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In writings from the 1940s to 1990s, Barrett shares a spiritual revelation while flying in WWII, his Holy Land 1963 visit, recollections of relatives, Shakespeare's use of the Bible, discusses a Civil War letter home, and a lovely glimpse of his early married life...among other things. Raised and married in Raleigh, NC, Barrett Wilson graduated from NCSU and Duke. He was in textile management before shifting into a Methodist pastor. He would return to industry and retire to Raleigh, continuing his researches into spiritual and intellectual life. Barrett chose his focus to build happiness during a conflicted age.
Barrett Wilson as a young pastor records his details observations from his first Holy Land visit in 1963. He ties each day to the Bible accounts of what happened in that place. He had made news by leaving his engineering career for Duke Seminary and joined the Methodist Church preaching in Western North Carolina in the Winston-Salem area where his family had been among the Moravian founders. Barrett grew up in Raleigh NC where his father was a famed singer and conductor. Also included in this volume are Barrett's WWII account of his first religious inspiration, and his insightful "Shakespeare and the Bible." Plus photographs and a biographical essay.
From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity. Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life. This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture. Visit the book's free Discussion Guide: www.dropbox.com
“An extremely good writer, [Ayers] is well worth reading . . . on the South and Southern history.”—Stephen Sears, Boston Globe The Southern past has proven to be fertile ground for great works of history. Peculiarities of tragic proportions—a system of slavery flourishing in a land of freedom, secession and Civil War tearing at a federal Union, deep poverty persisting in a nation of fast-paced development—have fed the imaginations of some of our most accomplished historians. Foremost in their ranks today is Edward L. Ayers, author of the award-winning and ongoing study of the Civil War in the heart of America, the Valley of the Shadow Project. In wide-ranging essays on the Civil War, the New South, and the twentieth-century South, Ayers turns over the rich soil of Southern life to explore the sources of the nation's and his own history. The title essay, original here, distills his vast research and offers a fresh perspective on the nation's central historical event.
A critique of the conventional wisdom.
Political Ideologies and the Democratic Ideal analyzes and compares political ideologies to help readers understand individual ideologies, and the concept of ideology, from a political science perspective. This best-selling title promotes open-mindedness and develops critical thinking skills. It covers a wide variety of political ideologies from the traditional liberalism and conservatism to recent developments in identity politics, green politics, and radical Islamism. NEW TO THIS EDITION An expanded account of the right to vote and the U.S. Supreme Court’s Citizens United decision. A new section on "fusionist" conservatism that attempts to ally different kinds of conservatives. A discussion of Putin’s post-Soviet expansion of Russia’s territory and influence, the apparent rebirth of "Mao Zedong thought" in China, and the ideology of Juche in North Korea. Coverage of "democratic socialism" in the context of Bernie Sanders’ presidential campaign. Updates on fascism past and present. A more in-depth account of the origins of black liberation and a discussion of the new "Black Lives Matter" movement. New directions in feminist theory and the impact of the Supreme Court’s decision on same-sex marriage. An account of Pope Francis’s 2015 encyclical on the environment and humans’ duty to protect it. An expanded discussion of radical Islamism, especially with regard to the varieties of Islamism, the rise of the Islamic State (ISIS), and the effects of recent terrorist attacks on national and international politics. Discussion questions added to the end of each chapter. Additional graphs and photos throughout. An updated, author-written Instructor’s Manual and Test Bank.
From the seventeenth century Cavaliers and Uncle Tom's Cabin to Civil Rights museums and today's conflicts over the Confederate flag, here is a brilliant portrait of southern identity, served in an engaging blend of history, literature, and popular culture. In this insightful book, written with dry wit and sharp insight, James C. Cobb explains how the South first came to be seen--and then came to see itself--as a region apart from the rest of America. As Cobb demonstrates, the legend of the aristocratic Cavalier origins of southern planter society was nurtured by both northern and southern writers, only to be challenged by abolitionist critics, black and white. After the Civil War, defeated and embittered southern whites incorporated the Cavalier myth into the cult of the "Lost Cause," which supplied the emotional energy for their determined crusade to rejoin the Union on their own terms. After World War I, white writers like Ellen Glasgow, William Faulkner and other key figures of "Southern Renaissance" as well as their African American counterparts in the "Harlem Renaissance"--Cobb is the first to show the strong links between the two movements--challenged the New South creed by asking how the grandiose vision of the South's past could be reconciled with the dismal reality of its present. The Southern self-image underwent another sea change in the wake of the Civil Rights movement, when the end of white supremacy shook the old definition of the "Southern way of life"--but at the same time, African Americans began to examine their southern roots more openly and embrace their regional, as well as racial, identity. As the millennium turned, the South confronted a new identity crisis brought on by global homogenization: if Southern culture is everywhere, has the New South become the No South? Here then is a major work by one of America's finest Southern historians, a magisterial synthesis that combines rich scholarship with provocative new insights into what the South means to southerners and to America as well.