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An enormous number of churches and other religious structures have been built in Louisiana over the past 250 years, many of which still stand. Today, in New Orleans alone, there are more than 850 churches representing more than seventy denominations. The state's religious buildings encompass not only a wide range of faiths but also a striking diversity of architectural forms. In Religious Architecture in Louisiana, author Robert W. Heck and photographer Otis B. Wheeler provide the first photographic survey of this rich architectural heritage. Their goal has been not to document every religious building in the state (a nearly impossible task) but to isolate prime examples of the historically and architecturally significant. Robert W. Heck presents a brief history of Louisiana's religious architecture. He describes the dominating influence of Catholicism during the eighteenth century, during which time the original Church of St. Louis was built on the site of the present Cathedral of St. Louis, King of France, in New Orleans. He then discusses the burgeoning construction that accompanied the expansion of religious freedom following the Louisiana Purchase in 1803 as Protestants and Jews erected their own places of worship. The author also considers the various architectural influences that have marked Louisiana's religious buildings, from the Colonial style of the eighteenth century, to the Classical Revival and Gothic Revival styles that predominated during the middle part of the nineteenth century, to the Eclectic style that gained currency after the Civil War and persisted until about 1930. The great part of the book is devoted to 162 religious buildings located throughout the state. In addition to presenting photographs of the structures, each place of worship is identified by name, address, date of construction (when known), and architectural style. For each building the author also provides comments on design, construction materials, and structural and decorative details. To enhance the usefulness of the book, a glossary of architectural terms and an appendix that lists those religious buildings in the state included in the National Register of Historic Places is included as well as another appendix that lists known early religious structures that are no longer standing. Religious Architecture in Louisiana will prove a valuable resource for architects, religious congregations, historic preservationists, and religious and architectural historians.
Incorporating more than 3,000 illustrations, Kornwolf's work conveys the full range of the colonial encounter with the continent's geography, from the high forms of architecture through formal landscape design and town planning. From these pages emerge the fine arts of environmental design, an understanding of the political and economic events that helped to determine settlement in North America, an appreciation of the various architectural and landscape forms that the settlers created, and an awareness of the diversity of the continent's geography and its peoples. Considering the humblest buildings along with the mansions of the wealthy and powerful, public buildings, forts, and churches, Kornwolf captures the true dynamism and diversity of colonial communities - their rivalries and frictions, their outlooks and attitudes - as they extended their hold on the land.
Spanning from the West African coast to the Canadian prairies and south to Louisiana, the Caribbean, and Guiana, France's Atlantic empire was one of the largest political entities in the Western Hemisphere. Yet despite France's status as a nation at the forefront of architecture and the structures and designs from this period that still remain, its colonial building program has never been considered on a hemispheric scale. Drawing from hundreds of plans, drawings, photographic field surveys, and extensive archival sources, Architecture and Urbanism in the French Atlantic Empire focuses on the French state's and the Catholic Church's ideals and motivations for their urban and architectural projects in the Americas. In vibrant detail, Gauvin Alexander Bailey recreates a world that has been largely destroyed by wars, natural disasters, and fires – from Cap-François (now Cap-Haïtien), which once boasted palaces in the styles of Louis XV and formal gardens patterned after Versailles, to failed utopian cities like Kourou in Guiana. Vividly illustrated with examples of grand buildings, churches, and gardens, as well as simple houses and cottages, this volume also brings to life the architects who built these structures, not only French military engineers and white civilian builders, but also the free people of colour and slaves who contributed so much to the tropical colonies. Taking readers on a historical tour through the striking landmarks of the French colonial landscape, Architecture and Urbanism in the French Atlantic Empire presents a sweeping panorama of an entire hemisphere of architecture and its legacy.
Archaeologists have been increasingly turning their attention to the study of religion, but the field so far has lacked a cross-cultural overview. This text challenges archaeological conventions by refusing to respect the geographic and temporal boundaries with which archaeologists too often define their field. Worldwide in range and comparative in perspective, this exploration is guided by several fundamental questions: how do we recognize religion in the archaeological record? When should we recognize the first activities we call religious? What distinguishes a world religion? How can we see the formations of modern world religions in the archaeological record? An Archaeology of Religion begins with the first glimmers of what might be considered religious expression in the Paleolithic period and concludes with the complexities of world religions today. This book is an ambitious attempt to survey how scholars approach the identification of religious sites and practices in the archaeological record.
Based on a sweeping range of archival, visual, and material evidence, Wild Frenchmen and Frenchified Indians examines perceptions of Indians in French colonial Louisiana and demonstrates that material culture—especially dress—was central to the elaboration of discourses about race. At the heart of France's seventeenth-century plans for colonizing New France was a formal policy—Frenchification. Intended to turn Indians into Catholic subjects of the king, it also carried with it the belief that Indians could become French through religion, language, and culture. This fluid and mutable conception of identity carried a risk: while Indians had the potential to become French, the French could themselves be transformed into Indians. French officials had effectively admitted defeat of their policy by the time Louisiana became a province of New France in 1682. But it was here, in Upper Louisiana, that proponents of French-Indian intermarriage finally claimed some success with Frenchification. For supporters, proof of the policy's success lay in the appearance and material possessions of Indian wives and daughters of Frenchmen. Through a sophisticated interdisciplinary approach to the material sources, Wild Frenchmen and Frenchified Indians offers a distinctive and original reading of the contours and chronology of racialization in early America. While focused on Louisiana, the methodological model offered in this innovative book shows that dress can take center stage in the investigation of colonial societies—for the process of colonization was built on encounters mediated by appearance.
The second volume of a guide comprehensive guide to American Architecture, covering developments between the years 1860 and 1976.
Throughout Louisiana's colonial and postcolonial periods, there evolved a highly specialized vocabulary for describing the region's buildings, people, and cultural landscapes. This creolized language -- a unique combination of localisms and words borrowed from French, Spanish, English, Indian, and Caribbean sources -- developed to suit the multiethnic needs of settlers, planters, explorers, builders, surveyors, and government officials. Today, this historic vernacular is often opaque to historians, architects, attorneys, geographers, scholars, and the general public who need to understand its meanings. With A Creole Lexicon, Jay Edwards and Nicolas Kariouk provide a highly organized resource for its recovery. Here are definitions for thousands of previously lost or misapplied terms, including watercraft and land vehicles, furniture, housetypes unique to Louisiana, people, and social categories. Drawn directly from travelers' accounts, historic maps, and legal documents, the volume's copious entries document what would actually have been heard and seen by the peoples of the Louisiana territory. Newly produced diagrams and drawings as well as reproductions of original eighteenth- and nineteenth-century documents and Historic American Buildings Surveys enhance understanding. Sixteen subject indexes list equivalent English words for easy access to appropriate Creole translations. A Creole Lexicon is an invaluable resource for exploring and preserving Louisiana's cultural heritage.