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Translated, with an introduction and notes, by Peter Harris Only one person has given us a first-hand account of the civilization of Angkor. This is the Chinese envoy, Zhou Daguan, who visited Angkor in 1296–97 and wrote A Record of Cambodia: The Land and Its People after his return to China. To this day, Zhou’s description of the royal palace, sacred buildings, women, traders, slaves, hill people, animals, landscapes, and everyday life remains a unique portrait of thirteenth-century Angkor at a time when its splendors were still intact. Very little is known about Zhou Daguan. He was born on or near the southeastern coast of China, and was probably a young man when he traveled to Cambodia by boat. After returning home he faded into obscurity, though he seems to have lived on for several decades. Much of the text of Zhou’s book seems to have been lost over the centuries, but what remains still gives us a lively sense of Zhou the man as well as of Angkor. In this edition, Peter Harris translates Zhou Daguan’s work directly from Chinese to English to be published for the first time. Earlier English versions depended on a French translation done over a century ago, and lost much of the feeling of the original as a result. This entirely new rendering, which draws on a range of available versions of the Zhou text, brings Zhou’s many observations vividly and accurately back to life. An introduction and extensive notes help explain the text and put it in the context of the times. “Peter Harris has given a new generation of readers a masterly version of Zhou’s timeless and fascinating account that scholars of Cambodia are sure to relish and visitors to Angkor are sure to enjoy.”—David Chandler
A Pulitzer Prize-winning journalist describes how Cambodia emerged from the harrowing years when a quarter of its population perished under the Khmer Rouge. A generation after genocide, Cambodia seemed on the surface to have overcome its history -- the streets of Phnom Penh were paved; skyscrapers dotted the skyline. But under this façe lies a country still haunted by its years of terror. Although the international community tried to rebuild Cambodia and introduce democracy in the 1990s, in the country remained in the grip of a venal government. Pulitzer Prize-winning journalist Joel Brinkley learned that almost a half of Cambodians who lived through the Khmer Rouge era suffered from P.T.S.D. -- and had passed their trauma to the next generation. His extensive close-up reporting in Cambodia's Curse illuminates the country, its people, and the deep historical roots of its modern-day behavior.
"The Civilization of Angkor is remarkable and unique in that it delves into the prehistoric roots of the civilization. Higham is THE international authority on southeast Asian archaeology, and presents an up-to-date and provocative synthesis of Angkor."--Brian Fagan, author of Floods, Famines, and Emperors: El Nino and the Fate of Civilizations, and co-editor of The Oxford Companion to Archaeology. "In blending archaeological and documentary data to chronicle the rise of this important Southeast Asian state, Higham's rich history of Angkor effectively refutes traditional models of state development in the Mekong region and offers insights regarding the nature of Angkor and the processes that led to its emergence."--Miriam Stark, Associate Professor of Anthropology, University of Hawai'i and editor of The Archaeology of Social Boundaries
In this concise and compelling history, Cambodia's past is described in vivid detail, from the richness of the Angkorean empire through the dark ages of the 18th and early-19th centuries, French colonialism, independence, the Vietnamese conflict, the Pol Pot regime, and its current incarnation as a troubled democracy. With energetic writing and passion for the subject, John Tully covers the full sweep of Cambodian history, explaining why this land of contrasts remains an interesting enigma to the international community. Detailing the depressing record of war, famine, and invasion that ha.
Smuggling along the Chinese coast has been a thorn in the side of many regimes. From opium and weapons concealed aboard foreign steamships in the Qing dynasty to nylon stockings and wristwatches trafficked in the People’s Republic, contests between state and smuggler have exerted a surprising but crucial influence on the political economy of modern China. Seeking to consolidate domestic authority and confront foreign challenges, states introduced tighter regulations, higher taxes, and harsher enforcement. These interventions sparked widespread defiance, triggering further coercive measures. Smuggling simultaneously threatened the state’s power while inviting repression that strengthened its authority. Philip Thai chronicles the vicissitudes of smuggling in modern China—its practice, suppression, and significance—to demonstrate the intimate link between illicit coastal trade and the amplification of state power. China’s War on Smuggling shows that the fight against smuggling was not a simple law enforcement problem but rather an impetus to centralize authority and expand economic controls. The smuggling epidemic gave Chinese states pretext to define legal and illegal behavior, and the resulting constraints on consumption and movement remade everyday life for individuals, merchants, and communities. Drawing from varied sources such as legal cases, customs records, and popular press reports and including diverse perspectives from political leaders, frontline enforcers, organized traffickers, and petty runners, Thai uncovers how different regimes policed maritime trade and the unintended consequences their campaigns unleashed. China’s War on Smuggling traces how defiance and repression redefined state power, offering new insights into modern Chinese social, legal, and economic history.
