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Mario Paz has, in the Romantic Agony, acutely analyzed the effect of the traditions of Byron and De Sade upon poets and painters from 1800 to 1900. It is the analysis of a mood in literature. The mood may ve been transient, but it was widespread, and it was expressed in dreams of "luxurious cruelties," "fatal women," corpse-passions, and the sinful agonies of delight. Professo Praz has described the whole Romantic literature under one of its most characteristic aspects, that of erotic sensibility.
Reprint of the original, first published in 1842.
This book consists of four lectures and six interviews; it covers a wide range of topics central to Glissant's thought - such as creolization, langage, culture and identity, 'atavistic' versus 'composite cultures' - presented in a particularly accessible form because here Glissant interacts with the views of other people.
The Other Side of the Sea, the first novel by this major Haitian author to be translated into English, is riveted on the other shore--whether it is the ancestral Africa that still haunts Haitians, the America to which so many have emigrated, or even that final shore, the uncertain afterlife awaiting us all. With a grandmother and her grandson sharing the narration, this rich and concise tale covers an impressive span of Haitian history and emotion. Too old to leave her veranda, Noubòt reflects on her past, touching on the 1937 Parsley Massacre, in which thousands of Haitians died at the hands of Dominican soldiers, and laments the exodus of so many young people from Haiti, although, ironically, she dreamed of making the trip herself (her name means New Boat in Creole). Her story is juxtaposed with that of her grandson, Jonas, as he suffers the abandonment of friends--including his lover--who emigrated during the Duvalier dictatorships, even feeling an urge to join them. Perhaps most striking is the addition of a third voice--that of an anonymous passenger in steerage recounting a slave ship’s progress to the New World from Africa. This voice from long ago provides a powerful depiction of the sights, sounds, and smells of the Middle Passage and a fascinating counterpoint to the evocations of modern Haiti. CARAF Books: Caribbean and African Literature Translated from French
A major work by this prominent Caribbean author and philosopher, available for the first time in English
In this powerful and moving novel, Myriam Warner-Vieyra sensitively portrays the complexities of cross-cultural relationships and, in particular, the female predicament. When Helene, a self-reliant career woman, is packing her belongings for a move and imminent marriage for which she is reluctant, she unearths a faded old book. It is the diary of young Juletane, a confused, sheltered West Indian woman struggling to find herself. Written over three weeks, it records her short life: childhood in France, marriage to an African student, and an eager return with him to Africa, the land of her ancestors. It is Juletane’s diary that brings her and Helene together. Juletane does not fit into her husband’s traditional African family, especially the Muslim cultural demands of polygamy. Full of gentle ironies, Juletane is a story about alienation, madness, shattered dreams: the disillusioned West Indian outsider’s disenchantment with Africa. Myriam Warner-Vieyra looks at women’s lives, at the paths they have taken, at the possibilities open to women in the Caribbean, in Africa, in life. She forces readers, through the double narrative of Juletane and Helene, to reexamine easy assumptions, to look again at safe generalizations. Includes valuable Introduction 2014 by the translator.