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Biblical stories are metaphorical. They may have been accepted as factual hundreds of years ago, but today they cannot be taken literally. Some students in religious schools even recoil from the "fairy tales" of religion, believing them to be mockeries of their intelligence. David Tacey argues that biblical language should not be read as history, and it was never intended as literal description. At best it is metaphorical, but he does not deny these stories have spiritual meaning. Religion as Metaphor argues that despite what tradition tells us, if we "believe" religious language, we miss religion's spiritual meaning. Tacey argues that religious language was not designed to be historical reporting, but rather to resonate in the soul and direct us toward transcendent realities. Its impact was intended to be closer to poetry than theology. The book uses specific examples to make its case: Jesus, the Virgin Birth, the Kingdom of God, the Apocalypse, Satan, and the Resurrection. Tacey shows that, with the aid of contemporary thought and depth psychology, we can re-read religious stories as metaphors of the spirit and the interior life. Moving beyond literal thinking will save religion from itself.
Thou Art That is a compilation of previously uncollected essays and lectures by Joseph Campbell that focus on the Judeo-Christian tradition. Campbell explores common religious symbols, reexamining and reinterpreting them in the context of his remarkable knowledge of world mythology.Campbell believed that society often confuses the literal and metaphorical interpretations of religious stories and symbols. In this collection, he eloquently reestablishes these symbols as a means to enhance spiritual understanding and mystical revelation. With characteristic verve, he ranges from rich storytelling to insightful comparative scholarship. Included is editor Eugene Kennedy's classic interview with Campbell in the New York Times Magazine, which originally brought the scholar to the attention of the public.
Presents a radically anti-foundationalist reading of Nietzsche's philosophy of religion.
'A mere metaphor', 'only symbolic', 'just a myth' - these tell tale phrases reveal how figurative language has been cheapened and devalued in our modern and postmodern culture. In God and the Creative Imagination, Paul Avis argues the contrary: we see that actually, metaphor, symbol and myth, are the key to a real knowledge of God and the sacred. Avis examines what he calls an alternative tradition, stemming from the Romantic poets Blake, Wordsworth and Keats and drawing on the thought of Cleridge and Newman, and experience in both modern philosophy and science. God and the Creative Imagination intriguingly draws on a number of non-theological disciplines, from literature to philosophy of science, to show us that God is appropriately likened to an artist or poet and that the greatest truths are expressed in an imaginative form. Anyone wishing to further their understanding of God, belief and the imagination will find this an inspiring work.
--Strikingly original presentation of religious scholarship, blending images and texts in innovative, provocative ways --intended for general readers and classrooms --directly addresses two key current issues: social inequality and climate change
". . . a liberating book about a liberating theological approach."--Christianity and Crisis"Metaphorical Theology is a brilliant piece of writing which will make an important contribution both to new thinking on he nature of religious language and also to the dialogue between Christianity and Feminist Theology."--Rosemary Radford RuetherGarrett-Evangelical Theological Seminary"The great virtue of Professor McFague's book is that it tackles [some] crucial problems in an extremely perceptive and creative way . . . .All in all it is a most timely book both for the theological and for the church at large."--Maurice WilesRegius Professor of DivinityChrist Church, Oxford University
In this wide-ranging book that moves from Greek drama to modern poetry, David Brown explores the ways in which the poetry and drama of the past were rooted in religious questions. He posits that their creative potential needs to be rediscovered to bring present-day worship and experience of God alive.
Discusses the role of metaphor in Christian theology.
First published in 2001, Popular Religion in China: The Imperial Metaphor was written to bring together both the previously unpublished and published results of fieldwork in the People’s Republic of China and Taiwan and to put them into an historical, political, and theoretical context. The book presents Chinese popular religion as a distinctive institution and describes its content as an ‘imperial metaphor’. In doing so, it explores a wide range of topics, including both official and local cults, local festivals, Daoism, Ang Gong, the politics of religion, and political ritual.
In this groundbreaking work, John Hick refutes the traditional Christian understanding of Jesus of Nazareth. According to Hick, Jesus did not teach what was to become the orthodox understanding of him: that he was God incarnate who became human to die for the sins of the world. Further, the traditional dogma of Jesus' two natures--human and divine--cannot be explained satisfactorily, and worse, it has been used to justify great human evils. Thus, the divine incarnation, he explains, is best understood metaphorically. Nevertheless, he concludes that Christians can still understand Jesus as Lord and the one who has made God real to us. This second edition includes new chapters on the Christologies of Anglican theologian John Macquarrie and Catholic theologian Roger Haight, SJ.