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At the outbreak of the Cultural Revolution, 13-year-old Nanchu watched Red Guards destroy her home and torture her parents, whom they jailed. She was left to fend for herself and her younger brother. When she grew older, she herself became a Red Guard and was sent to the largest work camp in China. There she faced primitive conditions, sexual harassment, and the pressure to conform. Eventually, she was admitted to Madam Mao's university, where politics were more important than learning. Her testimony is essential reading for anyone interested in China or human rights.
The last ten years have witnessed an enormous growth in American interest in Asia and Asian/American history. In particular, a set of key Asian historical moments have recently become the subject of intense American cultural scrutiny, namely China’s Cultural Revolution and its aftermath; the Korean American war and its legacy; the era of Japanese geisha culture and its subsequent decline; and China’s one-child policy and the rise of transracial, international adoption in its wake. Grice examines and accounts for this cultural and literary preoccupation, exploring the corresponding historical-political situations that have both circumscribed and enabled greater cultural and political contact between Asia and America.
Once Joseph Stalin took the lead of the Soviet Bolshevists after the death of Vladimir Lenin, he quickly turned away from Lenin’s New Economic Policy, with its many concessions to capitalism, to a policy of one-country socialism, driven by his first Five Year Plan (1928) and a plan that other Bolsheviks like Lenin and Trotsky thought impossible. That shift, radical, forced Stalin to “urbanize” the USSR’s vast rural areas—that is, to impose a factory-like model on the Soviet countryside to maximize its efficiency. That required collectivizing the numerous Soviet farms—making large farms of the numerous small farms. Ukraine was to be the model republic due to its vastness and black, fertile lands. Not only were the republics to be collectivized, they were also to be Russified for the sake of model efficiency and centralization of control. And so, while Stalin, early in his political life, preached respect for the cultural diversity of its many republics and the right of secession of any republic, the need to collectivize the Soviet farms for the sake of one-country socialism demanded compliance. Ukrainian peasant-farmers were non-compliant, for they readily saw that the State was asking them for everything and giving back nothing but the pledge of efficient farms to benefit the State, and non-compliance forced Stalin’s authoritarian hand. He imposed laws that brutally punished non-compliant peasants, called “kulaks.” The plan was dekulakization. The intransigents were dispossessed of their property, alienated from other villagers, exiled, and exterminated. The result in Ukraine was the gross inefficiency of both collective and individual farms. That led to intolerance of Ukrainian culture and theft of Ukrainian grain, and even all other findable foodstuffs, to punish Ukrainians. The end was a great famine in 1932 and 1933 in which some four million Ukrainians died. Did Stalin believe that he could urbanize the Soviet countryside? Did Stalin think that socialism could take root in the backwater Soviet Union without the aid of Western succor? Did Stalin hate Ukrainians because many pressed for a cultural identity separate from that of Russia? Had Stalin’s plan of dekulakization from the beginning been a policy of political genocide? Those are some of the many questions I aim to answer in this book. I focus much on Stalin’s writings in the efforts to ascertain his mindset as a dictator.
Living alone in her Stockholm apartment, a ninety-six-year-old woman reminisces through the pages of a long-kept address book before starting to write down stories from her past, unlocking family secrets in unexpectedly beneficial ways.
Once she transmigrated, the Godly Doctor Leng Yue had become a combination of ugliness, trash and evil. Everyone viewed her as a ferocious beast, but they couldn't avoid her. The beloved crown prince treated her like nothing You think the scar on her face is ugly? With a wave of her hand, the medicine reached Scar, returning her face to the heavens. Calling her trash? Sorry, but sister has top-grade spiritual roots. I can only blame you for being blind! Watch as my wondrous hands come back to life and my heaven-defying meridians open!
The indispensable guide to everything we knew and loved before modern life got in the way. This gorgeous and beautifully illustrated countryside miscellany is the perfect purchase for anyone wanting to go back to their roots and rediscover a lost world... 'Beautiful book' -- ***** Reader review 'A delightful book with some lovely illustrations' -- ***** Reader review 'A heart-warming read, I love this book' -- ***** Reader review 'Magical' -- ***** Reader review 'Lovely book to just DELVE into' -- ***** Reader review 'A little gem!' -- ***** Reader review 'Sheer delight!' -- ***** Reader review **************************************************************************************************** Ever wondered how to predict the weather just by looking at the sky? Or wanted to attract butterflies to your garden? Is there a knack to building the perfect bonfire? And how exactly do you race a ferret? In this world of traffic tailbacks, supermarket shopping and 24-hour internet access, it's easy to feel disconnected from the beauty and rhythms of the natural world. If you have ever gazed in awe at stars in the night's sky, tried to catch a perfect snowflake or longed for the comfort of a roaring log fire, then this is the book for you. From spotting Britain's five kinds of owl to gardening by the phases of the moon, from curing a cold to brewing your own ale, and from navigating by the stars to making sloe gin, Red Sky at Night is packed with instructions and lists, ancient customs and old wives tales, making it an indispensable guide to countryside lore.
The story starts at a Jewish funeral. fist after fist fills with cool damp earth It travels to Israel: at ben-gurion airport here she comes hauling her baggage rendered clumsy by her burden beneath that smooth brown skin that halo of thick coarse hair the plantation and the shtetl live in blood and memory her passport names her tirzah persephone horowitz after an aunt on her dad’s side who died so young in the camps and her mother’s favorite greek myth but to call her tirzah is too much like uncovering her nakedness like speaking aloud the holy name and the holy city of Tzfat... i am a city of song plucked strings of a lyre loud brassy klezmer throbbing techno beats shoes clop-clopping on cobblestone tires screeching on the asphalt river winding round my peak It features monsters... terry loves monsters loved them since her first pimples and pubes sneaking dracula under the covers wondering what it would be like to feel a vampire’s fangs on her neck to taste human blood in her mouth to transform into wolf or bat or mist but dracula always dies staked and beheaded by good christian men because magic and mystery must not survive And it ends... No. That would be telling.
Red Sonja is plunged through the Rift to Jana the Jungle Girl's tropical island, just as paradise is besieged by a terrifying monster that rains down ice and snow with killing cold. Jana, terrified for her homeland, is determined to destroy the source of the magic and return balance to her world - even if that means combating the She-Devil herself! An official tie-in to the epic Swords of Sorrow crossover event, written by celebrated writer Marguerite Bennett (Batgirl, Earth 2).
"One of the most exciting recent developments in the study of Chinese literature has been the rediscovery of an extremely rich and diverse tradition of women’s writing of the imperial period (221 B.C.E.–1911 C.E.). Many of these writings are of considerable literary quality. Others provide us with moving insights into the lives and feelings of a surprisingly diverse group of women living in Confucian China, a society that perhaps more than any other is known for its patriarchal tradition. Because of the burgeoning interest in the study of both premodern and modern women in China, several scholarly books, articles, and even anthologies of women’s poetry have been published in the last two decades. This anthology differs from previous works by offering a glimpse of women’s writings not only in poetry but in other genres as well, including essays and letters, drama, religious writing, and narrative fiction. The authors have presented the selections within their respective biographical and historical contexts. This comprehensive approach helps to clarify traditional Chinese ideas on the nature and function of literature as well as on the role of the woman writer."