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The New York Times and USA Today bestseller by Sheila Connolly! Abby Kimball has just moved to New England with her boyfriend and is trying to settle in, but the experience is proving to be quite unsettling, to say the least. While on a tour of local historic homes, Abby witnesses a family scene that leaves her gasping for breath—because the family has been dead for nearly a century. Another haunting episode follows, and another, until it seems to Abby that everything she touches is drawing her in, calling to her from the past. Abby would doubt her sanity if it weren’t for Ned Newhall, the kind and knowledgeable guide on that disturbing house tour. Rather than telling her she’s hallucinating, Ned takes an interest in Abby’s strange encounters and encourages her to figure out what’s going on, starting with investigating the story of the family she saw . . . and exploring her own past. But as Abby begins to piece together a history that’s as moving as it is shocking and unravels a long-ago mystery that nearly tore her family apart, she also begins to suspect that Ned’s got secrets of his own, and that his interest may be driven as much by a taste for romance as a love for history.
The first three books in the haunting Relatively Dead Series by New York Times bestselling author Sheila Connolly! Relatively Dead Abby Kimball has just moved to New England with her boyfriend and is trying to settle in, but the experience is proving to be quite unsettling, to say the least. While on a tour of local historic homes, Abby witnesses a family scene that leaves her gasping for breath—because the family has been dead for nearly a century . . . Seeing the Dead Ever since her first ghostly sighting, Abby Kimball has been trying to unravel the mystery of her newly discovered ability. So when she sees the apparition of a Revolutionary War soldier in the middle of the town green—just days before the annual Patriot’s Day celebration, no less—she’s determined to figure out her connection to the man . . . Defending the Dead Abby Kimball has slowly accepted her recently discovered ability to see the dead, but none of the harmless sightings she’s experienced could have prepared her for the startling apparition of a centuries-old courtroom scene—where she locks eyes with a wicked and gleeful accuser. Thrown back more than three hundred years, Abby realizes she’s been plunged into a mystery that has fascinated people throughout American history: the Salem witch trials . . . Praise for the Relatively Dead Series: “Original and fun.” —Simply Bookish “Ms. Connolly created interesting characters that I wanted to learn more about.” —Night Owl Reviews
From New York Times bestselling author Sheila Connolly! Abby Kimball has slowly accepted her recently discovered ability to see the dead, but none of the harmless sightings she’s experienced could have prepared her for the startling apparition of a centuries-old courtroom scene—where she locks eyes with a wicked and gleeful accuser. Thrown back more than three hundred years, Abby realizes she’s been plunged into a mystery that has fascinated people throughout American history: the Salem witch trials. With her boyfriend Ned at her side, Abby digs into the history of the events, researching the people and possible causes of that terrible time and her own connection to them—all the while going more deeply into her connection to Ned, both extraordinary and romantic. As Abby witnesses more fragments from the events in Salem and struggles with the question of how such a nightmare could have come about, she’s suddenly confronted with a pressing personal question: Were one or more of her ancestors among the accused? Unraveling the puzzling clues behind that question just might give Abby and Ned the answer to a very modern mystery of their own.
Diogenes died by holding his breath. Plato allegedly died of a lice infestation. Diderot choked to death on an apricot. Nietzsche made a long, soft-brained and dribbling descent into oblivion after kissing a horse in Turin. From the self-mocking haikus of Zen masters on their deathbeds to the last words (gasps) of modern-day sages, The Book of Dead Philosophers chronicles the deaths of almost 200 philosophers-tales of weirdness, madness, suicide, murder, pathos and bad luck. In this elegant and amusing book, Simon Critchley argues that the question of what constitutes a 'good death' has been the central preoccupation of philosophy since ancient times. As he brilliantly demonstrates, looking at what the great thinkers have said about death inspires a life-affirming enquiry into the meaning and possibility of human happiness. In learning how to die, we learn how to live.
The first in a brand-new series from New York Times bestselling author Sheila Connolly! Katherine Hamilton’s goal in high school was to escape from her dead-end hometown of Asheboro, Maryland. Fifteen years later she’s got a degree in hospitality management and a great job at a high-end boutique hotel in Baltimore. Until, that is, the hotel is acquired by a chain, and she’s laid off. When Kate’s high school best friend calls with a mysterious invitation to come talk with the town leaders of Asheboro, she agrees to make the trip, curious about where this new opportunity might lead. Once Kate arrives, the town council members reveal that their town is on the verge of going bankrupt, and they’ve decided that Kate’s skills and knowledge make her the perfect person to cure all their ills. The town has used its last available funds to buy the huge Victorian mansion just outside of town, hoping to use it to attract some of the tourists who travel to visit the nearby Civil War battle sites. Kate has less-than-fond memories of the mansion, for personal reasons, but to make matters worse, the only person who has presented a possible alternate plan is Cordelia Walker—Kate’s high school nemesis. But a few days later, while touring the mansion, Kate stumbles over a body—and it’s none other than Cordelia. Kate finds herself juggling the murder investigation and her growing fascination with the old house, which itself is full of long-hidden mysteries. Kate must clear her name and save her town—before she ends up in hot water.
