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A stunning, powerful debut novel set against the backdrop of the Cambodian War, perfect for fans of Chris Cleave and Chimamanda Ngozi Adichie For seven-year-old Raami, the shattering end of childhood begins with the footsteps of her father returning home in the early dawn hours bringing details of the civil war that has overwhelmed the streets of Phnom Penh, Cambodia's capital. Soon the family's world of carefully guarded royal privilege is swept up in the chaos of revolution and forced exodus. Over the next four years, as she endures the deaths of family members, starvation, and brutal forced labour, Raami clings to the only remaining vestige of childhood - the mythical legends and poems told to her by her father. In a climate of systematic violence where memory is sickness and justification for execution, Raami fights for her improbable survival. Displaying the author's extraordinary gift for language, In the Shadow of the Banyanis testament to the transcendent power of narrative and a brilliantly wrought tale of human resilience. 'In the Shadow of the Banyanis one of the most extraordinary and beautiful acts of storytelling I have ever encountered' Chris Cleave, author of The Other Hand 'Ratner is a fearless writer, and the novel explores important themes such as power, the relationship between love and guilt, and class. Most remarkably, it depicts the lives of characters forced to live in extreme circumstances, and investigates how that changes them. To read In the Shadow of the Banyan is to be left with a profound sense of being witness to a tragedy of history' Guardian 'This is an extraordinary debut … as beautiful as it is heartbreaking' Mail on Sunday
In a lyrical journey of self-acceptance, the author questions and comes to term with the Killing Fields and other genocides. She explores what it means to be a child of the Killing Fields raised in the United States.
In her debut collection, Monica Sok uses poetry to reshape a family’s memory about the Khmer Rouge regime—memory that is both real and imagined—according to a child of refugees. Driven by myth-making and fables, the poems examine the inheritance of the genocide and the profound struggles of searing grief and PTSD. Though the landscape of Cambodia is always present, it is the liminal space, the in-betweenness of diaspora, in which younger generations must reconcile their history and create new rituals. A Nail the Evening Hangs On seeks to reclaim the Cambodian narrative with tenderness and an imagination that moves towards wholeness and possibility.
A Pulitzer Prize-winning journalist describes how Cambodia emerged from the harrowing years when a quarter of its population perished under the Khmer Rouge. A generation after genocide, Cambodia seemed on the surface to have overcome its history -- the streets of Phnom Penh were paved; skyscrapers dotted the skyline. But under this façe lies a country still haunted by its years of terror. Although the international community tried to rebuild Cambodia and introduce democracy in the 1990s, in the country remained in the grip of a venal government. Pulitzer Prize-winning journalist Joel Brinkley learned that almost a half of Cambodians who lived through the Khmer Rouge era suffered from P.T.S.D. -- and had passed their trauma to the next generation. His extensive close-up reporting in Cambodia's Curse illuminates the country, its people, and the deep historical roots of its modern-day behavior.
This study of Cambodian nationalism brings to life eight turbulent decades of cultural change and sheds new light on the colonial ancestry of Pol Pot's murderous dystopia. Penny Edwards re-creates the intellectual milieux and cultural traffic linking Europe and empire, interweaving analysis of key movements and ideas in the French Protectorate of Cambodge with contemporary developments in the Metropole. With its fresh take on the dynamics of colonialism and nationalism, Cambodge: The Cultivation of a Nation, 1860-1945 will become essential reading for scholars of history, politics, and society in Southeast Asia. Edwards' analysis of Buddhism and her consideration of Angkor's emergence as a national monument will be of particular interest to students of Asian and European religion, museology, heritage studies, and art history. It will also appeal to specialists in modern French history, cultural studies, and colonialism, as well as readers with a general interest in Cambodia.
Unlike some other world history texts that center on the West, The Human Record provides balanced coverage of the global past. The book features both written and artifactual sources that are placed in their full historical contexts through introductory essays, footnotes, and focus questions. The text sheds light on the experiences of women and non-elite groups while maintaining overall balance and a focus on the major patterns of global historical developments through the ages.
