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While the history of the uniformed police has prompted considerable research, the historical study of police detectives has been largely neglected; confined for the most part to a chapter or a brief mention in books dealing with the development of the police in general. The collection redresses this imbalance. Investigating themes central to the history of detection, such as the inchoate distinction between criminals and detectives, the professionalisation of detective work and the establishment of colonial police forces, the book provides a the first detailed examination of detectives as an occupational group, with a distinct occupational culture. Essays discuss the complex relationship between official and private law enforcers and examine the ways in which the FBI in the U.S.A. and the Gestapo in Nazi Germany operated as instruments of state power. The dynamic interaction between the fictional and the real life image of the detective is also explored. Expanding on themes and approaches introduced in recent academic research of police history, the comparative studies included in this collection provide new insights into the development of both plain-clothes policing and law enforcement in general, illuminating the historical importance of bureaucratic and administrative changes that occurred within the state system.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1859 edition. Excerpt: ... "FOUND DROWNED." Early on a calm summer morning, now many years ago, the naked body of a middle-aged man was discovered on the shore westward of Cowes, in the Isle of Wight, near a place called by the fantastical name of Egypt. The deceased's clothes were found at a short distance from the body, and the natural presumption was that he had been drowned whilst bathing. A valuable gold watch, and a purse containing a considerable sum of money, were safe in a pocket of his trousers; but no letters or papers that could lead to his identification were found. He was a stranger in the Wight, and it was soon ascertained that he had been Btopping for the previous three or four weeks at the Fountain Inn, West Cowes, where he was known as Mr. Jones. This misnomer was rectified by Mr. Hearne, a solicitor of Newport, who knew him to be James Blake, landlord of the Three Tuns, St. Giles's, London, and that he had come to the island in avoidance of his creditors, till such time as an offered composition should have been successfully carried out. Blake had consulted Mr. Hearne professionally, out of mere impatient restlessness of mind it seemed, and so far disclosed his position, as well as his real name; but it appearing that an attorney was acting for him in London, Mr. Hearne declined to interfere in the business. Blake having first tendered a fee, which was not accepted, went away, and was not seen again by the solicitor till, hearing of his death, Mr. Hearne presented himself before the inquest to identify the body, and state what he knew of the deceased. The verdict returned, after a slight, slovenly inquiry, was an open one--" Found drowned." The press, as it has done a thousand times beforo and since in much more important instances, remedied the...
Explores the diverse and often arcane world of English police detectives during the formative period of their profession, from 1842 until the First World War, with special emphasis on the famed detective branch established at Scotland Yard.
This book re-imagines nineteenth-century detective fiction as a literary genre that was connected to, and nurtured by, contemporary periodical journalism. Whilst ‘detective fiction’ is almost universally-accepted to have originated in the nineteenth century, a variety of widely-accepted scholarly narratives of the genre’s evolution neglect to connect it with the development of a free press. The volume traces how police officers, detectives, criminals, and the criminal justice system were discussed in the pages of a variety of magazines and journals, and argues that this affected how the wider nineteenth-century society perceived organised law enforcement and detection. This, in turn, helped to shape detective fiction into the genre that we recognise today. The book also explores how periodicals and newspapers contained forgotten, non-canonical examples of ‘detective fiction’, and that these texts can help complicate the narrative of the genre’s evolution across the mid- to late nineteenth century.
In English and American cultures, detective fiction has a long and illustrious history. Its origins can be traced back to major developments in Anglo-American law, like the concept of circumstantial evidence and the rise of lawyers as heroic figures. Edgar Allen Poe's writings further fueled this cultural phenomenon, with the use of enigmas and conundrums in his detective stories, as well as the hunt-and-chase action of early police detective novels. Poe was only one staple of the genre, with detective fiction contributing to a thriving literary market that later influenced Arthur Conan Doyle's work. This text examines the emergence of short detective fiction in the nineteenth century, as well as the appearance of detectives in Victorian novels. It explores how the genre has captivated readers for centuries, with the chapters providing a framework for a more complete understanding of nineteenth-century detective fiction.
_______________ A beautiful new limited edition paperback of The Suspicions of Mr. Whicher, published as part of the Bloomsbury Modern Classics list _______________ WINNER OF THE SAMUEL JOHNSON PRIZE FOR NON-FICTION THE NUMBER ONE BESTSELLER A RICHARD AND JUDY BOOK CLUB PICK _______________ 'A remarkable achievement' - Sunday Times 'A classic, to my mind, of the finest documentary writing' - John le Carré 'Absolutely riveting' - Sarah Waters, Guardian _______________ On a summer's morning in 1860, the Kent family awakes in their elegant Wiltshire home to a terrible discovery; their youngest son has been brutally murdered. When celebrated detective Jack Whicher is summoned from Scotland Yard he faces the unenviable task of identifying the killer – when the grieving family are the suspects. The original Victorian whodunnit, the murder and its investigation provoked national hysteria at the thought of what might be festering behind the locked doors of respectable homes – scheming servants, rebellious children, insanity, jealousy, loneliness and loathing. _______________ 'Nothing less than a masterpiece' - Craig Brown, Mail on Sunday 'Terrific' - Ian Rankin 'A triumph' - Observer 'Gripping, unputdownable' - Sunday Telegraph 'A terrific read in the Wilkie Collins tradition' - Susan Hill 'The best whodunnit of the year - and it's all true ... Agatha Christie, eat your heart out' - Sebastian Shakespeare, Tatler