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This is a stimulating and highly original collection of essays from a team of internationally renowned experts. The contributors reinterpret key issues and debates, including political, social, cultural and international aspects of the Russian revolution stretching from the late imperial period into the early Soviet state.
The authors examine the diverse ways that language and other symbols--including flags and emblems, public rituals, songs, and codes of dress--were used to identify competing sides and to create new meanings in Russia's political struggles of 1917. 32 illustrations.
Utopia's Discontents provides the first synthetic treatment of the Russian revolutionary emigration before the Revolution. It argues that neighborhoods created by Russian exiles became sites of revolutionary experimentation that offered their residents a taste of their anticipated utopian future.
Many books chronicle the remarkable life of Russian tsar Peter the Great, but none analyze how his famous reforms actually took root and spread in Russia. By century's end, Russia was poised to play a critical role in the Napoleonic wars and boasted an elite culture about to burst into its golden age. In The Revolution of Peter the Great, James Cracraft offers a brilliant new interpretation of this pivotal era.
A century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it.
Introduction -- Prelude to revolution -- Rising crime before the October revolution -- Why did the crime rate shoot up? -- Militias rise and fall -- An epidemic of mob justice -- Crime after the Bolshevik takeover -- The Bolsheviks and the militia -- Conclusion
This book is a concise and comprehensive narrative history of Russia from 980 to 1584. It covers the history of the realm of the Riurikid dynasty from the reign of Vladimir 1 the Saint, through to the reign of Ivan the Terrible, who sealed the end of his dynasty's rule. Presenting developments in social and economic areas, as well as in political history, foreign relations, religion and culture, Medieval Russia, 980-1584 breaks away from the traditional view of Old Russia as a static, immutable culture, and emphasises the 'dynamic' and changing qualities of Russian society. Janet Martin develops clear lines of argument that lead to conclusions concerning how and why the states and society of the lands of the Rus' assumed the forms and characteristics that they did. Broadly accessible with informative and provocative interpretations, this book provides an up-to-date analysis of medieval Russia.
Until the dramatic fall of Communist regimes in the East placed the possibility of revolution on the agenda once again, sudden and decisive political change had appeared a largely anachronistic phenomenon in Europe. Looking back over the twentieth century, it is plausible to argue that the twentieth, rather than the nineteenth, has been the 'most revolutionary of centuries'. In this volume, leading specialists from a variety of disciplines examine the changing and conflicting meanings of revolution in modern and contemporary Europe. Contributions include both broad essays on the global and historical context of European revolution and specific case studies reinterpreting a variety of revolutionary experiences.
Although Lenin and his fellow revolutionaries never called themselves Utopians—believing strictly in a science of revolution, they considered Utopians to be merely dreamers—they were enormously inspired by the grand humanitarian aims of the French Revolution of 1789. Taking up this French revolutionary agenda and reinforcing it with German philosophy, Russians formed a beautiful vision in which an imaginary theology blended with a premier role for art. Arc of Utopia offers a fresh look at these German philosophical origins of the Russian Revolution. In the book, Lesley Chamberlain explains how influential German philosophers like Kant, Schiller, and Hegel were dazzled by contemporary events in Paris, and how this led a century later to an explosion of art and philosophy in the Russian streets, with a long-repressed people reinventing liberty, equality, and fraternity in their own cultural image. Chamberlain examines how some of the greatest Russian names of the nineteenth-century—from Alexander Herzen to Mikhail Bakunin, Ivan Turgenev to Fyodor Dostoevsky—defined their visions for Russia in relationship to their views on German enthusiasm for revolutionary France. With the centenary of the Russian Revolution approaching, Arc of Utopia is an important and timely revisioning of this tumultuous moment in history.