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D. C. Detective Shaun Patrick is in a cat and mouse game with a mastermind who is using ancient Taoist sorcery to raise the dead and send them out to kill. Pressured by the FBI and his own department and targeted by the killer, Shaun is in a race against time to solve the murder of his best friend, save his girlfriend and stop a supernatural force that will soon make the nation's capital a wasteland.
The War on Terror and American Popular Culture is a collection of original essays by academics and researchers from around the world that examines the complex interrelation between the Bush administration's "War on Terror" and American popular culture. Written by experts in the fields of literature, film, and cultural studies, this book examines in detail how popular culture reflects concerns and anxieties about the September 11 attacks and the war those attacks generated, how it interrogates the individual and collective impacts that war has wrought, how it might challenge or critique current policy, and how it might reinforce or endorse the war and its sociopolitical paradigms.
The year's releases in review, with necrologies and brief articles.
Now in its 57th year, Film Review is the longest-running film annual available. Lively opinion is combined with detailed coverage of the year's cinema releases, as well as features on movie gossip, and the most promising new faces.
Thirty-five years in the making, and destined to be the last word in fanta-film references! This incredible 1,017-page resource provides vital credits on over 9,000 films (1896-1999) of horror, fantasy, mystery, science fiction, heavy melodrama, and film noir. Comprehensive cast lists include: directors, writers, cinematographers, and composers. Also includes plot synopses, critiques, re-title/translation information, running times, photographs, and several cross-referenced indexes (by artist, year, song, etc.). Paperback.
This is an aphabetical critical guide to films, based on Time-Out reviews since the mid-1980s. It covers every area of world cinema, including: classic silents and 1930s comedies, documentaries and the avant garde, French or Japanese, the Hollywood mainstream and B-movie horrors. Features include cast lists and other key creative personnel, more than 110 obituary notes from 2001/2002 and indexes covering film by country, genre, subject, director and actor. This new edition includes a new Time Out readers' top 100 film poll, plus 2001/2002 Oscar and BAFTA awards, as well as prizes from the Berlin, Venice and Cannes festivals.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Horror films have always reflected their audiences' fears and anxieties. In the United States, the 2000s were a decade full of change in response to the 9/11 terrorist attacks, the contested presidential election of 2000, and the wars in Iraq and Afghanistan. These social and political changes, as well as the influences of Japanese horror and New French extremism, had a profound effect on American horror filmmaking during the 2000s. This filmography covers more than 300 horror films released in America from 2000 through 2009, including such popular forms as found footage, torture porn, and remakes. Each entry covers a single film and includes credits, a synopsis, and a lengthy critical commentary. The appendices include common horror conventions, a performer hall of fame, and memorable ad lines.