If you're a dinosaur, all of your friends are dead. If you're a pirate, all of your friends have scurvy. If you're a tree, all of your friends are end tables. Each page of this laugh-out-loud illustrated humor book showcases the downside of being everything from a clown to a cassette tape to a zombie. Cute and dark all at once, this hilarious children's book for adults teaches valuable lessons about life while exploring each cartoon character's unique grievance and wide-eyed predicament. From the sock whose only friends have gone missing to the houseplant whose friends are being slowly killed by irresponsible plant owners (like you), All My Friends Are Dead presents a delightful primer for laughing at the inevitable.
Bon Temps’s psychic waitress takes a dangerous road trip in the third novel in the #1 New York Times bestselling Sookie Stackhouse series—the inspiration for the HBO® original series True Blood. There’s only one vampire Sookie Stackhouse is involved with (at least voluntarily) and it’s Bill Compton. But recently he’s been a little distant—in another state, distant. Then his sinister and sexy boss Eric Northman tells Sookie where she might find him. Next thing she knows, she’s off to Jackson, Mississippi, to mingle with the under-underworld at Club Dead, a dangerous little haunt where the elite of vampire society can go to chill out and suck down some Type-O. But when Sookie finally finds Bill—caught in an act of serious betrayal—she’s not sure whether to save him...or sharpen some stakes.
Evangeline Stone, a rogue bounty hunter, never asked for a world divided between darkness and light . . . . . . or the power to die and live again in someone else’s borrowed body. After a murder plot meant to take her out leaves an entire race of shapeshifters nearly extinct, Evy is gnawed by guilt. So when one of the few survivors of the slaughter enlists her aid, she feels duty-bound to help—even though protecting a frail, pregnant shifter is the last thing Evy needs, especially with the world going to hell around her. Amid weres, Halfies, gremlins, vamps—and increasingly outgunned humans—a war for supremacy is brewing. With shifters demanding justice, her superiors desperate to control her, and an assassin on her trail, Evy discovers a horrifying conspiracy. And she may be the only person in the world who can stop it—unless, of course, her own side gets her first.
The Book of the Dead by Muriel Rukeyser was published as part of her 1938 volume U.S. 1. The poem, which is probably the most ambitious and least understood work of Depression-era American verse, commemorates the worst industrial accident in U.S. history, the Gauley Tunnel tragedy. In this terrible disaster, an undetermined number of men—likely somewhere between 700 and 800—died of acute silicosis, a lung disorder caused by prolonged inhalation of silica dust, after working on a tunnel project in Fayette County, West Virginia, in the early 1930s. After many years of relative neglect, The Book of the Dead has recently returned to print and has become the subject of critical attention. In Muriel Rukeyser’s “The Book of the Dead,” Tim Dayton continues that study by characterizing the literary and political world of Rukeyser at the time she wrote The Book of the Dead. Rukeyser’s poem clearly emerges from 1930s radicalism, as well as from Rukeyser’s deeply felt calling to poetry. After describing the world from which the poem emerged, Dayton sets up the fundamental factual matters with which the poem is concerned, detailing the circumstances of the Gauley Tunnel tragedy, and establishes a framework derived from the classical tripartite division of the genres—epic, lyric, and dramatic. Through this framework, he sees Rukeyser presenting a multifaceted reflection upon the significance, particularly the historical significance, of the Gauley Tunnel tragedy. For Rukeyser, that disaster was the emblem of a history in which those who do the work of the world are denied control of the vast powers they bring into being. Dayton also studies the critical reception of The Book of the Dead and determines that while the contemporary response was mixed, most reviewers felt that Rukeyser had certainly attempted something of value and significance. He pays particular attention to John Wheelwright’s critical review and to the defenses of Rukeyser launched in the 1980s and 1990s by Louise Kertesz and Walter Kalaidjian. The author also examines the relationship between Marxism as a theory of history governing The Book of the Dead and the poem itself, which presents a vision of history. Based upon primary scholarship in Rukeyser’s papers, a close reading of the poem, and Marxist theory, Muriel Rukeyser’s “The Book of the Dead” offers a comprehensive and compelling analysis of The Book of the Dead and will likely remain the definitive work on this poem.