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Can studying an artist’s migration provide the key to unlocking a “global” history of art? The artistic biography of Michail Grobman and his group, which was active in Israel in the 1970s, open up this vital new perspective and analytical mode.
In The Jewish Museum: History and Memory, Identity and Art from Vienna to the Bezalel National Museum, Jerusalem Natalia Berger traces the history of the Jewish museum in its various manifestations in Central Europe, notably in Vienna, Prague and Budapest, up to the establishment of the Bezalel National Museum in Jerusalem. Accordingly, the book scrutinizes collections and exhibitions and broadens our understanding of the different ways that Jewish individuals and communities sought to map their history, culture and art. It is the comparative method that sheds light on each of the museums, and on the processes that initiated the transition from collection and research to assembling a type of collection that would serve to inspire new art.
An original investigation into how tradition has developed over the centuries into our modern understanding of the term.
Volume 7 of the Posen Library captures unprecedented transformations of Jewish culture amid mass migration, global capitalism, nationalism, revolution, and the birth of the secular self Between 1880 and 1918, traditions and regimes collapsed around the world, migration and imperialism remade the lives of millions, nationalism and secularization transformed selves and collectives, utopias beckoned, and new kinds of social conflict threatened as never before. Few communities experienced the pressures and possibilities of the era more profoundly than the world's Jews. This volume, seventh in The Posen Library of Jewish Culture and Civilization, recaptures the vibrant Jewish cultural creativity, political striving, social experimentation, and fractious religious and secular thought that burst forth in the face of these challenges. Editors Israel Bartal and Kenneth B. Moss capture the full range of Jewish expression in a centrifugal age--from mystical visions to unabashedly antitraditional Jewish political thought, from cookbooks to literary criticism, from modernist poetry to vaudeville. They also highlight the most remarkable dimension of the 1880-1918 era: an audacious effort by newly secular Jews to replace Judaism itself with a new kind of Jewish culture centering on this-worldly, aesthetic creativity by a posited "Jewish nation" and the secular, modern, and "free" individuals who composed it. This volume is an essential starting point for anyone who wishes to understand the divided Jewish present.
Hasidic Art and the Kabbalah presents eight case studies of manuscripts, ritual objects, and folk art developed by Hasidic masters in the mid-eighteenth to late nineteenth centuries, whose form and decoration relate to sources in the Zohar, German Pietism, and Safed Kabbalah. Examined at the delicate and difficult to define interface between seemingly simple, folk art and complex ideological and conceptual outlooks which contain deep, abstract symbols, the study touches on aspects of object history, intellectual history, the decorative arts, and the history of religion. Based on original texts, the focus of this volume is on the subjective experience of the user at the moment of ritual, applying tenets of process philosophy and literary theory – Wolfgang Iser, Gaston Bachelard, and Walter Benjamin – to the analysis of objects.
This interdisciplinary anthology explores the impact of current globalization processes on Jewish communities across the globe. The volume explores the extent to which nationalized constructs of Jewish culture and identity still dominate Jewish self-expressions, as well as the discourses about them, in the rapidly globalizing world of the twenty-first century. Its contributions address the ways in which Jewishness is now understood as transcending the old boundaries and ideologies of nation states and their continental reconfigurations, such as Europe or North America, but also as crossing the divides of Ashkenazi, Sephardi and Mizrahi Jews, as well as the confines of Israel and the Diaspora. Which new paradigms of Jewish self- location within the evolving and conflicting global discourses about the nation, race, the Holocaust and other genocides, anti-Semitism, colonialism and postcolonialism, gender and sexual identities open up in the current era of globalisation, and to what extent might transnational notions of Jewishness, such as European-Jewish identity, create new discursive margins and centers? Chapters explore the impact of the Arab-Israeli conflict on cross-cultural relations between Jews and other racialized groups in the Diaspora, and discuss the ways in which recent discourses such as postcolonialism and transnationalism might relate to global Jewish cultures. The intent of the volume is to begin a process of investigation into twenty-first century Jewish identity. This book was originally published as a special issue of the European Review of History.
Essay by Robert Storr. Foreword by Glenn D. Lowry.
I. L. Peretz (1852–1915), the father of modern Yiddish literature, was a master storyteller and social critic who advocated a radical shift from religious observance to secular Jewish culture. Wisse explores Peretz’s writings in relation to his ideology, which sought to create a strong Jewish identity separate from the trappings of religion.