Since the dawn of recorded history, Khmer royalty nurtured a sacred dance style unique to their Asian kingdom, yet instantly recognizable throughout the world. In 1913, George Groslier published the first Western study of this ancient art. For nearly a century Danseuses cambodgiennes anciennes et modernes has stood as the first significant historic account of Cambodia s royal dance tradition. This edition presents the first English translation of his pivotal work, beautifully typeset with all the author s original drawings. It also includes the first personal account of Groslier's life by biographer Kent Davis, family photos, extensive background materials, a bibliography and index. The first French child born in Cambodia in 1887, Groslier went to Paris to train as a painter before returning to Asia to become an archaeologist, historian, educator and novelist. A lifelong champion of Khmer arts, Groslier founded the National Museum of Cambodia and the School of Fine Arts. After a life of adventure, contemplation, and instruction traveling the Mekong, mapping the ruins of Cambodia's lost temples, sparking a revival of traditional Cambodian arts, and helping apprehend a young art thief named Andre Malraux Groslier was tortured and killed by the Japanese army in 1945. This book was the first in a series of works that he wrote about his beloved birthplace. Time would tame his prose but never his enthusiasm, which here leaps off the page. REVIEWS It is my pleasure to introduce new generations of readers to this classic account of Cambodia s royal dance tradition. H.R.H. Princess Norodom Buppha Devi You returned here as if marked by destiny, the most restless artist we had ever encountered to devote himself to Cambodian dancers and their secrets. Charles Gravelle - 1913 The first commentary in any language Asian or European on one of the world s most refined performing arts.. Dr. Paul Cravath - Earth in Flower
The past is not just, as has been famously said, another country with foreign customs: it is a contested and colonized terrain. Indigenous histories have been expropriated, eclipsed, sometimes even wholly eradicated, in the service of imperialist aims buttressed by a distinctly Western philosophy of history. Ranajit Guha, perhaps the most influential figure in postcolonial and subaltern studies at work today, offers a critique of such historiography by taking issue with the Hegelian concept of World-history. That concept, he contends, reduces the course of human history to the amoral record of states and empires, great men and clashing civilizations. It renders invisible the quotidian experience of ordinary people and casts off all that came before it into the nether-existence known as "Prehistory." On the Indian subcontinent, Guha believes, this Western way of looking at the past was so successfully insinuated by British colonization that few today can see clearly its ongoing and pernicious influence. He argues that to break out of this habit of mind and go beyond the Eurocentric and statist limit of World-history historians should learn from literature to make their narratives doubly inclusive: to extend them in scope not only to make room for the pasts of the so-called peoples without history but to address the historicality of everyday life as well. Only then, as Guha demonstrates through an examination of Rabindranath Tagore's critique of historiography, can we recapture a more fully human past of "experience and wonder."
A stunning visual journey through Cambodian culture, history, art, struggle, and modernization. Cambodia has two parallel histories. One is the constant stream of adventurers and diplomats, kings and rebels, archaeologists and artists drawn to the magnificent ruins at Angkor. Another is the formation of a nation through the Cambodian people's fierce struggles with colonialism, war, revolution, famine, and finally, the long road to recovery. This book captures these parallel stories through the eyes of talented photographers who were present to record such events. The images, which include many rare and never-before-published photos, are drawn from archives, national collections, libraries, and private collections. This treasure trove of nearly 500 photographs showcases the work of over 100 photographers--including pioneering female photographers, Cambodian and international photographers, and some who died soon after the rise of the Khmer Rouge. Within these pages, readers will find a fresh perspective on Cambodia. From the early days of French colonialism through the struggle for independence, and emergence into an uneasy peace in the 21st century.
One of the most devastating periods in twentieth-century history was the rule of Pol Pot and the Khmer Rouge over Cambodia. From April 1975 to the beginning of the Vietnamese occupation in late December 1978, the country underwent perhaps the most violent and far-reaching of all modern revolutions. These six essays search for what can be explained in the ultimately inexplicable evils perpetrated by the Khmer Rouge. Accompanying them is a photo essay that provides shocking visual evidence of the tragedy of Cambodia's autogenocide. "The most important examination of the subject so far.... Without in any way denying the horror and brutality of the Khmers Rouges, the essays adopt a principle of detached analysis which makes their conclusion far more significant and convincing than the superficial images emanating from the television or cinema screen." --Ralph Smith, The Times Literary Supplement "A book that belongs on the shelf of every scholar interested in Cambodia, revolution, or communism.... Answers to questions such as `What effect did Khmer society have on the reign of the Khmer Rouge?' focus on understanding, rather than merely describing." --Randall Scott Clemons, Perspectives on Political Science