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Captain Sherer’s record of service in the Peninsular War is second to none. A hard campaigner, he served with the 34th Foot at Busaco, Badajoz, Albuera, Arroyo Molinos, Vittoria and the Pyrenees, during which he was taken prisoner by the advancing French. In this, his service was no different to huge numbers of officers, a good number of whom left their memoirs to posterity. What marks out Sherer and his recollections is their quality. His descriptions of himself, his men and, above all, the actions that he took part in are of the first order, quoted with great frequency by historians - an example of which is below (from his description of the hard fighting at Albuera): 'The French grenadier caps, their arms, and the whole aspect of their frowning masses. It was a momentary, but grand sight: a heavy atmosphere of smoke again enveloped us, and few objects could be discerned at all, none distinctly... This murderous contest of musketry lasted long. We were the whole time progressively advancing and shaking the enemy. 'At a distance of about twenty yards from them we received orders to charge; we had ceased firing, cheered, and had our bayonets in the charging position, when a body of the enemy’s horse was discovered under the rising ground, ready to take advantage of our impetuosity. Already, however, the French infantry, alarmed by our preparatory cheers, which always indicate the charge, had broke and fled.' A fantastic memoir that deserves reading and re-reading. Author — Captain Joseph Moyle Sherer (1789-1869)
'Describing narrow squeaks and terrible deprivations, Harris's unflowery account of fortitude and resilience in Spain still bristles with a freshness and an invigorating spikiness' SCOTLAND ON SUNDAY 'A most vivid record of the war in Spain and Portugal against Napoleon' MAIL ON SUNDAY Benjamin Harris was a young shepherd from Dorset who joined the army in 1802 and later joined the dashing 95th Rifles. His battalion was ordered to Portugal, where he marched under the burning sun, weighed down by his kit and great-coat, plus all the tools and leather he had to carry as the battalion's cobbler - 'the lapstone I took the liberty of flinging to the Devil'. Rifleman Harris was a natural story-teller with a remarkable tale to unfold, and his Recollections have become one of the most popular military books of all time.
Many books have been written about the British struggle against Napoleon in the Peninsula. A few recent studies have given a broader view of the ebb and flow of a long war that had a shattering impact on Spain and Portugal and marked the history of all the nations involved. But none of these books has concentrated on how these momentous events were perceived and understood by the people who experienced them. Charles Esdaile has brought together a vivid selection of contemporary accounts of every aspect of the war to create a panoramic yet minutely detailed picture of those years of turmoil. The story is told through memoirs, letters and eyewitness testimony from all sides. Instead of generals and statesmen, we mostly hear from less-well-known figures - junior officers and ordinary soldiers and civilians who recorded their immediate experience of the conflict.
Examining the memoirs and autobiographies of British soldiers during the Romantic period, Neil Ramsey explores the effect of these as cultural forms mediating warfare to the reading public during and immediately after the French Revolutionary and Napoleonic wars. Forming a distinct and commercially successful genre that in turn inspired the military and nautical novels that flourished in the 1830s, military memoirs profoundly shaped nineteenth-century British culture's understanding of war as Romantic adventure, establishing images of the nation's middle-class soldier heroes that would be of enduring significance through the nineteenth and twentieth centuries. As Ramsey shows, the military memoir achieved widespread acclaim and commercial success among the reading public of the late Romantic era. Ramsey assesses their influence in relation to Romantic culture's wider understanding of war writing, autobiography, and authorship and to the shifting relationships between the individual, the soldier, and the nation. The memoirs, Ramsey argues, participated in a sentimental response to the period's wars by transforming earlier, impersonal traditions of military memoirs into stories of the soldier's personal suffering. While the focus on suffering established in part a lasting strand of anti-war writing in memoirs by private soldiers, such stories also helped to foster a sympathetic bond between the soldier and the civilian that played an important role in developing ideas of a national war and functioned as a central component in a national commemoration of war.
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