an efficient and rational way. Individual frames cross-reference the kanji to alternate readings and to the frame in volume 1 in which the meaning and writing of the kanji was first introduced. A parallel system of pronouncing the kanji, their “Japanese readings,” uses native Japanese words assigned to particular Chinese characters. Although these are more easily learned because of the association of the meaning to a single word, the author creates a kind of phonetic alphabet of single syllable words, each connected to a simple Japanese word, and shows how they can be combined to help memorize particularly troublesome vocabulary. The 4th edition has been updated to include the 196 new kanji approved by the government in 2010 as “general-use” kanji.
A Land Remembered has become Florida's favorite novel. Now this Student Edition in two volumes makes this rich, rugged story of the American pioneer spirit more accessible to young readers. Patrick Smith tells of three generations of the MacIveys, a Florida family battling the hardships of the frontier. The story opens in 1858, when Tobias and Emma MacIvey arrive in the Florida wilderness with their son, Zech, to start a new life, and ends in 1968 with Solomon MacIvey, who realizes that his wealth has not been worth the cost to the land. Between is a sweeping story rich in Florida history with a cast of memorable characters who battle wild animals, rustlers, Confederate deserters, mosquitoes, starvation, hurricanes, and freezes to carve a kingdom out of the Florida swamp. In this volume, meet young Zech MacIvey, who learns to ride like the wind through the Florida scrub on Ishmael, his marshtackie horse, his dogs, Nip and Tuck, at this side. His parents, Tobias and Emma, scratch a living from the land, gathering wild cows from the swamp and herding them across the state to market. Zech learns the ways of the land from the Seminoles, with whom his life becomes entwined as he grows into manhood. Next in series > > See all of the books in this series
I want to thank my Mother and Father for engraining in me the values I have always tried to live by. Honesty, Truth, and to help others when they need help. My brothers and sister for all of the memories I have of growing up in what I think were the best of times. The many friends I had at that time and the adventure we embarked on each day. The teachers who instilled in me the virtues I lived by later in life. The soldiers who fought and died to insure that this country remain strong for generations to come. I also want to thank God for the many blessings I receive each day. I feel I am the luckiest man in the world to have grown up in the time period that I did. With that I will leave you and pray that all of you have enjoyed life as much as I have. A coal miners son.
A beautifully written and illustrated book that introduces a big subject to little ones Crystal had lived in the garden for many years. She was growing old. Zelda was just starting out in life. They were best friends. They read books together. They took trips together. And they talked about everything. But one day Crystal was not in the garden. She had died. In this gentle story, children learn, with Zelda, that true friendship is a gift that doesn’t die.
How does memory change as we grow older, and what can we do about it? This is question is at the heart of Remembering Well. Drawing on many people's experiences, the book: explains how memory works and what factors affect it - like hearing and stress; explores what is part of normal memory change over the years and what is not; and presents strategies for managing these changes well.
The Museum’s Borders demonstrates that museum practices are deeply entangled in border making, patrol, mitigation and erasure, and that the border lens offers a new tool for deconstructing and reconfiguring such practices. Arguing that the museum is a critical institution for the operation of knowledge-based democracies, Knell investigates how they have been used by scientists, art historians and historians to construct our bordered world. Examining the role of museums in the Windrush scandal in Britain, the exclusion of Black artists in America, ideological and propaganda discourses in Europe and China, and the remembering of contested pasts in the Balkans, Knell argues for the importance of museums in countering unethical, nationalistic, post-fact political discourse. Using the principles of Knell’s ‘Contemporary Museology’, The Museum’s Borders considers the significance of the museum for societies that wish to know and remember in ways that empower citizens and build cohesive societies. The book will be of great interest to students and academics engaged in the study of museums and heritage, art history, science studies, cultural studies, anthropology, memory studies and history. It is required reading for museum professionals seeking to adopt non-discriminatory practices.
Read by Richard Peck.
A poetic novel of despair, hope, and the redemptive power of work deepens an award–winning author’s grand Port Williams literary project. After losing his hand in an accident, Andy Catlett confronts an agronomist whose surreal vision can see only industrial farming. This vision is powerfully contrasted with that of modest Amish farmers content to live outside the pressures brought by capitalist postindustrial progress, and by working the land to keep away the three great evils of boredom, vice, and need. As Andy’s perspective filters through his anger over his loss and the harsh city of San Francisco surrounding him, he begins to remember: the people and places that wait 2,000 miles away in his Kentucky home, the comfort he knew as a farmer, and his symbiotic relationship to the soil. Andy laments the modern shift away from the love of the land, even as he begins to accept his own changed relationship to the world. Wendell Berry’s continued fascination with the power of memory continues in this treasured novel set in 1976. “[Berry’s] poems, novels and essays . . . are probably the most sustained contemporary articulation of America’s agrarian, Jeffersonian ideal.” —Publishers Weekly “Wendell Berry is one of those rare individuals who speaks to us always of responsibility, of the individual cultivation of an active and aware participation in the arts of life.” —The Bloomsbury Review