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"A study of reliquaries as a form of representation in medieval art. Explores how reliquaries stage the importance and meaning of relics using a wide range of artistic means from material and ornament to metaphor and symbolism"--Provided by publisher.
In the summer of 2007 Grand Central Art Center in Santa Ana, California presented an installation constructed in the form of a treasure chamber featuring reliquaries from the life of sardonic artist Jeffrey Vallance. This catalog features more than 300 full color images from the exhibition, and also includes essays by Jeffrey Vallance.
Although objects associated with the Passion and suffering of Christ are among the most important and sacred relics venerated by the Catholic Church, this is the first study that considers how they were presented to the faithful. Cynthia Hahn adopts an accessible, informative, and holistic approach to the important history of Passion relics—first the True Cross, and then the collective group of Passion relics—examining their display in reliquaries, their presentation in church environments, their purposeful collection as centerpieces in royal and imperial collections, and finally their veneration in pictorial form as Arma Christi. Tracing the ways that Passion relics appear and disappear in response to Christian devotion and to historical phenomena, ranging from pilgrimage and the Crusades to the promotion of imperial power, this groundbreaking investigation presents a compelling picture of a very important aspect of late medieval and early modern devotion.
From skeletons to strips of cloth to little pieces of dust, reliquaries can be found in many forms, and while sometimes they may seem grotesque on their surface, they are nonetheless invested with great spiritual and memorial value. In this book, Cynthia Hahn offers the first full survey in English of the societal value of reliquaries, showing how they commemorate religious and historical events and, more important, inspire awe, faith, and, for many, the miraculous. Hahn looks deeply into the Christian tradition, examining relics and reliquaries throughout history and around the world, going from the earliest years of the cult of saints through to the post-Reformation response. She looks at relic footprints, incorrupt bodies, the Crown of Thorns, the Shroud of Turin, and many other renowned relics, and she shows how the architectural creation of sacred space and the evocation of the biblical tradition of the temple is central to the reliquary’s numinous power. She also discusses relics from other traditions—especially from Buddhism and Islam—and she even looks at how reliquaries figure in contemporary art. Fascinatingly illustrated throughout, this book is a must-read for anyone interested in the enduring power of sacred objects.
Keynote A magnificent study of the beautifully crafted Medieval reliquaries that enshrined holy relics, and their wider historical, cultural, political and religious context Sales points Published in conjunction with Walters Art Museum and the Cleveland Museum of Art to accompany a major touring exhibition, at the British Museum 23 June 9 October 2011 No equivalent book on this fascinating subject An important reference work drawing on the latest scholarship, which will be of value far beyond the exhibition Description Drawing on three major museum holdings as well as featuring iconic pieces from other international public and private collections, this richly illustrated book looks at the phenomenon of holy relics in the Middle Ages. Thematic essays and object entries by leading scholars trace the history and development of the cult of relics, from its beginnings in late Roman funerary practices to its rise in both the Byzantine East and the West. Contributors Derek Krueger, Eric Palazzo, Arnoldt Angenendt, Martina Bagnoli, Holger A. Klein, Barbara Boehm, Guido Cornini, Cynthia Hahn, James Robinson, Alexander Nagel, C. Griffith Mann
Textures of Images presents for the first time a fundamental analysis and synopsis of the printed relic-book genre. The author brings into focus the specific mediality and aesthetics of this kind of printed books between the Late Middle Ages and the Early Modern Period.
Treasures of Faith closely at the period between 1600, with the early documented translation of relics, and 1798, when the Knights left Malta.
In today's world it is difficult to imagine the power that relics, shrines and sacred images exerted over the medieval mind. The use of relics in Ireland dates to the introduction of Christianity, the earliest recorded being those of the early martyrs and saints. Some relics consisted of parts of the remains of certain 'holy' individuals, while others were objects used by or associated with these people during their lifetime. They were usually kept in specially made reliquaries or shrines, most of which could be carried about. Apart from their symbolic or devotional function, relics were used to effect miraculous cures, to swear oaths, as battle talismans, or were carried on circuit by clerics to promulgate the laws of a particular religious foundation. In this book Raghnall O'Floinn examines the remarkable collection of reliquaries and shrines in the National Museum of Ireland, many of which have survived centuries of destruction and damage, warfare and neglect. He traces the history of relics in Ireland, the traditions associated with them and their social and historical importance.
Christians have often admired and venerated the martyrs who died for their faith, but for a long time thought that the bodies of martyrs should remain undisturbed in their graves. Initially, the Christian attitude towards the bones of the dead, saint or not, was that of respectful distance. The Beginnings of the Cult of Relics examines how this attitude changed in the mid-fourth century. Robert Wi'niewski investigates how Christians began to believe in the power of relics, first over demons, then over physical diseases and enemies. He considers how the faithful sought to reveal hidden knowledge at the tombs of saints and why they buried the dead close to them. An essential element of this new belief was a strong conviction that the power of relics was transferred in a physical way and so the following chapters study relics as material objects. Wi'niewski analyses how contact with relics operated and how close it was. Did people touch, kiss, or look at the very bones, or just at tombs and reliquaries which contained them? When did the custom of dividing relics begin? Finally, the book deals with discussions and polemics concerning relics, and attempts to find out the strength of the opposition which this new phenomenon had to face, both within and outside Christianity, on its way to become an essential element of medieval religiosity.