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EVIL FROM BEYOND TIME RULES THE GREATEST EMPIRE ON EARTH!Link, the supercomputer from a future that should not exist, has used terror and gunpowder weapons to forge the Malwa Empire, harnessing the vast manpower of the Indian subcontinent and using the barbarian races of the periphery to bind the whole together. No power on Earth in the 6th century could stand against Link's evil.Aide, a human soul embodied in a jewel, has come back to halt evil's progress. Aide has no power but that of truth, but truth is the only power that could move the greatest general of the age, Belisarius.With his sword, his paladins, and his genius, Belisarius has turned the armies of Byzantium into a weapon capable of blunting the first assault of the Malwa hordes. Now, supported by allies from all the world yet free, Belisarius, with his wife and co-commander Antonina, faces overwhelming Malwa numbers in a ring that tightens about them.There is no room for maneuver and no safety in defeat. The armies of Good and Evil gathered on the fertile plains of Mesopotamia will decide the fate of the world --And the fate of all the future!
As the ruthless rulers of the Malwa Empire dominate sixth-century India, assisted by an abomination from the future, peacemakers from the future send a crystal, Aide, to stop their advance, with the help of Count Belisarius of Byzantium.
New York Times bestselling author Simon R. Green continues his Secret Histories series with debonair-yet-deadly paranormal agent Eddie Drood pulled into a hunt for a treasure worth far more than mere money... As part of a family legacy representing courage, determination, and the occasional dirty trick, Eddie Drood rather enjoys making his own rules—and breaking them. When it comes to facing down the darkest entities in creation and putting real boots to ethereal ass, he’s the best in the biz. Or at least one of the best. He thinks. That’s why he’s been summoned to the deathbed of the one and only Alexander King—a living (for now) legend in the realm of otherworldly cloak-and-dagger operations. As an independent agent, King has managed to collect quite a cache of secrets, conspiracies, and evidence worth killing for and then some. And he’s putting the whole lot up for grabs in a twisted game of intelligence, skill, and survival. Pitted against a selection of prime recruits from all over the supernatural spy game, Eddie is going to have to call on all his skills and dirty tricks, to come out ahead in the great spy game where only the quick and the cool survive. Because one of King’s prized secrets is going to help Eddie uncover a hidden threat within his own family... “Bright, fast-paced...Eddie makes a likable hero, and fans will enjoy following him through this surprisingly complex mystery.”—Publishers Weekly “Eddie gets to the bottom of things with style and a particularly cynical sense of humor. Series-spinner Green’s Drood books are fun, funny, and action-packed, and Eddie is one of his most entertaining creations.”—Booklist
In the sequel to The Man with the Golden Torc, Eddie Drood is forced to take on some nasty daemons from another dimension, who arrived in this world at the behest of the Drood family to help battle the Nazis during World War II and who have decided that they have no intention of leaving.
An extraordinarily vivid, unflinching series of portraits of South America today, written from the inside out, by the award-winning New Yorker journalist and widely admired author of Samba.
“Engrossing stories of hilarity and heartbreak” from the Whitbread Award–winning author of the Old Filth trilogy (The Seattle Times). A collection of stories from a writer at the height of her powers—a celebrated stylist admired for her caustic humor, freewheeling imagination, love of humanity, and wicked powers of observation. This is a delightful grouping of stories, witty and wise, that includes the return of Sir Edward Feathers, “Old Filth” himself. “[Gardam’s] stories, like delicate tapestries, are alight with colors.” —The Times (London) “When Gardam hits her mark, like other exemplary short-story writers such as William Trevor, Sylvia Townsend Warner and Elizabeth Taylor, she can be dazzling.” —The Guardian “Gardam’s brisk narration and fearless temperament make for serious fun.” —Kirkus Reviews (starred review) “Wry, economical and perpetually surprising, these 14 stories from English novelist Gardam follow the last of the intrepid, stiff upper lip WWII generation of British ladies and gentlemen. . . . Gardam vividly evokes an age of iron wills.” —Publishers Weekly “Gardam displays the consummate skill of the short-story-teller, which is that of the caricaturist, the ability to capture a personality in a few brief strokes. . . . Privilege Hill is a collection of gentle stories that you could read to your grandmother, with the kind of sharp wit that would no doubt give her a secret smile. But they’re deeper than they look . . . so don’t read them all at once.” —The Bookbag
In one of her most delicate and suspenseful novels to date, Anita Brookner brings us an exquisite story of friendship and duty. Rachel Kennedy and Oscar Livingston were not precisely friends or family. Rachel had been acquanted with Oscar for some time, first as her father’s accountant, and then as her own. Part owner of a London bookshop, Rachel is thoroughly independent and somewhat distant, determinedly restrained in her feelings for others, but above all responsible. And it is this trait that leads Oscar and his wife Dorrie to seek out Rachel as a mentor for their twenty-seven-year-old daughter, Heather. Yet when Heather seems poised to make an unsuitable romantic decision, Rachel decides to speak out and intervene, causing an unwitting and devastating insight.
As Belisarius and his companions march into the Malwa heartland, only one thing is sure: "if they fail, their whole world is doomed to living Hell--for all time!"--Jacket.
The Alexander Lectures for 1949-50. In his Preface, Professor Brown says, "Isolating a single element or group of elements in the novel, and considering it in unreal separation from all the other elements which it actually fuses, is artificial, but so is all criticism. The artificiality is justified if when one turns back from the criticism to the novels these appear more intelligible and more delightful. That is the test." Applying the test to Dr. Brown's present work, the method is more than justified by the results. they are titled: "Phrase, Character, Incident," "Expanding Symbols," "Interweaving Themes," and "Rhythm in E.M. Forster's A Passage to India."