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Remembering Africa is a magical conjuring of the continent of old through the eyes of 33 explorers, adventurers, rogues, raconteurs, literary giants, celebrated scientists, and historical figures, invited to the campfire of memories by best-selling author and photographer Robert Vavra. A dazzling display of 160 images accompany this 624-page archive of fireside chats among those whose lives were molded by their African experiences, and whose intimate recollections forever enshrine captivating details of days long past.
Cecil Rhodes is the most written about and memorialised figure in southern African history, the subject of well over 25 biographies and numerous articles. Rhodes has featured in novels, plays and films.
- Remembering African Wild Dogs is the stunning sixth book in the Remembering Wildlife charity series - The aim of the creators is to make the most beautiful photographic book ever seen on a species and to use that to raise awareness of the plight facing that animal and also funds to protect it - Remembering African Wild Dogs is full of images generously donated by many of the world's top wildlife photographers - All profits from the sale of this book will be donated to projects working to protect wild dogs in Africa - over $1 million USD has been raised by the series so farRemembering African Wild Dogs is the sixth book in the Remembering Wildlife fundraising series, which has so far raised more than USD $1 million for conservation. The aim of the creators is to make the most beautiful book ever seen on a species and use that to raise awareness of the plight facing that animal and funds to protect it. Each book is full of images generously donated by many of the world's top wildlife photographers and also gives an overview of the species, its distribution and the challenges it faces. All profits from the sale of this book will be donated to projects working to protect wild dogs in Africa.
Essays in Memory of Jan-Georg Deutsch The volume observes some of the principles that drove Prof. Jan-Georg Deutsch's research: highlighting present-day politics for the way they shape historical remembrance, learning from people on the ground through fieldwork and oral history, and bringing various parts of the African continent into discussion with one another. From Cape Town to Charlottesville, many societies are grappling with historical consciousness and the production of public memory. In particular, how and why societies remember and forget, what should serve as symbols of collective memory, and whether there exists space for multiple memory cultures are questions being vigorously debated once again. These discussions present particular challenges not only to official memory bound to ideological constructions of nationhood but also to the teaching of history and its links to social justice movements. The volume re-centres Africa and African history in memory studies, with each chapter drawing parallels to comparable cases in Africa and the world. An underlying assumption is that what can be learned from the politics of historical memory in Africa will have relevance for contemporary politics globally and for understanding how memories can be mobilised for political ends.
"This is the first comprehensive study of contemporary German literature's intense engagement with German colonialism and with Germany's wider involvement in European colonialism. Building on the author's decade of research and publication in the field, the book discusses some fifty novels by German, Swiss, and Austrian writers, among them Hans Christoph Buch, Alex Capus, Christof Hamann, Lukas Hartmann, Ilona Maria Hilliges, Giselher W. Hoffmann, Dieter Kühn, Hermann Schulz, Gerhard Seyfried, Thomas von Steinaecker, Uwe Timm, Ilija Trojanow, and Stephan Wackwitz. Drawing on international postcolonial theory, the German tradition of cross-cultural literary studies, and on memory studies, the book brings the hitherto neglected German case to the international debate in postcolonial literary studies"--Publisher website, July 5, 2013.
Across Africa, funerals and events remembering the dead have become larger and even more numerous over the years. Whereas in the West death is normally a private and family affair, in Africa funerals are often the central life cycle event, unparalleled in cost and importance, for which families harness vast amounts of resources to host lavish events for multitudes of people with ramifications well beyond the event. Though officials may try to regulate them, the popularity of these events often makes such efforts fruitless, and the elites themselves spend tremendously on funerals. This volume brings together scholars who have conducted research on funerary events across sub-Saharan Africa. The contributions offer an in-depth understanding of the broad changes and underlying causes in African societies over the years, such as changes in religious beliefs, social structure, urbanization, and technological changes and health.
