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DigiCat Publishing presents to you this special edition of "Reflections in a Golden Eye" by Carson McCullers. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Tennessee Williams' witty, engaging, and elegant essays are now available in a revised and much expanded edition.
"There isn't a dull or conventional page, or an unlovely sentence in the book."--Scott Eyman, The Palm Beach Post
A fascinating glimpse into the beginning and development of gay- and lesbian-themed films, from Maedchen in Uniform in 1931 to such current films as Philadelphia and Wilde, provides reviews and evaluations, and details the director's attitude toward public response and criticism. Original.
The story behind the creation of Tennessee Williams's iconic play is partially drawn from interviews with surviving live performance cast members, shares insights into the connection between Vivien Leigh's personal life and the role of Blanche, and traces the history of the play's adaptation to film.
Over thirty years of interviews with the American director of such classic films as The Maltese Falcon, Key Largo, The African Queen, and The Night of the Iguana
Carson McCullers was deemed the "find of the decade" when she appeared on the literary scene at the age of twenty-three and is best remembered for her celebrated novels "The Heart Is a Lonely Hunter" and "The Member of the Wedding." This book provides a balanced introductory study of her major fiction and shows her as more than a lesbian novelist.
This study adapts Mikhail Bakhtin's theory of the grotesque, as well as gender and psychoanalytic theory, to the major works of the southern writer Carson McCullers. The author argues that McCullers' work has too often suffered under the pall of narrow gothic interpretations.
John Huston's Filmmaking offers an analysis of the life and work of one of the greatest American independent filmmakers. Always visually exciting, Huston's films sensitively portray humankind in all its incarnations, chronicling the attempts by protagonists to conceive and articulate their identities. Fundamental questions of selfhood, happiness and love are intimately connected to the idea of home, which for the filmmaker also signified a congenial place among other people in the world. In this study, Lesley Brill shows Huston's films to be far more than formulaic adventures of masculine failure, arguing instead that they demonstrate the close connection between humanity, the natural world, and divinity.