This National Book Award nominee from two-time finalist Patricia McCormick is the unforgettable story of Arn Chorn-Pond, who defied the odds to survive the Cambodian genocide of 1975-1979 and the labor camps of the Khmer Rouge. Based on the true story of Cambodian advocate Arn Chorn-Pond, and authentically told from his point of view as a young boy, this is an achingly raw and powerful historical novel about a child of war who becomes a man of peace. It includes an author's note and acknowledgments from Arn Chorn-Pond himself. When soldiers arrive in his hometown, Arn is just a normal little boy. But after the soldiers march the entire population into the countryside, his life is changed forever. Arn is separated from his family and assigned to a labor camp: working in the rice paddies under a blazing sun, he sees the other children dying before his eyes. One day, the soldiers ask if any of the kids can play an instrument. Arn's never played a note in his life, but he volunteers. This decision will save his life, but it will pull him into the very center of what we know today as the Killing Fields. And just as the country is about to be liberated, Arn is handed a gun and forced to become a soldier. Supports the Common Core State Standards.
"I stayed [in the forest] for two nights. The first night, nothing happened. The second night, at about one or two in the morning, a tiger came--which meant that I didn't get any sleep the whole night. I sat in meditation, scared stiff, while the tiger walked around and around my umbrella tent (klot). My body felt all frozen and numb. I started chanting, and the words came out like running water. All the old chants I had forgotten now came back to me, thanks both to my fear and to my ability to keep my mind under control. I sat like this from 2 until 5 a.m., when the tiger finally left." --A forest monk During the first half of this century the forests of Thailand were home to wandering ascetic monks. They were Buddhists, but their brand of Buddhism did not copy the practices described in ancient doctrinal texts. Their Buddhism found expression in living day-to-day in the forest and in contending with the mental and physical challenges of hunger, pain, fear, and desire. Combining interviews and biographies with an exhaustive knowledge of archival materials and a wide reading of ephemeral popular literature, Kamala Tiyavanich documents the monastic lives of three generations of forest-dwelling ascetics and challenges the stereotype of state-centric Thai Buddhism. Although the tradition of wandering forest ascetics has disappeared, a victim of Thailand's relentless modernization and rampant deforestation, the lives of the monks presented here are a testament to the rich diversity of regional Buddhist traditions. The study of these monastic lineages and practices enriches our understanding of Buddhism in Thailand and elsewhere.
Too often, observers of globalization take for granted that the common ground across cultures is a thin layer of consumerism and perhaps human rights. If so, then anything deeper and more traditional would be placebound, and probably destined for the dustbin of history. But must this be so? Must we assume--as both liberals and traditionalists now tend to do--that one cannot be a cosmopolitan and take traditions seriously at the same time? This book offers a radically different argument about how traditions and global citizenship can meet, and suggests some important lessons for the contours of globalization in our own time. Adam K. Webb argues that if we look back before modernity, we find a very different line of thinking about what it means to take the whole world as one’s horizon. Digging into some fascinating currents of thought and practice in the ancient world, the Middle Ages, and the early modern period, across all major civilizations, Webb is able to reveal patterns of "deep cosmopolitanism", with its logic quite unlike that of liberal globalization today. In their more cosmopolitan moments, everyone from clerics to pilgrims to empire-builders was inclined to look for deep ethical parallels—points of contact—among civilizations and traditions. Once modernity swept aside the old civilizations, however, that promise was largely forgotten. We now have an impoverished view of what it means to embrace a tradition and even what kinds of conversations across traditions are possible. In part two, Webb draws out the lessons of deep cosmopolitanism for our own time. If revived, it has something to say about everything from the rise of new non-Western powers like China and India and what they offer the world, to religious tolerance, to global civil society, to cross-border migration. Deep Cosmopolis traces an alternative strand of cosmopolitan thinking that cuts across centuries and civilizations. It advances a new perspective on world history, and a distinctive vision of globalization for this century which has the real potential to resonate with us all.