The groundbreaking, bestselling history of slavery, with a new foreword by Pulitzer Prize–winning historian Annette Gordon-Reed With the publication of the 1619 Project and the national reckoning over racial inequality, the story of slavery has gripped America’s imagination—and conscience—once again. No group of people better understood the power of slavery’s legacies than the last generation of American people who had lived as slaves. Little-known before the first publication of Remembering Slavery over two decades ago, their memories were recorded on paper, and in some cases on primitive recording devices, by WPA workers in the 1930s. A major publishing event, Remembering Slavery captured these extraordinary voices in a single volume for the first time, presenting them as an unprecedented, first-person history of slavery in America. Remembering Slavery received the kind of commercial attention seldom accorded projects of this nature—nationwide reviews as well as extensive coverage on prime-time television, including Good Morning America, Nightline, CBS Sunday Morning, and CNN. Reviewers called the book “chilling . . . [and] riveting” (Publishers Weekly) and “something, truly, truly new” (The Village Voice). With a new foreword by Pulitzer Prize–winning scholar Annette Gordon-Reed, this new edition of Remembering Slavery is an essential text for anyone seeking to understand one of the most basic and essential chapters in our collective history.
After a 30-year career in New Mexico, it was time for a change, but what to do next? That was the dilemma. Jo was seeking something unknown and unnamed until she found her way to Africa, a place where she could live out her dream of adventure and travel. Remembering Africa: Moments in Time is the author's memoir of the two years she lived in Dar es Salaam, Tanzania, while teaching at an International School with students and teachers from many different countries. Through her personal stories, she portrays both the humor and struggle of daily life in Dar and working at the International School there. She provides a window for the reader to share her travel adventures to the exotic island of Zanzibar, the Seychelles, Zimbabwe, Ethiopia, Namibia, and safari adventures into the Serengeti, Ngorongoro Crater, etc. Jo was enchanted with the land and people of this amazing continent, and she recorded events from those memorable years in a journal. When she returned to the states, the memories of her life in Africa lingered and begged to be shared. Remembering Africa had to be written. The poem "Moments in Time", written by Jo, was inspired by her experiences while living and working in Dar es Salaam, Tanzania.
When the past is painful, as riddled with violence and injustice as it is in postapartheid South Africa, remembrance presents a problem at once practical and ethical: how much of the past to preserve and recollect and how much to erase and forget if the new nation is to ever unify and move forward? The new South Africa’s confrontation of this dilemma is Martin J. Murray’s subject in Commemorating and Forgetting. More broadly, this book explores how collective memory works—how framing events, persons, and places worthy of recognition and honor entails a selective appropriation of the past, not a mastery of history. How is the historical past made to appear in the present? In addressing these questions, Murray reveals how collective memory is stored and disseminated in architecture, statuary, monuments and memorials, literature, and art—“landscapes of remembrance” that selectively recall and even fabricate history in the service of nation-building. He examines such vehicles of memory in postapartheid South Africa and parses the stories they tell—stories by turn sanitized, distorted, embellished, and compressed. In this analysis, Commemorating and Forgetting marks a critical move toward recognizing how the legacies and impositions of white minority rule, far from being truly past, remain embedded in, intertwined with, and imprinted on the new nation’s here and now.
From one of Africa’s most influential and eloquent essayists, a posthumous collection that highlights his biting satire and subversive wisdom on topics from travel to cultural identity to sexuality “A fierce literary talent . . . [Wainaina] shines a light on his continent without cliché.”—The Guardian “Africa is the only continent you can love—take advantage of this. . . . Africa is to be pitied, worshipped, or dominated. Whichever angle you take, be sure to leave the strong impression that without your intervention and your important book, Africa is doomed.” Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist remembered as one of the greatest chroniclers of contemporary African life. This groundbreaking collection brings together, for the first time, Wainaina’s pioneering writing on the African continent, including many of his most critically acclaimed pieces, such as the viral satirical sensation “How to Write About Africa.” Working fearlessly across a range of topics—from politics to international aid, cultural heritage, and redefined sexuality—he describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of his home country and continent. These works present the portrait of a giant in African literature who left a tremendous legacy.