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What concepts must one have in order to understand and explain the nature and purpose, the plan and actualization, and the relational character of the liturgy? Volume 2: Fundamental Liturgy addresses this question in three parts - epistemology, celebration, and human sciences - which develop the foundational concepts of the liturgy. It leads the reader to a deeper understanding of the liturgy by examining the basic concepts that belong to its definition. Articles and their contributors are Theology of the Liturgy," by Alceste Catella;"Liturgical Symbolism," by Crispino Valenziano; "Liturgy and Spirituality," by Jesus Castellano Cervera, OCD; "Pastoral Liturgical Ministry," by Domenico Sartore, CSJ; "Catechesis and Liturgy," by Domenico Sartore, CSJ; "Liturgy and Ecclesiology," by Nathan Mitchell; "The Liturgical Assembly," by Mark Francis, CSV; "Participation in the Liturgy," by Anna Kai-Yung Chan; "Liturgical Ministries," by Thomas A. Krosnicki, SVD; "The Psychosociological Aspect of the Liturgy," by Lucio Maria Pinkus, OSM; "Liturgy and Anthropology: The Meaning and the Method of the Question," by Crispino Valenziano; "The Language of Liturgy," by Silvano Maggiani, OSM; "Liturgy and Aesthetic," by Silvano Maggiani, OSM; "Liturgy and Music," by Jan Michael Joncas; "Liturgy and Iconology," by Crispino Valenziano; and "Liturgy and Inculturation," by Anscar J. Chupungco, OSB and Silvano Maggiani, OSM "
One of the biggest stumbling blocks we hit when setting out to make our dreams come true is appreciating what is going well. Most of us have an unfortunate tendency to dwell on the problems rather than on the good things in our lives ... and then we wonder why things just seem to keep getting worse instead of better. In The Power of Appreciation in Everyday Life, psychologist Noelle Nelson explains how you can achieve success in every area of your life through transforming your beliefs with appreciation.
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.
The final volume in the Handbook for Liturgical Studies series, Volume V: Liturgical Time and Space contains the concluding material for an integral study of the liturgy. It opens with a preliminary notion of time and space, before discussing in detail three types of liturgical celebrations on which time and space have a direct and particular bearing. The first of these is the Liturgy of the Hours. This topic is developed in the light of the early Christian tradition until the fourth century and its subsequent forms in both East and West. The second is the Liturgical Year, traditionally called the anni circulas. The development of the Liturgical Year during the first four centuries is reviewed. This is followed by adetaled study of the Byzantine, Roman, and non-Roman Western tradition. It concludes with the theology and spirituality of the Liturgical Year wherein the mystery of Christ as a saving event is made present in time, so that the faithful may lay hold of it through the Word and the sacraments. The theology of liturgical space is drawn from the mutual interaction between the assembled community, which gives meaning to the place of assembly, and the place itself, which upholds and signifies community. Articles and their contributors in Part I: Liturgy of the Hours are Liturgy of the Hours in the First Four Centuries," by Ruben Leikam, OSB; "Liturgy of the Hours in the East," by Robert Taft, SJ; "Liturgy of the Hours in the Roman Rite," by Ruben Leikam, OSB; "Liturgy of the Hours in the Non-Roman West," by Ruben Leikam, OSB; and "Theology of the Liturgy of the Hours," by Robert Taft, SJ Articles and their contributors in Part II: The Liturgical Year are "The Liturgical Year in the East," by Matias Auge, CMF; "The Liturgical Year in the East," by Elena Velkova Velkovska; "The Liturgical Year in the Roman Rite," by Matias Auge, CMF; "The Liturgical Year in the Non-Roman West," by Gabriel Ramis; "The Cult of Mary in East and West," by Ignacio Calabuig, OSM; "The Cult of Saints in East and West," by Philippe Rouillard, OSB; and "Theology of the Liturgical Year," by Matias Auge, CMF Articles and their contributors in Part III: Liturgical Space are "Dedication of the Church in East and West," by Ignacio Calabuig, OSM; "Liturgical Architecture in East and West," by Crispino Valenziano; and "Theology of Liturgical Space," by Cettina Militello. Anscar J. Chupungco, OSB, is the director of the Paul VI Institute of Liturgy in the Philippines and professor of liturgical inculturation at the Pontifical Liturgical Institute in Rome. Among his publications are Liturgies of the Future: The Process and Methods of Inculturation andLiturgical Inculturation: Sacraments, Religiosity, and Catechesis, published by The Liturgical Press. "
In this volume, Hughes Oliphant Old begins his survey of the history of preaching by discussing the roots of the Christian ministry of the Word in the worship of Israel. He then examines the preaching of Christ, the Apostles, and early church leaders.l
One of the major figures of twentieth-century Catholic theology, Henri Cardinal de Lubac was known for his attention to the doctrine of the church and its life within the contemporary world. In Corpus Mysticum de Lubacinvestigates a particular understanding of the relation of the church to the eucharist. He sets out the nature of the church as communion, a doctrine that influenced the thinking of the Second Vatican Council. With the publication of Corpus Mysticum, this important text of contemporary Catholic ecclesiology and sacramental theology is available for the first time in an English translation. Its publication fills a significant gap in the range of de Lubac's works available to English-speaking scholars. It will be an important resource in the widespread and ongoing ecumenical discussions among Catholic, Protestant, and Orthodox theologians.
A wolf tree is a tree in a bush or a thicket which is different in shape from those around it; a tree whose broader trunk and spreading branches indicate that it once grew alone but is now surrounded. Alison Calder’s poems shine the light of a poet’s curiosity on all manner of “natural occurrences,” which nevertheless stand out. The book opens with an examination of the extreme forms this nature may take – from the Dutch legend of the false child Sooterkin, to two-headed calves, Zip the Pinhead, and other medical curiosities, particularly those captured by 19th century photographic techniques. The disquieting feelings created by these subjects persist, causing the reader to proceed watchfully, even when the poet’s attention switches to more common themes and images - plastic clotheslines,wildflowers of western Canada, snow geese, the Porta Nigra in Trier, Germany. A selection of poems from this manuscript received the Bronwen Wallace Memorial Award for writing excellence by a writer under the age of 35. A section of this manuscript, Sexing the Prairie, was published in the journal Open Letter in Fall 2006.
A collection of letters by Meyerbeer, the operatic composer who died in 1864. Critics have recently re-evaluated his work, recognizing his musical craftmanship, his dramatic sense and his influence on later operatic composers. The editors also edited Letters and Diaries of Meyerbeer.
Sixteen essays explore the end of ancient Christianity
But these operas are far more than imitations: they show an apprehension of convention and genre that is nothing less than a dismantling of accepted formulas, and a highly original reconstruction of them."--Jacket.