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Queen Victoria's central importance to the era defined by her reign is self-evident, and yet it has been surprisingly overlooked in the study of Victorian culture. This collection of essays goes beyond the facts of biography and official history to explore the diverse, and sometimes conflicting, meanings she held for her subjects around the world and even for those outside her empire, who made of her a multifaceted icon serving their social and economic needs. In her paradoxical position as neither consort nor king, she baffled expectations throughout her reign. She was a model of wifely decorum and solid middle-class values, but she also became the focus of anxieties about powerful women, and - increasingly - of anger about Britain's imperial aims. Each essay analyses a different aspect of this complex and fascinating figure. Contributors include noted scholars in the field of literature, cultural studies, art history, and women's studies.
"Inspired by existential thought, but using ethnographic methods, Michael Jackson explores a variety of contemporary topics, including 9/11, episodes from the war in Sierra Leone and its aftermath, the marginalization of indigenous Australians, the application of new technologies, mundane forms of ritualization, the magical use of language, the sociality of violence, the prose of suffering, and the discourse of human rights. Throughout this compelling work, Jackson demonstrates that existentialism, far from being a philosophy of individual being, enables us to explore issues of social existence and coexistence in new ways, and to theorise events as the sites of a dynamic interplay between the finite possibilities of the situations in which human beings find themselves and the capacities they possess for creating viable forms of social life."--BOOK JACKET.
Part biography, part historical and cultural study, this richly illustrated volume uncovers in fascinating detail the childhood that Princess Victoria actually lived. Vallone shows readers a new Victoria--a lively and passionate girl very different from the iconic, dour widow of the queen's later life. 50 illustrations, 15 in color.
This study is the first treatment devoted to Sir Arthur Helps (1813–1875), who was a prominent figure in the mid-Victorian world. Readers will discover that from the 1840s until his death, Helps was influential and well-known to many key figures: Carlyle, Ruskin, Froude and the Queen were among those whom he befriended. In fact, it was almost certainly these relationships which Helps sought to protect by directing that the bulk of his private papers and correspondence be destroyed upon his death. Making use of extensive primary and secondary sources, this book begins the process of recovering this once eminent Victorian. Helps did become a forgotten figure, but, nevertheless, during the course of his career he made notable impacts upon many areas of British life. At once a social activist and literary figure, Helps labored to promote social reform while also lifting his pen to educate his readers about the complexity of both societal problems and the difficulties inherent in adequately addressing them. He looked well beyond Britain as well: it would be Helps who authored a four volume history of the Spanish conquest of the New World, while developing unrivaled expertise on the history and practice of slavery in the Americas. As Clerk of the Privy Council, Helps played a decisive role in addressing the problems caused by the ‘Cattle Plague’ which shocked Britain in the middle of the 1860s. Most important, perhaps, it would be as Clerk that Helps served Queen Victoria not only as an informal confidant, but by making decisions which refashioned the monarchy’s public image. The book, then, reintroduces Helps by documenting and assessing his contributions to Victorian Britain.
"First published in Great Britain by William Collins, an imprint of HarperCollins Publishers"--Title page verso.
"The Spiritual Lives series features biographies of prominent men and women whose eminence is not primarily based on a specifically religious contribution. Each volume provides a general account of the figure's life and thought, while giving special attention to his or her religious contexts, convictions, doubts, objections, ideas, and actions. Many leading politicians, writers, musicians, philosophers, and scientists have engaged deeply with religion in significant and resonant ways that have often been overlooked or underexplored. Some of the volumes will even focus on men and women who were lifelong unbelievers, attending to how they navigated and resisted religious questions, assumptions, and settings. The books in this series will therefore recast important figures in fresh and thought-provoking ways"--
Queen Victoria was one of the most complex cultural productions of her age. In Royal Representations, Margaret Homans investigates the meanings Victoria held for her times, Victoria's own contributions to Victorian writing and art, and the cultural mechanisms through which her influence was felt. Arguing that being, seeming, and appearing were crucial to Victoria's "rule," Homans explores the variability of Victoria's agency and of its representations using a wide array of literary, historical, and visual sources. Along the way she shows how Victoria provided a deeply equivocal model for women's powers in and out of marriage, how Victoria's dramatic public withdrawal after Albert's death helped to ease the monarchy's transition to an entirely symbolic role, and how Victoria's literary self-representations influenced debates over political self-representation. Homans considers versions of Victoria in the work of Elizabeth Barrett Browning, George Eliot, John Ruskin, Margaret Oliphant, Lewis Carroll, Alfred Lord Tennyson, and Julia Margaret Cameron.
The books offer intimate views of the most important woman of her times as she shares her love of her family and of the Highlands and demonstrates her intense interest in all corners of her realm and in the lives of individuals from all classes of society.
This is the first book-length study of Tennyson's record of publication in Victorian periodicals. Despite Tennyson's supposed hostility to periodicals, Ledbetter shows that he made a career-long habit of contributing to them and in the process revealed not only his willingness to promote his career but also his status as a highly valued commodity. Tennyson published more than sixty poems in serial publications, from his debut as a Cambridge prize-winning poet with "Timbuctoo" in the Cambridge Chronicle and Journal to his last public composition as Poet Laureate with "The Death of the Duke of Clarence and Avondale" in The Nineteenth Century. In addition, poems such as "The Charge of the Light Brigade" were shaped by his reading of newspapers. Ledbetter explores the ironies and tensions created by Tennyson's attitudes toward publishing in Victorian periodicals and the undeniable benefits to his career. She situates the poet in an interdependent commodity relationship with periodicals, viewing his individual poems as textual modules embedded in a page of meaning inscribed by the periodical's history, the poet's relationship with the periodical's readers, an image sharing the page whether or not related to the poem, and cultural contexts that create new meanings for Tennyson's work. Her book enriches not only our understanding of Tennyson's relationship to periodical culture but the textual implications of a poem's relationship with other texts on a periodical page and the meanings available to specific groups of readers targeted by individual periodicals.