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A compendious anthology of women's writing on film.
This authoritative collection of introductory and specialized readings explores the rich and innovative history of this period in American cinema. Spanning an essential range of subjects from the early 1900s Nickelodeon to the decline of the studio system in the 1960s, it combines a broad historical context with careful readings of individual films. Charts the rise of film in early twentieth-century America from its origins to 1960, exploring mainstream trends and developments, along with topics often relegated to the margins of standard film histories Covers diverse issues ranging from silent film and its iconic figures such as Charlie Chaplin, to the coming of sound and the rise of film genres, studio moguls, and, later, the Production Code and Cold War Blacklist Designed with both students and scholars in mind: each section opens with an historical overview and includes chapters that provide close, careful readings of individual films clustered around specific topics Accessibly structured by historical period, offering valuable cultural, social, and political contexts Contains careful, close analysis of key filmmakers and films from the era including D.W. Griffith, Charles Chaplin, Buster Keaton, Erich von Stroheim, Cecil B. DeMille, Don Juan, The Jazz Singer, I Am a Fugitive from a Chain Gang, Scarface, Red Dust, Glorifying the American Girl, Meet Me in St. Louis, Citizen Kane, Bambi, Frank Capra's Why We Fightseries, The Strange Love of Martha Ivers, Rebel Without a Cause, Force of Evil, and selected American avant-garde and underground films, among many others. Additional online resources such as sample syllabi, which include suggested readings and filmographies for both general specialized courses, will be available online. May be used alongside American Film History: Selected Readings, 1960 to the Present, to provide an authoritative study of American cinema through the new millennium
The author recounts his experiences as a young reporter to "Stars and Stripes," the American forces' daily newspaper in Europe, including his personal account of the liberation and entry into Buchenwald.
Sing Us A Song Ma, Before We Say Goodbye is a lively, vividly rendered and extremely moving memoir of Johnny Slater's childhood in war-torn Liverpool. Written by his daughter Carol, it follows Johnny from the outbreak of the Second World War in 1939, right up until his period of National Service from 1954-1956. It tracks the progress of Johnny, his brother Jimmy, sister Cath, Ma, Da, Aunty Julia and his four-legged friends, Punch and Judy - through the devastation of the Liverpool Blitz, their evacuation to a country farm (and the first sight of cows for the children), Johnny's school years, D-Day, first love, and the devastating tragedy that befalls the family during Johnny's time in the army. It is full of detail and colour, painting an exuberant and loving picture of working class life in Kirkdale, on the banks of the Mersey, where life was often hard and money in short supply, but where communities pulled together, family was everything and it only took a chippy dinner or a bonfire to send a small boy into paroxysms of joy. The dialect-driven dialogue creates a rich sense of place, and the characters are full of life and love, so that the untimely death of one of them at the end of the narrative is profoundly moving and tragic.
Have you noticed that when you're in a bookstore, and you're reading a book of jokes or meditations or moving little "chicken-soup" stories or "deep thoughts," the first few in the book are very meaningful and funny and enjoyable? But when you buy the book and take it home, most the ones after that are really lame and just seem to be taking up space. So you have to ask yourself, what kind of a dope-jerk-moron am I for dishing out $11 dollars for this piece of crap? That won't happen with this book! John Sheirer looks at life's ordinary moments in extraordinary ways. On the surface, these essays are about reading a note written while falling asleep, cataloging the ways an athlete's body breaks down, missing the signs of flirting, facing a classroom full of bored students, daydreaming at a funeral, gazing into an under-construction restroom-and dozens of other everyday events. But these little subjects lead to some of life's most important themes, including love, loss, politics, education, family, death, parenthood, and tolerance. All the while, Sheirer's essays remain readable, delightful, optimistic, sometimes biting, and often laugh-out-loud funny.
On September 1, 1939, England declares war on Germany. Over the next three days masses of children are evacuated from the cities vulnerable to bombings of the Luftwaffe. From the bustling city of London to the quiet, open spaces of the Yorkshire Dales, three children, all ten years old, meet on a train. Their friendship helps them to overcome their fear of a strange place, their loneliness for their families and to adapt to the new life they have been thrown into. This is the story of three friends, each from different backgrounds, and how they lived through the war for fi ve and a half years.
A NEW YORK TIMES NOTABLE BOOK “Part love story, part history, this novel is a tour de force [told] in language that soars and sears.”—More St. Petersburg, 1917. After Rasputin’s body is pulled from the icy waters of the Neva River, his eighteen-year-old daughter, Masha, is sent to live at the imperial palace with Tsar Nikolay and his family. Desperately hoping that Masha has inherited Rasputin’s healing powers, Tsarina Alexandra asks her to tend to her son, the headstrong prince Alyosha, who suffers from hemophilia. Soon after Masha arrives at the palace, the tsar is forced to abdicate, and the Bolsheviks place the royal family under house arrest. As Russia descends into civil war, Masha and Alyosha find solace in each other’s company. To escape the confinement of the palace, and to distract the prince from the pain she cannot heal, Masha tells him stories—some embellished and others entirely imagined—about Nikolay and Alexandra’s courtship, Rasputin’s exploits, and their wild and wonderful country, now on the brink of an irrevocable transformation. In the worlds of their imagination, the weak become strong, legend becomes fact, and a future that will never come to pass feels close at hand. Praise for Enchantments “A sumptuous, atmospheric account of the last days of the Romanovs from the perspective of Rasputin’s daughter, [told] with the sensuous, transporting prose that is Kathryn Harrison’s trademark.”—Jennifer Egan “[A] splendid and surprising book . . . Harrison has given us something enduring.”—The New York Times Book Review “[Harrison delivers] this oft-told moment with shocking freshness. . . . Masha re-invents our ideas of Rasputin, and the world of Nicholas and Alexandra is imbued with a glow whose fierceness is governed by the imminence of its loss.”—Los Angeles Times “A mesmerizing novel.”—O: The Oprah Magazine “Bewitching . . . Harrison sets historic facts like jewels in this intricately fashioned work of exalted empathy and imagination, a literary Fabergé egg. . . . [A] dazzling return to historical fiction.”—Booklist (starred review) Look for special features inside. Join the Random House Reader’s Circle for author chats and more.
Commitment-phobic Sam Carson has only dated model-gorgeous women. But one stolen kiss from a plain-Jane schoolteacher and he's hell-bent on stripping away her floral dresses and teaching her the art of being bad. If only her good-girl ways didn't make him want to be a better man . . . Ally Giordano is at the end of her rope. Her beloved grandmother actually believes that she's living in her favorite romance novel in Regency England and Ally doesn't have the heart to set her straight. But now Granny Donny's last wish is for a retreat to the country and Ally can't refuse her...until she demands that Sam accompany them. And though his smiles turn her knees into jelly, Ally knows better than to trust a playboy...and she definitely knows better than to try to change one. Or does she?