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This edited volume is the first to engage with material culture in the Tricontinent comprising Asia, Africa and Latin America, interrogating how objects help trace an alternate history of these locales. The potential of material culture to redefine postcolonial subjectivities is explored here through an analysis of various objects, both tangible and intangible. The book serves to subvert Eurocentric formulations of material culture and arrives at a uniquely Tricontinental model of material culture studies. The essays gathered here engage with an entire gamut of issues pertaining to the perception and significance of object-oriented ontologies from a multifaceted perspective. The book offers a glimpse into the vast field of material cultural studies through an engagement with various geopolitical locales in Asia, Africa and Latin America, thereby familiarizing the reader with the nuances of non-European material culture(s).
This volume offers a novel philosophical thesis on the ontology of religion, and proposes a new conceptual repertoire to deal with supernatural religion. Jibu Mathew George offers an interdisciplinary perspective on the source and dynamics of religious ideation upon which belief and faith are based, at the fundamental levels of human reasoning. Using Max Weber’s concept of “Disenchantment of the World” as a point of departure, this book endeavors to provide a pioneering philosophical and psychological understanding of the nature of enchantment, disenchantment, and possible re-enchantments as they pertain to the occidental cultural history in Weberian retrospect.
This book presents a multi-pronged inverse historical analysis of Joyce’s high-modernist magnum opus Ulysses, foregrounding the historicity of its unapologetic subject matter – the quotidian. It argues that the everyday life depicted in Ulysses espouses alternative historical trajectories neglected by traditional historiographic paradigms, which largely deal with great personages and momentous events. The sphere of ordinary life is also where lasting changes must be accomplished if transformations are to happen at all in what gets written or accepted as a posteriori ‘history.’ Across eight elaborate chapters, the book reconstructs quotidian ‘micro-histories’ surrounding work and income, material objects and practices, everyday relationships, body and health, ideologies and power, socio-psychological resources, and, in one of the many internal heterogenizations of the everyday, gender issues.
'Philosophical Meta-Reflections on Literary Studies' takes up key meta-questions in the humanities, with focus on contemporary literary studies, philosophically examines the nature of knowledge therein as well as the implications of certain popular critical approaches, and addresses the effervescent question of ‘relevance’. In contrast to usual works on literary theory, or on philosophy of literature for that matter, this book presents an integrated meta-reasoning on the foundational questions of literary studies from an interdisciplinary perspective – in a manner of intertextual informality. It endeavours to articulate a rationale for the humanities in general and literary studies in particular. It philosophically examines the implications of, and assumptions behind, three popular tendencies in contemporary literary criticism – textual deconstruction, ideological criticism and constructivism. It also introduces the reader to possibilities of non-reductive reasoning with regard to the relation between the aesthetic and the political. With his multidisciplinary background, doctoral degree on an encyclopedic author (James Joyce) and past engagements with vital issues in the humanities/literature, Jibu George is in a position to deal with foundational questions therein.
As the outcome of an international conference held at Jawaharlal Nehru University, India, this book provides a collection of productive texts on, and novel critical approaches to, comparative literature for young scholars. The wide range of analytical approaches employed here allow for the opening up of texts to new readings. The contributions here encompass readings of cinema, advertisements and literary representations, such as novels, poems and short stories, and are pertinent for scholars in media studies, cultural studies, gender studies, sociology and literature. As a commentary on contemporary representations of gender, the book is also relevant for all higher education institutions which seek to heighten gender sensitivity.
Transcultural Negotiations of Gender probes into how gender is negotiated along the two axes of ‘belonging’ and ‘longing’– the twin desires of being located within a cultural milieu, while yearning for either what has passed by or what is yet to come. It also probes into the category of ‘transculturality’ itself, by examining how not only does it pertain to the coming together of cultures from diverse spatial locations, but how shifts over time and changing performative modes and technological means of articulation, within what may be presumed to be the same culture, can also lead to the ‘transcultural’. The volume comprises four sections. Part I, ‘(Be)longing in Time’, examines negotiation of gender through transcultural acts of myths, rituals and religious practices being revised and revisited over time. Part II, ‘(Be)longing in Space’, studies how gender is renegotiated when people from different spaces interact, as also when public spaces and domains themselves become sites of such negotiations. In Part III, ‘Performing (Be)longing’, such transcultural negotiations are located in the context of changing modes of performance, considering particularly that gender itself is performative. The final section, ‘Modernity, Technology and (Be)longing’, traces how gender becomes transculturally negotiated in a space like India, with the advent of modernity and its companion technology.
This trilingual volume examines the extent to which myths are affected by the crises of the 20th and 21st centuries. It brings together four theoretical studies which analyse both the crisis of structure – implying the distortion or disappearance of myth – and the crisis of concepts and terminology that currently threaten the study of mythology. The largest section of the volume focuses on the crises that have affected ancient, medieval and modern literary myths from a global perspective, taking into account psychology, ethics, politics and contemporary meta-literature. The final section examines the crisis experienced by those myths which permeate the material world, investigating historical and fictitious characters, mythologized places, and languages. The volume is a remarkable collection of 30 texts that were selected from 300 proposals by prestigious researchers from over 30 countries during the 3rd International Conference of Myth Criticism held in Madrid in October 2014.